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These memoirs, illustrated with over 400 photo­graphs, will delight anyone interested in gardens or in the Roman world. They tell the human and the scientific story of how a woman from a small town in Nebraska learned more about the gardens of Pompeii than anyone thought possible. A master raconteur, professor of ancient history and teacher of a popular general humanities class at the University of Maryland, Wilhelmina Jashemski will fascinate both the Pompeian expert and the newcomer to the subject. She set out in 1955 with her husband, Stanley Jashemski, to explore the gardens of the Roman empire with the intent to write a scholarly book on the subject. At first she thought Pompeii would be only one chapter. As she got into the subject, however, she realized that many years were required to do justice to the gardens of the Vesuvian area alone. In 1961, the Italian authorities, impressed by the thoroughness of her study of existing materials, allowed her to re-excavate an open area. She surprised everyone by finding root cavities and revealing the planting pattern of an ancient vineyard. She was then able to excavate extensively in Pompeii and at the newly discovered grand villa of Oplontis nearby. Stanley Jashemski, a physicist by profession, became a skilled photographer, draftsman, and general travel and research manager. Using the best photographic equipment available at the time, he recorded both the results of their research and the life around them. In this volume, his pictures illustrate findings and events in Pompeii and Oplontis and also the stories of their travels through England, France, Germany, Switzerland, Austria, Poland, Greece, Egypt, Spain and Portugal. The intended chapter on Pompeii turned into two magnificent volumes, The Gardens of Pompeii, Herulaneum and the Villas Destroyed by Vesuvius, for which Wilhelmina received the gold medal of the American Institute of Archaeology. She involved numerous natural scientists in the study of material from her field work, and together they produced a third volume, The Natural History of Pompeii. Her letters to her sister's children became the basis of a much-loved children's book, Letters from Pompeii, which remains an excellent introduction to Pompeii for children of any age, 8 to 80. Her observations of the use of herbs for medicine by her workers led to the book A Pompeian Herbal. Stanley's magnificent photographs were complemented by Wilhelmina's knowledge of ancient writings on herbs in Wildflowers Amid the Ruins. Now again Stanley's pictures combine with Wilhelmina's words in this posthumous publication of her memoirs of a remarkable life. All photographs in this edition are in black and white. A full-color edition is available at a higher cost. The text and pictures are otherwise the same in both editions.
These memoirs, illustrated with over 400 photo­graphs, will delight anyone interested in gardens or in the Roman world. They tell the human and the scientific story of how a woman from a small town in Nebraska learned more about the gardens of Pompeii than anyone thought possible. A master raconteur, professor of ancient history and teacher of a popular general humanities class at the University of Maryland, Wilhelmina Jashemski will fascinate both the Pompeian expert and the newcomer to the subject. She set out in 1955 with her husband, Stanley Jashemski, to explore the gardens of the Roman empire with the intent to write a scholarly book on the subject. At first she thought Pompeii would be only one chapter. As she got into the subject, however, she realized that many years were required to do justice to the gardens of the Vesuvian area alone. In 1961, the Italian authorities, impressed by the thoroughness of her study of existing materials, allowed her to re-excavate an open area. She surprised everyone by finding root cavities and revealing the planting pattern of an ancient vineyard. She was then able to excavate extensively in Pompeii and at the newly discovered grand villa of Oplontis nearby. Stanley Jashemski, a physicist by profession, became a skilled photographer, draftsman, and general travel and research manager. Using the best photographic equipment available at the time, he recorded both the results of their research and the life around them. In this volume, his pictures illustrate findings and events in Pompeii and Oplontis and also the stories of their travels through England, France, Germany, Switzerland, Austria, Poland, Greece, Egypt, Spain and Portugal. The intended chapter on Pompeii turned into two magnificent volumes, The Gardens of Pompeii, Herulaneum and the Villas Destroyed by Vesuvius, for which Wilhelmina received the gold medal of the American Institute of Archaeology. She involved numerous natural scientists in the study of material from her field work, and together they produced a third volume, The Natural History of Pompeii. Her letters to her sister's children became the basis of a much-loved children's book, Letters from Pompeii, which remains an excellent introduction to Pompeii for children of any age, 8 to 80. Her observations of the use of herbs for medicine by her workers led to the book A Pompeian Herbal. Stanley's magnificent photographs were complemented by Wilhelmina's knowledge of ancient writings on herbs in Wildflowers Amid the Ruins. Now again Stanley's pictures combine with Wilhelmina's words in this posthumous publication of her memoirs of a remarkable life. All photographs in this edition are in full color. A black-and-white edition is available at a lower cost. The text and pictures are otherwise the same in both editions.
A study of Pompeiian frescoes reveals that the Vesuvian landscape of 79 AD included a vast and beautiful variety of fauna and flora. This lavishly illustrated volume combines botanical images depicted in Pompeiian art with present-day photographs of gardens in the region to give a complete understanding of the fruits, vegetables, pollens, seeds, and other plants of Pompeii. An appendix of botanical Latin names helps readers identify the plants featured in this handsome, informative book.
When workmen excavating the ruins of Pompeii eagerly gathered the native medicinal plants growing there, Wilhelmina Jashemski discovered that this was another example of the continuity of life in the shadow of Vesuvius. Many of the plants used for herbal medicine around Pompeii today are the same ones that ancient authorities such as Pliny the Elder and Dioscorides recommended for treating the same types of disorders. In this book, Jashemski presents an herbal of thirty-six medicinal plants, most of them known to the ancients and still employed today. She describes each plant's contemporary medicinal uses and compares them to ancient practices as recorded in literary sources. Scientific, English, and Italian names and the plant's mythological associations complete the entries, while elegant, full-page portraits depict each plant visually.
Pompeii's tragedy is our windfall: an ancient city fully preserved, its urban design and domestic styles speaking across the ages. This richly illustrated book conducts us through the captured wonders of Pompeii, evoking at every turn the life of the city as it was 2,000 years ago. When Vesuvius erupted in 79 A.D. its lava preserved not only the Pompeii of that time but a palimpsest of the city's history, visible traces of the different societies of Pompeii's past. Paul Zanker, a noted authority on Roman art and architecture, disentangles these tantalizing traces to show us the urban images that marked Pompeii's development from country town to Roman imperial city. Exploring Pompeii's public buildings, its streets and gathering places, we witness the impact of religious changes, the renovation of theaters and expansion of athletic facilities, and the influence of elite families on the city's appearance. Through these stages, Zanker adeptly conjures a sense of the political and social meanings in urban planning and public architecture. The private houses of Pompeii prove equally eloquent, their layout, decor, and architectural detail speaking volumes about the life, taste, and desires of their owners. At home or in public, at work or at ease, these Pompeians and their world come alive in Zanker's masterly rendering. A provocative and original reading of material culture, his work is an incomparable introduction to urban life in antiquity.
"Richly illustrated with historical images and new images of the site by acclaimed photographer Chris Caldicott, The Lost World of Pompeii tells the fascinating story of the ghosts of a bygone era raised from the ashes."--BOOK JACKET.
Vol. II: Appendices.
The sudden destruction of Pompeii, Herculaneum and the surrounding Campanian countryside following the eruption of Vesuvius in AD 79 preserved the remarkable evidence that has made possible this reconstruction of the natural history of the local environment. Following the prototype of Pliny the Elder's Natural History, various aspects of the natural history of Pompeii are discussed and analyzed by a team of eminent scientists, many of whom have collaborated with Jashemski during her years of excavation of several gardens in the Vesuvian area. This volume brings together the work of geologists, soil specialists, paleobotanists, botanists, palaeontologists, biologists, chemists, dendrochronologists, ichthyologists, zoologists, ornithologists, mammalogists, herpetologists, entymologists, and archaeologists, affording a thorough picture of the landscape, flora, and fauna of the ancient sites. The detailed and rigorously scientific catalogues, which are copiously illustrated, provide a checklist of the flora and fauna upon which future generations of scholars can continue to build.