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Before Modernism Was places modernist writing within the texture of modern history. Texts by Woolf, James, Freud, Wyndham Lewis, Stein, Malinowski, and others are read through a range of figures that construct and disrupt modern meaning: the ghost that affects the value of your property; the sulky, graceless adolescent; the Pole who may not be Polish; the nervous owner of the dog; the addict and her smoke. Eccentric to its institutions, these figures are central to the constituency of modernism.
In this bold theoretical work, Bruce Lincoln explores the ways in which myth, ritual, and classification hold human societies together--and how, in times of crisis, they can be used to take a society apart and reconstruct it. Without overlooking the role of coercive force in the maintenance (or overthrow) of social structures, Lincoln argues his thesis with compelling illustrations drawn from such diverse areas as Platonic philosophy, the Upanishads of India, ancient Celtic banquets, professional wrestling, and the Spanish Civil War. This wide-ranging interdisciplinary study--which draws on works in history, semiotics, anthropology, sociology, classics, and indology--offers challenging new insights into the complex dynamics of social cohesion and change.
The theory is applied to the domain of politics, including the debate about the war in Iraq, where political leaders' speeches serve as a case study for detailed contextual analysis."--BOOK JACKET.
Excerpt from A Discourse, Before the Humane Society, in Boston: Delivered on the Second Tuesday of June, 1787 I A M -greatly honoured by the notice which the humane society have been pleafed to take of the Difcourfe deli vered before them on the laft otuefday, and by the very obliging manner in which they have requefi'ed a Copy thereof to be printed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.