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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
This book combines detailed scientific historical research with characteristic philosophic breadth and verve.
This book is the first product of an investigation of the conflicting social theories of the French Revolution. The writings of these men disclosed several unexplored connections between the old regime and the contemporary world. Their testimony offered an unaccustomed view of the French Revolution and an illustration of the revolution's interaction with the main currents of European thought. Contents: (1) Who will defend the old regime?; (2) The shock of 1789; (3) Deputies of the right; (4) Resistance to the constitutional monarchy; (5) Adversity; (6) Joseph de Maistre; (7) Louis de Bonald; (8) Rene de Chateaubrand; (9) Troubled orthodoxy; (10) Social theories in motion; References. This is a print on demand edition of an important, hard-to-find publication.