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In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
1973, Phoenix, Arizona. A beautiful woman with a gun enters a house with her twelve-year-old daughter. When they leave, the man inside is dead. Though the only witness to the fatal shooting is in a catatonic state and unable to testify, the police, the attorney general's office, and the media have already declared the woman guilty. But the best trial lawyer in Phoenix, Dan Morgan, has been hired to prove her innocent. For Morgan and his idealistic young protégé, Doug McKenzie, the goal is to win at any cost. But there are no easy answers, only shocks and mysteries, as the question of guilt versus innocence takes on a profound and disturbing new meaning.
1973, Phoenix, Arizona. A beautiful woman with a gun enters a house with her twelve-year-old daughter. When they leave, the man inside is dead. Though the only witness to the fatal shooting is in a catatonic state and unable to testify, the police, the attorney general's office, and the media have already declared the woman guilty. But the best trial lawyer in Phoenix, Dan Morgan, has been hired to prove her innocent. For Morgan and his idealistic young protégé, Doug McKenzie, the goal is to win at any cost. But there are no easy answers, only shocks and mysteries, as the question of guilt versus innocence takes on a profound and disturbing new meaning.
Don't miss this unputdownable mystery from Ashley Elston, the New York Times bestselling author of First Lie Wins, a Reese's Book Club pick! She's been six different people in six different places: Madeline in Ohio, Isabelle in Missouri, Olivia in Kentucky . . . But now that she's been transplanted to rural Louisiana, she has decided that this fake identity will be her last. Witness Protection has taken nearly everything from her. But for now, they've given her a new name, Megan Rose Jones, and a horrible hair color. For the past eight months, Meg has begged her father to answer one question: What on earth did he do-or see-that landed them in this god-awful mess? Meg has just about had it with all of the Suits' rules-and her dad's silence. If he won't help, it's time she got some answers for herself. But Meg isn't counting on Ethan Landry, an adorable Louisiana farm boy who's too smart for his own good. He knows Meg is hiding something big. And it just might get both of them killed. As they embark on a perilous journey to free her family once and for all, Meg discovers that there's only one rule that really matters-survival.
"This latest installment will likely satisfy Quinn and Costa’s loyal followers and attract those curious about the interplay between public policy, law enforcement, and politics." —Booklist When a key witness goes missing, Quinn & Costa must find her before a killer silences her for good… Detective Kara Quinn is back in Los Angeles to testify against a notorious human trafficker, finally moving past the case that upended her life. But when the accused is shot in broad daylight, the chaotic scene of the crime turns up few reliable bystanders. And one witness—a whistleblower who might be the key to everything—has disappeared. After another person close to the case is killed, it’s clear that anyone who knows too much is in danger, and tracking down the witness becomes a matter of life-and-death. But as explosive secrets surface within the LAPD and FBI, Kara questions everything she thought she knew about the case, her colleagues and the life she left behind months ago. Now with FBI special agent Matt Costa’s help, she must race to find the missing witness and get to the bottom of the avalanche of conspiracies that has rocked LA to its core…before it's too late. A Quinn & Costa Thriller Book 1: The Third to Die Book 2: Tell No Lies Book 3: The Wrong Victim Book 4: Seven Girls Gone Book 5: The Missing Witness
One of The New York Times 10 Best Books of the Year National Book Award Finalist Finalist for the National Book Critics Circle John Leonard Prize Finalist for the Center for Fiction First Novel Prize Finalist for the New York Public Library's Young Lions Fiction Award National Best Seller "Splendidly imagined . . . Thrilling" --Simon Winchester "A genuine masterpiece" --Gary Shteyngart Spellbinding, moving--evoking a fascinating region on the other side of the world--this suspenseful and haunting story announces the debut of a profoundly gifted writer. One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge of Russia, two girls--sisters, eight and eleven--go missing. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women. Taking us through a year in Kamchatka, Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother. We are transported to vistas of rugged beauty--densely wooded forests, open expanses of tundra, soaring volcanoes, and the glassy seas that border Japan and Alaska--and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused. In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel brings us to a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.
To protect an inheritance, Will Chambers must prove that one of a preacher's ancestors was not one of Blackbeard's pirates.
No one wants me to tell you about the disappearance of Sloane Sullivan. Not the lawyers or the cops. Not her friends or family. Not even the boy who loved her more than anyone. And most certainly not the United States Marshals Service. You know, the people who run the witness protection program or, as it’s officially called, the Witness Security Program? Yeah, the WITSEC folks definitely don’t want me talking to you. But I don’t care. I have to tell someone. If I don’t, you’ll never know how completely wrong things can go. How a single decision can change everything. How, when it really comes down to it, you can’t trust anyone. Not even yourself. You have to understand, so it won’t happen to you next. Because you never know when the person sitting next to you isn’t who they claim to be…and because there are worse things than disappearing.
This ex-soldier will break all the rules to see justice done… Shattering loss taught former Delta Force operative Becker Jackson to play things safe—and never risk his heart again. Still, he can’t turn down Olivia Swann’s desperate plea to find her abducted sister. Nor resist the instant heat with the beautiful artist as they go undercover. But with two mob families targeting them, can they save an innocent witness—and their own lives—in time? From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in The Outriders Series. All books are stand-alone with uplifting endings but were published in the following order: Book 1: Homicide at Whiskey Gulch Book 2: Hideout at Whiskey Gulch Book 3: Held Hostage at Whiskey Gulch Book 4: Setup at Whiskey Gulch Book 5: Missing Witness at Whiskey Gulch Book 6: Cowboy Justice at Whiskey Gulch
Have you ever had your car keys or television remote control inexplicably vanish from under your nose, only to reappear months later in another part of the house for no evident reason? Most would dismiss it as absent-mindedness, with perhaps a joking remark about paranormal activity. Yet remarkable circumstances surrounding many such accounts suggest that the mysterious disappearance of objects could be more than "just one of those things." Examining a large selection of fascinating narratives, this book reviews the "disappearing object phenomenon" (DOP) from a scientific standpoint. Both skeptical and supportive perspectives on DOP are considered, leading to the conclusion that disappearing, appearing and reappearing objects are indicators of a controversial take on the nature of reality.