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A Breton princess at the peak of the French Renaissance, Lilac lives prisoner in her parents' castle after a wicked secret is revealed on the eve of her tenth birthday soirée. Years later, her coronation ceremony looms, and between the riotous townsfolk and scheming nobleman bent on snatching the throne, Lilac prepares for the worst... Until a mysterious letter arrives from The Witch of Lupine Grotto, detailing a curious offer to cure her darkness forever. Lilac begrudgingly trades her coronet for a cloak and ventures into the forest Brocéliande in pursuit of the impious enchantress at the edge of town. With only the protection of an inherited dagger-and unsolicited help of the sardonic stranger who inserts himself on her quest-she must traverse Brocèliande and return in time to claim her rightful position as sovereign monarch. This is the story of a cursed princess, A crestfallen killer, The town that wants them to burn, And the witch that can save them both.
This companion to Grounded combines humor, revolution, magic, and romance for the most delightful "Cinderella" retelling since Ella Enchanted. Ella Coach has one wish: revolution. Her mother died working in a sweatshop, and Ella wants every laborer in the Blue Kingdom to receive fairer treatment. But to make that happen, she'll need some high-level support...Prince Dash Charming has one wish: evolution. The Charming Curse forced generations of Charming men to lie, cheat, and break hearts -- but with the witch Envearia's death, the curse has ended. Now Dash wants to be a better person, but he doesn't know where to start...Serge can grant any wish -- and has: As an executive fairy godfather, he's catered to the wildest whims of spoiled teenagers from the richest, most entitled families in Blue. But now a new name has come up on his list, someone nobody's ever heard of... Ella Coach.This is a story about three people who want something better and who together find the faith to change their worlds. It's "Cinderella," brilliantly reimagined, and a delightful expansion of the wonderful world of Tyme.
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
The first book in a new paranormal romance series by New York Times bestselling author Lynn Viehl. In the Provincial Union of Victoriana, a steampunk America that lost the Revolutionary War, Charmian “Kit” Kittredge makes her living investigating crimes of magic. While Kit tries to avoid the nobs of high society, she follows mysteries wherever they lead. In the Provincial Union of Victoriana, a steampunk America that lost the Revolutionary War, Charmian “Kit” Kittredge makes her living investigating crimes of magic. While Kit tries to avoid the nobs of high society, she follows mysteries wherever they lead. Unlike most folks, Kit doesn’t believe in magic, but she can’t refuse to help Lady Diana Walsh, who claims a curse is viciously wounding her while she sleeps. As Kit investigates the Walsh family, she becomes convinced that the attacks are part of a more ominous plot—one that may involve the lady’s obnoxious husband. Sleuthing in the city of Rumsen is difficult enough, but soon Kit must also skirt the unwanted attentions of a nefarious deathmage and the unwelcome scrutiny of the police chief inspector. Unwilling to surrender to either man’s passion for her, Kit struggles to remain independent as she draws closer to the heart of the mystery. For the truth promises to ruin her life—and turn Rumsen into a supernatural battleground from which no one will escape alive.
This book is the first full-length study of the ongoing debate over the status of our "disenchanted" world--a world stripped of mysterious and supernatural forces by the demythologizing power of reason and modern science. It draws together for the first time the writings of various theorists on this theme, such as Georg Lukacs, Theodor Adorno, and Jürgen Habermas, providing a coherent overview of an evolving dialogue, as well as Germain's own evaluation of the disenchantment problematic.
Summers, p. 298. Important gay novelist. Pseudonym of Julien Viaud, 1850-1923. This title not cited.
I may be in the middle of nowhere, but I still have standards! Like it's not bad enough Daddy's in jail for embezzlement (he's a super-successful Hollywood agent, btw, and totally innocent), but since my fashion-model mom died when I was a baby (I'm sure you've seen the E! True Hollywood Story) I've been shipped off to Possum Grape, Arkansas, to live with relatives I've never even met. You read that right: Possum. Grape. Not only is there no Starbucks in this town, but I'm sharing a room with a six-year-old and I'm about to miss the biggest social event of the year back in L.A. I'm not sure how yet, but I will get back to civilization. Until then, I may be stuck on a farm, but no one's gonna keep me from ruling the roost!
Wolfgang Schivelbusch tells the story of the development of artificial light in the nineteenth century. Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subjects including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.
Enchanting a Disenchanted World is a unique analysis of the world of consumption, examining how we are different consumers now, than we were in the past. The Second Edition includes: a new chapter on the 'landscapes of consumption'; a new section devoted to the historical importance of the early Parisian arcades and to the thinking of the important social theorist, Walter Benjamin, on these sites; and, discussion of Disney's upcoming theme park in Hong Kong, the new Queen Mary II, the soon-to-be completed casino resort Wynn Las Vegas and many more
Leads scholars and anyone who cares about the humanities into more effectively analyzing the fate of the humanities and digging into the very idea of the humanities as a way to find meaning and coherence in the world. The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show, this crisis isn’t new—in fact, it’s as old as the humanities themselves. Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world. ,