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Early modern princely courts were not only inhabited by humans, but also by a large number of animals. This coexistence of non-human living beings had crucial impacts on the spatial organization, the social composition and cultural life at these courts. The contributions enrich our knowledge on another aspect of court life and invite to reconsider our basic understandings of court, courtiers and court society.
The church annexes of late antique Cyprus were bustling places of industry, producing olive oil, flour, bread, ceramics, and metal products. From its earliest centuries, the church was an economic player, participating in agricultural and artisanal production. More than a Church brings together architecture, ceramics, numismatics, landscape archaeology, and unpublished excavation material, alongside consideration of Cyprus’s dynamic and prosperous 4th–10th-century history. Keane offers a rich picture of the association between sacred buildings and agricultural and industrial facilities—comprehensively presenting, for the first time, the church’s economic role and impact in late antique Cyprus.
This book examines the remarkable Velestino hoard, found in Thessaly in the 1920s, and analyses the light that this collection of artifacts sheds on a poorly studied period of Byzantine history, and on largely neglected aspects of Byzantine civilization. Many collections of Byzantine gold- and silverware, such as Vrap and Seuso, have been surrounded by controversy. None, however, has been under more suspicion than the Velestino hoard, particularly with regards to its authenticity. The hoard contains no gold and no silver, and is in fact a collection of bronze and leaden plaques, some with human, and others with animal or geometric representations. The authors examine three distinct aspects of the hoard: the iconography of its components, the method of its production, and the function of those components. The conclusions that they reached provide valuable new insights into eighth-century Byzantine culture. The book explores the Byzantine cultural and political context of the Velestino hoard and will appeal to historians and art historians of early Byzantium, as well as archaeologists and historians of early medieval technologies.
More than any other type of environment, with the possible exception of mountains, the sea has been understood since antiquity as being immovable to a proverbial degree. Yet it was the sea's capacity for movement – both literally and figuratively through such emotions as fear, hope and pity – that formed one of the primary means of conceptualizing its significance in Late Antique societies. This volume advances a new and interdisciplinary understanding of what the sea as an environment and the pursuit of seafaring meant in antiquity, drawing on a range of literary, legal and archaeological evidence to explore the social, economic and cultural factors at play. The contributions are structured into three thematic parts which move from broad conceptual categories to specific questions of networks and mobility. Part One takes a wide view of the Mediterranean as an environment with great metaphorical and symbolic potential. Part Two looks at networks of seaborne communication and the role of islands as the characteristic hubs of the Mediterranean. Finally, Part Three engages with the practicalities of tackling the sea as a challenging environment that needs to be challenged politically, legally and for the means of travel.
The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.
Cyprus was a thriving and densely populated late antique province. Contrary to what used to be thought, the Arab raids of the mid-seventh century did not abruptly bring the island’s prosperity to an end. Recent research instead highlights long-lasting continuity in both urban and rural contexts. This volume brings together historians and archaeologists working on diverse aspects of Cyprus between the sixth and eighth centuries. They discuss topics as varied as rural prosperity, urban endurance, artisanal production, civic and private religion and maritime connectivity. The role of the imperial administration and of the Church is touched upon in several contributions. Other articles place Cyprus back into its wider Mediterranean context. Together, they produce a comprehensive impression of the quality of life on the island in the long late antiquity.
Church Architecture of Late Antique Northern Mesopotamia examines the church architecture of Northern Mesopotamia between the fourth and eighth centuries. Keser Kayaalp focuses on settlements, plan types, artistic encounters, the remarkable continuity of the classical tradition in the architectural decoration, the heterogeneity of the building techniques, patrons, imperial motivations, dedications of churches, and stories that claim and make spaces. Employing archaeological and epigraphical material and hagiographical and historical sources, she presents a holistic picture of the church architecture of this frontier region, encompassing the cities of Nisibis (Nusaybin), Edessa (,Sanliurfa), Amida (Diyarbakir), Anastasiopolis (Dara/Oğuz), Martyropolis (Silvan), Constantia (Viranşehir), and their surroundings, and the rural Tur Abdin region. The period covered spans the last centuries of Byzantine and the first century and a half of Arab rule, when the region was, on the one hand, a stage of war and riven by religious controversies, and a cultural interspace on the other. Keser Kayaalp discusses the different dynamics in this frontier region and the resulting built environment and church architecture in pursuit of providing a regional contribution to the study of the transformation that the Byzantine civilization underwent in the late antique period and understanding the continuities and changes after the Arab conquest.
Animals have recently become recognized as significant agents of history as part of the ‘animal turn’ in historical studies. Animals in Byzantium were human companions, a source of entertainment and food – it is small wonder that they made their way into literature and the visual arts. Moreover, humans defined themselves and their activities by referring to non-human animals, either by anthropomorphizing animals (as in the case of the Cat-Mice War) or by animalizing humans and their (un)wanted behaviours. The Routledge Handbook of Human-Animal Relations in the Byzantine World offers an in-depth survey of the relationships between humans and non-human animals in the Byzantine Empire. The contributions included in the volume address both material (zooarchaeology, animals as food, visual representations of animals) and immaterial (semiotics, philosophy) aspects of human-animal coexistence in chapters written by leading experts in their field. This book will appeal to students and scholars alike researching Byzantine social and cultural history, as well as those interested in the history of animals. This book marks an important step in the development of animal studies in Byzantium, filling a gap in the wider research on the history of human-animal relations in the Middle Ages.
The 30 studies presented here are dedicated to Sophia Kalopissi-Verti, Emerita of Byzantine Archaeology at the National and Kapodistrian University of Athens. They cover a large variety of topics presenting unpublished archaeological material, suggesting new approaches to various aspects of Byzantine archaeology, material culture and art history.
In recognition and celebration of the achievements of Marlia (Maria Cordelia) Mundell Mango as a researcher and as a teacher, twelve of her doctoral students offer her this volume of collected essays, showcasing recent research in Byzantine archaeology and material culture studies. The essays are divided into three sections. The first comprises studies on Byzantine economy, shipping, road networks, production and trade from Late Antiquity down to the time of the Crusades. The studies in the second part discuss facets of the material culture and the lifestyle especially of the upper social strata in the Byzantine Empire, while those of the final section explore aspects of artistic creativity in the lands of the empire. Taken together, these diverse studies offer 'glimpses' into the Byzantine economy and trade, lifestyle and religion, ideology and identity, artistic creativity and its impact beyond the Byzantine frontier, illustrating a variety of methodological approaches and pointing towards new directions for future research. Their wide chronological, geographic and thematic coverage is in itself a tribute to Marlia Mango's breadth of knowledge and a reflection of her far-ranging research interests.