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Filled with wit, humor, and clear metaphor, this exploration into atheism is written specifically for young adults, though any adult interested in learning more about atheism will find value within. Not just focused on atheism, this crash course in logical thinking addresses the issues of indoctrination, whether it be religious, political, or commercial, and makes the case that morality is created through reasoning and logic, not through divine communication. Many hot topics are touched upon, such as traditional arguments for God's existence, the relationship of evolution and religious belief, the incompatible nature of science and religion, and the harmfulness of both Christianity and Islam.
Willing Suspension of Disbelief: Poetic Faith in Film is a study of the way we watch film. Anthony Ferri explores the way expectations influence what they see, feel, and experience. Using Coleridge's term "willing suspension of disbelief" as a starting point, Ferri sets forth a fascinating study of the psychology of watching film. While film scholars and professionals have alluded to Coleridge's term in a parenthetical or tertiary manner, this volume makes a definitive account for the concept and provides a contemporary analysis of the film viewing process from a variety of critical and empirical perspectives.Willing Suspension of Disbelief is valuable for film scholars and students of film.
A revelatory book about death and mourning by a psychotherapist faced with sudden bereavement. When Juliet Rosenfeld's husband dies of lung cancer only seven months into their marriage, everything she has learnt about death as a psychotherapist is turned on its head. As she attempts to navigate her way through her own devastating experience of loss, Rosenfeld turns to her battered copy of Freud's seminal essay 'Mourning and Melancholia'. Inspired by the distinction Freud draws between the savage trauma of loss that occurs at the moment of death - grief - and the longer, unpredictable evolution of that loss into something that we call mourning, Rosenfeld finds herself dramatically rethinking the commonly held therapeutic idea of 'working through stages of grief.
What if I was to tell you, you’re all evil? In some shape or form, you are. What If I was to tell you, I was the worst kind of evil? Would you believe me? I did not believe that there wasn’t anyone who didn’t contain evil. I was proved wrong, and it stumped me. I became obsessed with her, someone of pure goodness. And couldn’t get enough. I needed to see her insides because that’s what I do. Tearing people apart, I have to prove my point. I wanted to split her apart, to find any trace of bad. It was wrong of me to think like that. Though if death is all you know, is it so wrong? My name is Death. Her name is Pollie. And I want to see her insides. Just to understand if she is as pure as she makes out to be.
She was a ghost, in heels. She was there, then she wasn’t. She would play with my emotions like a well-played guitar. Then she would disappear. Making me want to strangle her. Maybe she wasn’t a ghost, maybe she was the giver of sin. Because we sinned every time we touched, every time she was near. Her lips were shaped like a heart, deceiving you at every word. Her body was created straight from my fantasies, one I craved to bend to my will. Her heart, well, who the hell knew. She kept that shit locked tight. And I couldn’t find the key.
Everyone grieves in their own way and according to their own timeframe, the accepted wisdom tells us. But those in mourning rarely find comfort in knowing this. Further, those attempting to support someone in mourning can do little with this advice, leaving them with a sense of helplessness. As a mental health professional and someone who has dealt with her own share of personal grief, Candace R. M. Gorham understands well the quest for relief. The truth of the matter, she says, is there is no one way to grieve, but there are things that are important to pay attention to while mourning. While much of the advice she shares is universal, she pays particular attention to the struggle those who do not believe in a god or afterlife face with the loss of a loved one—and offers practical, life-affirming steps for them to remember and heal.
A heart is something that should not be entrusted to me. I will tear, crush, and destroy it with my very own hands. Then back away with a smile on my face. It’s who I am—a killer, a player, a joker. But hers, I’m unsure about. Do I want to rupture and rip it from her chest? Or do I want to hold and capture it with my own?
The Culture Of Disbelief has been the subject of an enormous amount of media attention from the first moment it was published. Hugely successful in hardcover, the Anchor paperback is sure to find a large audience as the ever-increasing, enduring debate about the relationship of church and state in America continues. In The Culture Of Disbelief, Stephen Carter explains how we can preserve the vital separation of church and state while embracing rather than trivializing the faith of millions of citizens or treating religious believers with disdain. What makes Carter's work so intriguing is that he uses liberal means to arrive at what are often considered conservative ends. Explaining how preserving a special role for religious communities can strengthen our democracy, The Culture Of Disbelief recovers the long tradition of liberal religious witness (for example, the antislavery, antisegregation, and Vietnam-era antiwar movements). Carter argues that the problem with the 1992 Republican convention was not the fact of open religious advocacy, but the political positions being advocated.
The last few years have seen a great assault upon faith in the publishing world, with an influx of books denouncing religious belief. While attacks on faith are not new, what is notable about these books—several of which have hit the bestseller charts—is their contention that belief in God is not only deluded, but dangerous to society. In The Delusion of Disbelief, former Time senior correspondent and bestselling author David Aikman offers an articulate, reasoned response to four writers at the forefront of today's anti-faith movement: Sam Harris, Daniel Dennett, Richard Dawkins, and Christopher Hitchens. Aikman shines a light on the arguments of these “evangelists of atheism,” skillfully exposing their errors and inconsistencies. He explains what appears to motivate atheists and their followers; encourages Christians to look closely at what they believe; arms readers with powerful arguments in response to critics of faith; and exposes the social problems that atheism has caused throughout the world. Aikman also takes on one of the most controversial questions of our time: Can American liberties survive in the absence of widespread belief in God on the part of the nation's people? The answer to that question, says Aikman, is critically important to your future. The Delusion of Disbelief is a thoughtful, intelligent resource for anyone concerned about the increasingly strident and aggressive new attacks on religious belief. It is the book that every person of faith should read—and give away.
50 Voices of Disbelief: Why We Are Atheists presents a collection of original essays drawn from an international group of prominent voices in the fields of academia, science, literature, media and politics who offer carefully considered statements of why they are atheists. Features a truly international cast of contributors, ranging from public intellectuals such as Peter Singer, Susan Blackmore, and A.C. Grayling, novelists, such as Joe Haldeman, and heavyweight philosophers of religion, including Graham Oppy and Michael Tooley Contributions range from rigorous philosophical arguments to highly personal, even whimsical, accounts of how each of these notable thinkers have come to reject religion in their lives Likely to have broad appeal given the current public fascination with religious issues and the reception of such books as The God Delusion and The End of Faith