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This volume is the third in elaboration of a self-consistent and comprehensive philosophical system comprising the areas of metaphysics (volume one), ethics (volume two), and epistemology (volume three). Consciousness is conceived as the principal transcendental agency bringing all of manifestation into existence. The current work focuses on methods of cognition: sensory representations, ratiocination, intuition, mystical revelation, and the parapsychological skills pertaining to telepathy, clairvoyance, and precognition. The discipline of psychophysics is conceived as the unifier for all modalities. There is developed both a qualitative and a quantitative mechanism for gaining knowledge. Knowledge accumulation was proposed in volume two to be the ethical goal of all lifeforms. The purpose toward which that goal is placed in service is in resolution of the metaphysical crisis detailed in volume one.
An in-depth investigation into the phenomenology of conscious experience - the nature of awareness; introspection; phenomenal space and time consciousness. A fascinating and probing study.
Based on a clear physical definition of the Mind given in the previous volume of the “Symphony of Matter and Mind” series, the author begins to formulate a unified concept of the Brain and Mind which will be developed in this and subsequent volumes. All mental phenomena, from basic sensory-motor to higher abstract-verbal, are the result of neural encoding of the external world signals and internal bodily signals into representations constituting the model of reality for the purpose of controlling the body and adapting to this reality. Thus, any theory of the brain faces the question of the nature of the neural code which could explain the observed speed and efficiency, scope and complexity of the computational process that we call the Mind. The mainstream theories of neuroscience that consider neural activity as trains of discrete identical spikes (various firing rate coding and temporal coding models) contradict the reality of the information density of neural computing. That is why, despite huge efforts by generations of researchers, this approach did not lead to deciphering the neural code. We know the details of the neural processes down to the molecular level but the brain remains a ‘black box’ that we cannot read. It is the outcome of the wrong theoretical assumption that should be revised. The author creates the concept of a neural code that overcomes the shortcomings of old models. There is another problem that cannot be avoided by any theory of consciousness. It is not enough to say that the brain creates the psyche as this leaves an explanatory gap. We need to show how this physiological system generates mental phenomena physically. The Mind is a technological process that works according to a certain algorithm based on physical laws. The author’s theory offers a fundamentally new approach to the nervous system that bridges physiology and psychology by illuminating the algorithm and the physics of the Mind from the intracellular to the system-wide level.
Stream of Consciousness is about the phenomenology of conscious experience. Barry Dainton shows us that stream of consciousness is not a mosaic of discrete fragments of experience, but rather an interconnected flowing whole. Through a deep probing into the nature of awareness, introspection, phenomenal space and time consciousness, Dainton offers a truly original understanding of the nature of consciousness.
What makes our brain a brain? This is the central question posited in Unlocking the Brain. By providing a fascinating venture into different territories of neuroscience, psychiatry, and philosophy, the author takes a novel exploration of the brain's resting state in the context of the neural code, and its ability to yield consciousness.
The Continuity of Mind presents a systematic overview of how perception, cognition, and action are partially overlapping segments of one continuous mental flow, rather than three distinct mental systems. The book is essential reading for those interested in the progression of the Dynamical Cognition movement.
Ontology after Philosophical Psychology addresses the question of William James’s continuity of consciousness, with a view to its possible actualizations. In particular, Michela Bella critically delineates James's discourse. In the wake of Darwin's theory of evolution at the end of the nineteenth century, James's reflections emerged in the field of physiological psychology, where he developed for the case for a renewed epistemology and a new metaphysical framework to help us understand the most interesting theories and scientific discoveries about the human mind. Bella’s analysis of the theme of continuity makes it possible to appreciate, both historically and theoretically, the importance of James's gradual transition from making observations of experimental psychology on the continuity of thought to developing an epistemological and ontological argument that continuity is a characteristic of experience and reality. This analysis makes it possible both to clarify James's position in relation to his historical context and to highlight the most original results of his work.
To demystify creative work without reducing it to simplistic formulas, Doris Wallace and Howard Gruber, one of the world's foremost authorities on creativity, have produced a unique book exploring the creative process in the arts and sciences. The book's original "evolving systems approach" treats creativity as purposeful work and integrates cognitive, emotional, aesthetic, and motivational aspects of the creative process. Twelve revealing case studies explore the work of such diverse people as William Wordsworth, Albert Einstein, Jean Piaget, Anais Nin, and Charles Darwin. The case study approach is discussed in relation to other methods such as biography, autobiography, and psychobiology. Emphasis is given to the uniqueness of each creative person; the social nature of creative work is also treated without losing the sense of the individual. A final chapter considers the relationship between creativity and morality in the nuclear age. In addition to developmental psychologists and cognitive scientists, this study offers fascinating insights for all readers interested in the history of ideas, scientific discovery, artistic innovation, and the interplay of intuition, inspiration, and purposeful work.
The contributions to this book are original articles, representing a cross-section of current philosophical work on consciousness and thereby allowing students and readers from other disciplines to acquaint themselves with the very latest debate, so that they can then pursue their own research interests more effectively. The volume includes a bibliography on consciousness in philosophy, cognitive science and brain research, covering the last 25 years and consisting of over 1000 entries in 18 thematic sections, compiled by David Chalmers and Thomas Metzinger.