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While the twentieth century’s conflicting visions and exploitation of the Middle East are well documented, the origins of the concept of the Middle East itself have been largely ignored. With Dislocating the Orient, Daniel Foliard tells the story of how the land was brought into being, exploring how maps, knowledge, and blind ignorance all participated in the construction of this imagined region. Foliard vividly illustrates how the British first defined the Middle East as a geopolitical and cartographic region in the nineteenth and early twentieth centuries through their imperial maps. Until then, the region had never been clearly distinguished from “the East” or “the Orient.” In the course of their colonial activities, however, the British began to conceive of the Middle East as a separate and distinct part of the world, with consequences that continue to be felt today. As they reimagined boundaries, the British produced, disputed, and finally dramatically transformed the geography of the area—both culturally and physically—over the course of their colonial era. Using a wide variety of primary texts and historical maps to show how the idea of the Middle East came into being, Dislocating the Orient will interest historians of the Middle East, the British empire, cultural geography, and cartography.
While the twentieth century’s conflicting visions and exploitation of the Middle East are well documented, the origins of the concept of the Middle East itself have been largely ignored. With Dislocating the Orient, Daniel Foliard tells the story of how the land was brought into being, exploring how maps, knowledge, and blind ignorance all participated in the construction of this imagined region. Foliard vividly illustrates how the British first defined the Middle East as a geopolitical and cartographic region in the nineteenth and early twentieth centuries through their imperial maps. Until then, the region had never been clearly distinguished from “the East” or “the Orient.” In the course of their colonial activities, however, the British began to conceive of the Middle East as a separate and distinct part of the world, with consequences that continue to be felt today. As they reimagined boundaries, the British produced, disputed, and finally dramatically transformed the geography of the area—both culturally and physically—over the course of their colonial era. Using a wide variety of primary texts and historical maps to show how the idea of the Middle East came into being, Dislocating the Orient will interest historians of the Middle East, the British empire, cultural geography, and cartography.
Outskirts of Empire: Studies in British Power Projection investigates the substructure of Britain’s interests in the Near East and beyond during the nineteenth and twentieth centuries. Essays address themes in British power projection in a geographically wide area encompassing parts of the Ottoman Empire, Morocco and Abyssinia, illuminating interlinking elements of Britain’s power and presence through commerce, religion, consular activity, expatriates, travel and exploration and technology. Through careful investigation of the interface of these themes the book develops a deeper sense of Britain’s presence in the Near East and contiguous areas and highlights the network of Britons who were required to sustain that presence.
The “Middle East” has long been an indispensable and ubiquitous term in discussing world affairs, yet its history remains curiously underexplored. Few question the origin of the term or the boundaries of the region, commonly understood to have emerged in the twentieth century after World War I. Guillemette Crouzet offers a new account in Inventing the Middle East. The book traces the idea of the Middle East to a century-long British imperial zenith in the Indian subcontinent and its violent overspill into the Persian Gulf and its hinterlands. Encroachment into the Gulf region began under the expansionist East India Company. It was catalyzed by Napoleon’s invasion of Egypt and heightened by gunboat attacks conducted in the name of pacifying Arab “pirates.” Throughout the 1800s the British secured this crucial geopolitical arena, transforming it into both a crossroads of land and sea and a borderland guarding British India’s western flank. Establishing this informal imperial system involved a triangle of actors in London, the subcontinent, and the Gulf region itself. By the nineteenth century’s end, amid renewed waves of inter-imperial competition, this nexus of British interests and narratives in the Gulf region would occasion the appearance of a new name: the Middle East. Charting the spatial, political, and cultural emergence of the Middle East, Inventing the Middle East reveals the deep roots of the twentieth century’s geographic upheavals.
Dislocating Globality: Deterritorialization, Difference and Resistance offers a broad panorama of critical approaches to globalization, its effects, the critique of neoliberalism, and discusses various forms of resistance to its monocultural raison d’être. The authors in this volume address these issues from a variety of perspectives – theoretical, as well as geographically diverse case-based analyses ranging from South Asia, the Middle East, Latin America, Europe, and Australia in attempt to show the diverse effects of globalization, and varied forms of negotiating globalization on a local level. Contributors are: Allie Biswas, Katherine Burrows, Jacob P. Chamberlain, Vytis Čiubrinskas, Maria Halouva, Jeanne Kay, Mara Matta, Gintautas Mažeikis, Dennis Mehmet, Beatriz Miranda-Galarza, Mustafa Mustafa, Abhijeet Paul, Šarūnas Paunksnis, and Némésis Srour.
Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook’s fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.
Why is it that we so readily accept the boundary lines drawn around nations or around regions like ‘Asia’ as though they were natural and self-evident, when in fact they are so mutable and often so very arbitrary? What happens to people not only when the borders they seek to cross become heavily guarded, but also when new borders are drawn straight through the middle of their lives? The essays in this book address these questions by starting from small places on the borderlands of East Asia and looking outwards from the small towards the large, asking what these ‘minor pasts’ tell us about the grand narratives of history. In the process, it takes the reader on a journey from Renaissance European visions of ‘Tartary’, through nineteenth-century racial theorising, imperial cartography and indigenous experiences of modernity, to contemporary debates about Big History in an age of environmental crisis.
Traditionally, in general studies of the First World War, the Middle East is an arena of combat that has been portrayed in romanticised terms, in stark contrast to the mud, blood, and presumed futility of the Western Front. Battles fought in Egypt, Palestine, Mesopotamia, and Arabia offered a different narrative on the Great War, one in which the agency of individual figures was less neutered by heavy artillery. As with the historiography of the Western Front, which has been the focus of sustained inquiry since the mid-1960s, such assumptions about the Middle East have come under revision in the last two decades – a reflection of an emerging ‘global turn’ in the history of the First World War. The ‘sideshow’ theatres of the Great War – Africa, the Middle East, Eastern Europe, and the Pacific – have come under much greater scrutiny from historians. The fifteen chapters in this volume cover a broad range of perspectives on the First World War in the Middle East, from strategic planning issues wrestled with by statesmen through to the experience of religious communities trying to survive in war zones. The chapter authors look at their specific topics through a global lens, relating their areas of research to wider arguments on the history of the First World War.
This compelling analysis of the modern Middle East - based on research in 19 archives and numerous languages - shows the transition from an internal history characterised by local realities that were plural and multidimensional, and where identities were flexible and hybrid, to a simplified history largely imagined and imposed by external actors. The author demonstrates how the once-heterogeneous identities of Middle Eastern peoples were sealed into a standardised and uniform version that persists to this day. He also sheds light on the efforts that peoples in the region - in the context of a new process of homogenisation of diversities - are exerting in order to get back into history, regaining possession of their multifaceted pasts.
History Below the Global aims to foster an entangled knowledge of global history, and to place "others" at the centre stage, to better understand the fluid world which we inhabit. Relying on primary sources in seven languages and books written by hundreds of African, Asian, Middle Eastern and South American scholars, Lorenzo Kamel examines the coloniality of power in historical research and sheds light on the largely neglected roles of the "others" and their modernities in history. The book provides three elements combined. Firstly, a thorough analysis of the process of accumulation (“knowledge piece by piece”) which underpins some of the major achievements in human history. Secondly, a view on pre-colonial perspectives and the process through which the latter have been swallowed up by Eurocentric and solipsistic perceptions. Lastly, a study of the roots and outcomes of colonialisms and their echoes in our present. These three elements are addressed by combining multiple methodologies and approaches, in the awareness that the history analysed, as well as the historiographical trajectories that underlie it, are ultimately inter-penetrable, as well as themselves the result of a process of accumulation. History Below the Global challenges the view that, first and foremost, the “West”, for bad and for good, is and was the centre: the proactive actor which did and undid. This volume will be of value to all those interested in global history, the history of colonialism, post-colonial studies, modern and contemporary history.