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This study is devoted to the tracing of the Hebrew literary influence of the Greek text of the New Testament. It discusses specifically one form, the extensive use of the inverted order called chiasmus, a form that seems to be a part of Hebrew thought itself, whether in poetry or in prose. Originally published in 1942. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
You don't know the Book of Mormon until you've read and assimilated the wealth of information in this book!
What do Mae West, John F. Kennedy, Victor Hugo, and H. L. Mencken have in common? They all indulged in chiasmus-a literary device in which word order is reversed to hilarious or poignant effect. When Mae West said, "It's not the men in my life, it's the life in my men," she was using chiasmus; when John F. Kennedy said, "Ask not what your country can do for you, ask what you can do for your country," he was doing the same. Dr. Mardy Grothe has compiled hundreds of examples of chiasmus in this whimsically illustrated collection, bringing this witty and thought-provoking device out of obscurity and into the public imagination.
The X figure is ubiquitous in contemporary culture, but attempts to explain our fixation with X are rare. This book argues that the origins and meanings of X go far beyond alphabets and archetypes to remembered feelings of body movements - movements best typified in the performance of “spread-eagle” as a posture or gesture. These body memories are then projected onto other patterns and dynamics to help us make sense of the world. The argument is accomplished using a blend of insights from linguistic anthropology, cognitive linguistics, rhetoric culture and process semiotics to bring together revealing clues from languages, cultures and thinkers around the world. Chief among the uses and experiences of X are its tendencies to involve us in surprising reversals and blends. In ancient times the X-pattern was discussed as “chiasmus”, a figure which, according to Maurice Merleau-Ponty, informs the most basic elements of our bodily experience, calling into question polarized dichotomies such as subject versus object. Pushed to extremes, presumed opposites like these tend to reverse suddenly. Likewise, blended experiences of our bodily extremities - arms and legs, toes and fingers, hands and feet - provide a plausible source of grounding for unique human abilities like analogy and double-scope conceptual integration. The book illustrates these dynamics by drawing attention to uses of X in history, prehistory and daily life, from sports and advertising to world mythology and languages around the world. The Semiotics of X is the first step towards developing a larger argument on the important but neglected role that chiasmus plays in cognition. It aims to inspire continued exploration on the figure, with the full expectation that chiasmus will become for the 21st century what metaphor became for the 20th century: a revolution in thinking about the way we think.
For readers of the Book of Mormon, King Benjamin's speech is a treasure trove of inspiration, wisdom, eloquence, and spiritual insight. King Benjamin's Speech: "That Ye May Learn Wisdom" is the most substantial collection of studies ever to focus exclusively on this landmark address. The contributors examine this speech in the multifaceted contexts in which it was delivered: as a classic speech of a departing leader near the time of his death, as the focus of an annual festival season mandated anciently under the law of Moses, as part of a covenant renewal ceremony delivered within the sacred precinct of the Nephite temple in Zarahemla, and as preparation for the coronation of a new king. Historical and linguistic tools and information are employed in these essays to help the reader to better grasp the speech's historical setting, its doctrinal implications, its literary qualities, its influence then and now, and its overall brilliance.
Since 1830, millions of people have read the Book of Mormon and become convinced that Joseph Smith's account of its ancient origins is correct. Others, however, assume that the book must be a fraud. The Book of Mormon describes peoples, cultures, history, and lands largely unknown to the 19th-century world. But today we enjoy a relative wealth of information about those times and peoples, providing a background against which the Book of Mormon's claims of ancient origin can be tested. This volume brings together a collection of initial efforts to mount such tests. Although first published in 1982, these nine essays have not been outdated or refuted by subsequent studies. The evidence and conclusions they put forward are just as persuasive today as when they were first published.
Over the centuries, theological studies have grappled with the comprehension of Truth and Goodness. However, theology, unlike philosophy, has neglected serious scrutiny of the study of Beauty or Aesthetics. Jo Ann Davidson's Toward a Theology of Beauty investigates this omission. Why should aesthetic dimensions be ignored in theology's quest for ultimate truth? Davidson convincingly states that these would contribute to the ongoing search for a more comprehensive perception of the divine. This book contends that theology is incomplete and impoverished without fundamental deliberations within aesthetic values. A survey of the literature up to the present currently reveals that theological studies, by and large, do not yet realize the extent to which it might be enriched by the biblical aesthetic. God's own nature, His Word in both Testaments including narratives, poetry, literary structures, and vocabulary are all embedded in aesthetic expressions. A systematic study of the biblical aesthetic is one that calls for attention and this book offers a solid and thought-provoking beginning.
The Book of Mormon is filled with Hebrew-style poetic parallelisms, including chiasmus. This volume rearranges the entire text to highlight those parallelisms. These forms of expression present the book in an unforgettable, understandable, artistic, and fascinating way.