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A dissenting judgment, as ordinarily understood, is a judgment or an opinion of a judge, sitting as part of a larger bench, who 'dissents' (i.e. disagrees) with the opinion or judgment of the majority. Dissenting judgments or opinions appear in different ways. Tracing, exploring and analysing all dissenting judgments in the history of the Supreme Court of India, from the beginning till date, Rohinton Fali Nariman brings to light the cases, which created a deep impact in India's legal history. From the famous Bengal Immunity Co. Ltd. v. State of Bihar in 1955 to Bhagwandas Goverdhandas Kedia v. Girdharilal Pashottamdas and Co. in 1966, State of Bombay v. The United Motors (India) Ltd in 1953, Superintendent & Legal Remembrancer, State of West Bengal v. Corporation of Calcutta in 1967, Supreme Court Advocates-on-Record Association v. Union of India in 1993, Mafatlal Industries v. Union of India in 1997 and Pradeep Kumar Biswas v. Indian Institute of Chemical Biology in 2002, Keshava Madhava Menon v. State of Bombay in 1951, United Commercial Bank Ltd. v. Workmen and Ram Singh v. The State of Delhi in the same year and Union of India v. West Coast Paper Mills Ltd. in 2004 among others, this two-volume definitive work is a thorough examination of the important dissenting judgments of the Supreme Court of India, and of some of the Judges of the Supreme Court who have gone down as 'Great Dissenters', for having written dissents of legal and constitutional importance, some of which have gone on to be recognised as correct position of the law. Comprehensive, definitive and authoritative, this is a must a must have for legal scholars and practitioners. Besides, the book will greatly interest policy makers as well as anyone, interested in India's legal history.
Based on a study of Madrid (1850-1930), Discordant Notes argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
From events at Nuremberg and Tokyo after World War II, to the recent trials of Slobodan Milošević and Saddam Hussein, war crimes trials are an increasingly pervasive feature of the aftermath of conflict. In his new book, Law, War and Crime, Gerry Simpson explores the meaning and effect of such trials, and places them in their broader political and cultural contexts. The book traces the development of the war crimes field from its origins in the outlawing of piracy to its contemporary manifestation in the establishment of the International Criminal Court in The Hague. Simpson argues that the field of war crimes is constituted by a number of tensions between, for example, politics and law, local justice and cosmopolitan reckoning, collective guilt and individual responsibility, and between the instinct that war, at worst, is an error and the conviction that war is a crime. Written in the wake of an extraordinary period in the life of the law, the book asks a number of critical questions. What does it mean to talk about war in the language of the criminal law? What are the consequences of seeking to criminalise the conduct of one's enemies? How did this relatively new phenomenon of putting on trial perpetrators of mass atrocity and defeated enemies come into existence? This book seeks to answer these important questions whilst shedding new light on the complex relationship between law, war and crime.
"The Concise Oxford Dictionary of Music is the most authoritative and up-to-date dictionary of music available in paperback. Coverage includes musical terms from allegro to zingaro, and musical works from Aida to Zauberflote, as well as composers, librettists, musicians, singers, and orchestras. It provides a mine of information for all lovers of music." "The book includes musical instruments and their history; and covers living composers and performers, with over 150 added for this edition."--BOOK JACKET.
ÿ"Write My Son, Write" is K. V. Dominic?s longest poem, in 21 sections taken from his collection of poems entitled Write Son, Write. Dominic unabashedly tackles everyªday issues of India such as the social injustice of poverty, man?s crass exploitation of natural resources that ought to belong to everyone, terrorism, and the eternal beauty of the natural world. This poem is the manifesto of Dominic?s views and philosophies. About this work, K.V. Dominic writes, "People today are crazy after materialism, and divinity in them is being lost to such an extent that they give no importance to principles, values, family and social relations, cohabitance with human beings and other beings. Instead they are trying their maximum to exploit their fellow beings, other beings and the planet itself. If it goes like this, the total destruction is not far away. It is the duty of the religious leaders, political leaders and the intelliªgentsia to inject the lost values to the masses and thus preserve this planet and the inhabitants from the imminent devastation. Instead, majority of these leaders become mafias and inject communal and corruptive venom to the minds of the masses. Corruption has become the hallmark of these leaders and influenced by them the masses also deviate from the right track to the evil track. And who will save this society? Writers, particularly poets who are like prophets." Dr. Ramesh Chandra Mukhopadhyaya's commentary provides the most complete critical analysis of the poem, section-by-section and line-by-line. Born in 1947 Ramesh Chandra Mukhopadhyaya M A (Triple) MPhil, PhD is a retired college teacher now residing at Howrah, West Bengal, India,. A Bilingual writer (English and Bengali), he has been writing on different subjects for the last thirty years. He seeks to retrieve the wealth of poetry when it is a revelation. Dr. Mukhopadhyaya regards K. V. Dominic as a poet of a seer. From the World Voices Series Modern History Press www.ModernHistoryPress.com