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THE CRESCENT CREW SERIES He built an empire from his infamous Dirty South crew’s street riches. He’s an unstoppable force in the music business. But when an even more powerful rival guns for his kingdom, can anyone survive to rule? The Crescent Crew’s success is about to become legendary. Between unprecedented business maneuvers and brilliant street-based strategy, their former founder, Qwess, is on the verge of creating the biggest independent label in music. But when Qwess’ hottest superstar makes a reckless play for the Queen of R&B, it ignites an all-out war between Qwess and his New York-based counterpart, ruthless rap mogul Diamond. Now, with the police closing in and Diamond poised to finish Qwess for good, it’s too late for justice, peace—or any reconciliation. This is Dirty music and the game just got dirtier. Praise for The Crescent Crew series "Suspenseful and twisting. . . .Watch for future titles from Sinclair in the Crescent Crew series.” —Booklist “Shaun Sinclair taps into the new code and DNA of black and urban life in America, where there’s one foot in the rap game and another foot still out in the mean and hungry streets of capitalism.” —Omar Tyree, New York Times bestselling author and creator of The American Disease ebook series “A bone-chilling tale that will keep the readers longing for more, while reevaluating every choice they make.” —NeNe Capri, author of The G Street Chronicles
Five Finger Death Punch Front Man Ivan Moody teams with watercolor illustrator Blake Armstrong to bring Ivan's twisted poetry to life! Ever wondered what really lies beyond “where the sidewalk ends?” From the wonderfully twisted mind of the front man of Five Finger Death Punch; Ivan Moody’s Dirty Poetry is a book of original poems punctuated with dark art that’s guaranteed to inspire upside-down dreamscapes in the minds of its readers. Written by Ivan Moody himself, with beautifully haunting ink and watercolor illustrations by Blake Armstrong, Z2 Comics offers this Halloween treat to readers everywhere this October!
The Dirty South examines the shifting significances of the South as a constructed, fantasized region in the American psyche, particularly its frequent association with tropes of dirt that emphasize soil, garbage, trash, grit, litter, mud, swamp water, slime, and pollution. Beginning with iconic works from the 1970s such as Deliverance and The Texas Chainsaw Massacre, James A. Crank traces the image of a “dirty” South into the twenty-first century to explore the social, political, and psychological effects of the region’s hold on the imaginations of southerners and nonsoutherners alike. With a focus on media forms through which southern identity gets articulated and questioned—including horror movies, Swamp Thing comics, and popular music by artists such as Waylon Jennings and OutKast—The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era. Highlighting the period from 1970 to 2020, during which the South began to represent several new possible identities for the nation as a whole and for the area itself, Crank considers the ways that southerners have used depictions of dirt to create and police boundaries and to contest those boundaries. Each chapter pairs prominent literary or cultural texts from the 1970s with more contemporary works, such as Jordan Peele’s film Get Out, which recycle similar investments or, critically, challenge the inherent whiteness of the earlier images. By historicizing fantasies of the region and connecting them to the first decades of the twenty-first century, The Dirty South reveals that notions about southern dirtiness proliferate not because they lend authenticity or relevancy to the U.S. South, but because they aid so conspicuously in the zombified work of tethering investors (real and imagined) to a graveyard of ideas.
The story of how the movies assumed a gritty facade in the name of authenticity, with working actors transforming into artists, poets, painters, troubadours, and filmmakers—both on- and off-screen. This is the tale of how Hollywood, inspired by the success of Easy Rider, sold a cycle of films as the new dirty real. Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, and Sam Peckinpah, among others, parlayed a nostalgia for the gutter and donned bohemian personae, pulling on soiled shirts and scuffed boots to better counter the glamour and phoniness of Tinseltown. The result was a generation of movies, including The Hired Hand, Five Easy Pieces, Two-Lane Blacktop, The Last Picture Show, and Pat Garrett and Billy the Kid. With great care for the historical record and displaying a refined critical acuity, Peter Stanfield captures that pivotal moment when Hollywood tried to sell a begrimed vision of itself to the world.
A trialogue between the paintings of Ruscha, the music of Cline and the poetry of Breskin. Pictures in the book are from Ruscha's "Silhouettes" and "Cityscapes;" music and ghazals are on the cd-roms. Book is bound dos à dos, with sides A and B. A dime is imbedded on the cover of side A.
For disgruntled music fans wondering why music played on the radio is not only worse now than in the past but also not nearly as revelatory as it once was, this book presents a detailed discussion of how the record business fouled its own livelihood. This insightful dissection covers numerous aspects of the industry's failures and shortcomings, including why stockholders play an important role, how radio went from an art to a science and what was lost in that change, how the record companies alienated their core audience, why file sharing might not be the bogeyman that the record industry would have people think, technology's effects on what and how music is heard, and dozens of other reasons that add up to the record industry's current financial and artistic woes. With eye-opening observations culled from extensive interviews, this expose offers insights into how this multi-billion-dollar industry is run and why it's losing so much money.
Second Edition A Real insight on the years of friendship leading to the formation of legendary hard rock / heavy metal band Quiet Riot and the early evolution of the greatest guitarist of all time... Randy Rhoads. The story of My life, My Friends, told My way ... my friendship with Randy and what came along with it. The trials & tribulations, struggles & battles both personal & professional of growing up in the Hollywood Music Scene of the 70's, trying to make a dream come true...to be Rock Stars .. the laughter & tears, the trouble we got into & out of, the bands we formed together. Before, during & after Quiet Riot The climb from bottom to top & Beyond. This book holds back little. I talk like a street kid and from what I'm told, still act like one. As much as I'd like to say, every kid with a dream should read this book, I'd almost caution against it. Because, I pretty much say whatever the f*^k I want, in my own way. But I'll tell you this, in your hands you hold my life, the way I remember it. I hope it teaches you something about life, and death. With a page dedicated for all the Honorary 'Angels'. A 'Fan & Rock Star Quote' section...AND a Heartfelt Foreword by friend Frankie Banali of Quiet Riot Thank You All Kelly Garni
There's never been another dog as delightful–or dirty–as Harry. This lovable white dog with black spots (or black dog with white spots) has charmed children for fifty years, and we are celebrating with an anniversary edition. This childhood favourite is perfect for reading aloud before going to bed or avoiding a bath.
From the New York Times bestselling author of Room, a young French burlesque dancer living in San Francisco is ready to risk anything in order to solve her friend’s murder—but only if the killer doesn’t get her first. Summer of 1876: San Francisco is in the fierce grip of a record-breaking heat wave and a smallpox epidemic. Through the window of a railroad saloon, a young woman named Jenny Bonnet is shot dead. The survivor, her friend Blanche Beunon, is a French burlesque dancer. Over the next three days, she will risk everything to bring Jenny's murderer to justice—if he doesn't track her down first. The story Blanche struggles to piece together is one of free-love bohemians, desperate paupers, and arrogant millionaires; of jealous men, icy women, and damaged children. It's the secret life of Jenny herself, a notorious character who breaks the law every morning by getting dressed: a charmer as slippery as the frogs she hunts. In thrilling, cinematic style, Frog Music digs up a long-forgotten, never-solved crime. Full of songs that migrated across the world, Emma Donoghue's lyrical tale of love and bloodshed among lowlifes captures the pulse of a boomtown like no other. "Her greatest achievement yet . . . Emma Donoghue shows more than range with Frog Music—she shows genius." —Darin Strauss, author of Half a Life.