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This is a guidebook to the North York Moors National Park.
A guidebook to 50 walks in the North York Moors, the largest continuous expanse of heather moorland in England. Routes range from short and easy low-level walks to long and strenuous routes across the high moors, including the Lyke Wake Walk – a 4-stage, 65km (40 mile) route traversing the national park from west to east. The walks range in length from 7–22km (4–14 miles) and can be enjoyed in between 2 and 7 hours. They are arranged by area into the Tabular Hills, Hambleton Hills, Cleveland Hills, Northern Moors, High Moors, Eastern Moors and Cleveland Coast. 1:50,000 OS maps included for each walk Sized to easily fit in a jacket pocket GPX files available to download Detailed information on terrain, refreshments and public transport for each walk Information given on local history and archaeology
This revised edition is an accumulation of two decades of research and fieldwork by the authors, and presents a comprehensive account of the little known prehistoric rock art within the North York Moors area. It covers Northern England's last major area of rock art and describes the geographical and moorland setting of sites including those associated with other archaeological monuments. Its main focus remains the rock art on Fylingdales Moor near Ravenscar where, following a devastating moorland fire in 2003, over 200 sites were recorded including the stunning 'Linear Marked Stone'. Included is a new section on recording techniques using laser, photogrammetry and other methods, an updated gazetteer of recently discovered rock art sites in the North York Moors area, and appendices providing details of recent major discoveries within the area. The book offers a rational, clearcut and invaluable source of information to all those with an interest in or intention to study rock art. Paul Brown, independent archaeologist, has discovered many of the finest examples of prehistoric rock art in the UK, and has researched the rock art of regions such as Cumbria, Durham, Northumberland and Scotland.
Granta Best Young British Novelist and Sunday Times Young Writer of the Year, Shortlisted for NINE literary awards 'Ross Raisin's story of how a disturbed but basically well-intentioned rural youngster turns into a malevolent sociopath is both chilling in its effect and convincing in its execution' J. M. Coetzee 'Utterly frightening and electrifying' Joshua Ferris 'Astonishing, funny, unsettling ... An unforgettable creation [whose] literary forebears include Huckleberry Finn, Holden Caulfield and Alex from A Clockwork Orange' The Times 'Remarkable, compelling, very funny and very disturbing . . . like no other character in contemporary fiction' Sunday Times In God's Own Country, one of the most celebrated debut novels of recent years, Ross Raisin tells the story of solitary young farmer, Sam Marsdyke, and his extraordinary battle with the world. Expelled from school and cut off from the town, mistrusted by his parents and avoided by city incomers, Marsdyke is a loner until he meets rebellious new neighbour Josephine. But what begins as a friendship and leads to thoughts of escape across the moors turns to something much, much darker with every step. 'Powerful, engrossing, extraordinary, sinister, comic. A masterful debut' Observer
During the early modern period, hundreds of Turks and Moors traded in English and Welsh ports, dazzled English society with exotic cuisine and Arabian horses, and worked small jobs in London, while the "Barbary Corsairs" raided coastal towns and, if captured, lingered in Plymouth jails or stood trial in Southampton courtrooms. In turn, Britons fought in Muslim armies, traded and settled in Moroccan or Tunisian harbor towns, joined the international community of pirates in Mediterranean and Atlantic outposts, served in Algerian households and ships, and endured captivity from Salee to Alexandria and from Fez to Mocha. In Turks, Moors, and Englishmen, Nabil Matar vividly presents new data about Anglo-Islamic social and historical interactions. Rather than looking exclusively at literary works, which tended to present unidimensional stereotypes of Muslims—Shakespeare's "superstitious Moor" or Goffe's "raging Turke," to name only two—Matar delves into hitherto unexamined English prison depositions, captives' memoirs, government documents, and Arabic chronicles and histories. The result is a significant alternative to the prevailing discourse on Islam, which nearly always centers around ethnocentrism and attempts at dominance over the non-Western world, and an astonishing revelation about the realities of exchange and familiarity between England and Muslim society in the Elizabethan and early Stuart periods. Concurrent with England's engagement and "discovery" of the Muslims was the "discovery" of the American Indians. In an original analysis, Matar shows how Hakluyt and Purchas taught their readers not only about America but about the Muslim dominions, too; how there were more reasons for Britons to venture eastward than westward; and how, in the period under study, more Englishmen lived in North Africa than in North America. Although Matar notes the sharp political and colonial differences between the English encounter with the Muslims and their encounter with the Indians, he shows how Elizabethan and Stuart writers articulated Muslim in terms of Indian, and Indian in terms of Muslim. By superimposing the sexual constructions of the Indians onto the Muslims, and by applying to them the ideology of holy war which had legitimated the destruction of the Indians, English writers prepared the groundwork for orientalism and for the eighteenth- and nineteenth-century conquest of Mediterranean Islam. Matar's detailed research provides a new direction in the study of England's geographic imagination. It also illuminates the subtleties and interchangeability of stereotype, racism, and demonization that must be taken into account in any responsible depiction of English history.