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Struggling barista Katie Bloom doesn't even know who Jesse Mayes is until she inadvertently wins the coveted role of sex kitten in his hot new music video. But by the time she's in bed with him, she knows his reputation as a love maker and heartbreaker. Making out with a stranger in front of a camera crew isn't how Katie imagined herself getting over a broken heart but when Jesse touches her, sparks fly. The sex is fake but the chemistry is real and soon the steamy video is blazing up the charts. Then Jesse makes Katie an irresistible offer: act as his girlfriend for six weeks while he promotes his new album. The only catch is that their sizzling make-out sessions will be for the cameras only.
Four women bond over naughty bestsellers and the shocking letters they inherited from the original members of the Dirty Book Club. As they open up, they learn that friendship might just be the key to rewriting their own stories: all they needed was to find each other first.--
A collection of short stories examining the lives of suburbanites seeking solace and gratification in food, sex, work, and love.
An angsty, childhood-friends-to-lovers romance, featuring a broody, overprotective hero, a heroine scarred by the mistakes of her past, and a long overdue second chance. She was all he ever wanted, even when she broke his heart... Growly and gorgeous band manager Brody Mason has been aching for his friend's little sister, Jessa Mayes, since they were just kids. By the time they'd grown up, she'd broken his heart. Then she ripped it right out. As it turns out, time doesn't heal that kind of wound. It leaves a gaping, festering hole. Meanwhile, Jessa appears to be living the dream-blessed with beauty, talent, and a glamorous life. But she also has a secret. Six years ago, she ran away from her dream career as a songwriter with her brother's band. She also ran away from Brody, the only man she's ever loved. And she never told anyone why. Now Jessa's doing the one thing she swore she'd never do. She's coming home. As a bridesmaid in her brother's rock star wedding, she'll come face-to-face with the mistakes of her past. Including the sexy, surly, heartbroken one. It definitely won't be easy. Love this intense never is.
He was her first true love... And the worst mistake she ever made. There's always been a spark between Jude Grayson and Roni "Wild Card" Webber. Unfortunately, whenever it ignites... it explodes. And they both get burned. As head of security for Dirty--his best friend's rock band--and a member of the West Coast Kings motorcycle club, Jude had a choice to make, long ago. Loyalty or love. Brotherhood or her. But now the woman he left behind is suddenly everywhere he turns. Problem is, Roni's still got a wild side--and another biker for a boyfriend. ... And Jude's got a fire for her that just won't die. Roni and Jude are about to play a dangerous game. A game they've never known how to win... and their hearts can't afford to lose. Dirty Like Jude is the fifth full-length novel in the Dirty series--a rockstar romance series about the members of the rock band Dirty and the women and men who love them. Novels in the Dirty series are interconnected standalones, each with an HEA; other books (novella/story collection) are not HEA, but are essential pieces of the overall story arcs. (There are ongoing storylines that develop throughout the series; reading them in order is not crucial but is HIGHLY recommended.) Reading order: Dirty Like Me (Dirty #1) Dirty Like Us (Dirty #0.5) (novella) Dirty Like Brody (Dirty #2) A Dirty Wedding Night (Dirty #2.5)(story collection) Dirty Like Seth (Dirty #3) Dirty Like Dylan (Dirty #4) Dirty Like Jude (Dirty #5) Dirty Like Zane (Dirty #6)
The first book in Tarryn Fisher's fan-favorite Love Me with Lies trilogy, The Opportunist is the twisty, unconventional second-chance love story you didn't see coming! When Olivia Kaspen spots her ex-boyfriend in a Miami record shop, she ignores good sense and approaches him. It’s been three years since their breakup, but when Caleb reveals he’s suffering from amnesia after a recent car accident, first she feels regret—and then opportunity. If he doesn't remember her, then he also doesn’t remember her manipulation, her deceit, or the horrible way she broke his heart. Seeing a chance to reunite with Caleb, she keeps their past, and the details around the implosion of their relationship, a secret. Wrestling to keep her true identity and their sordid history under wraps, Olivia’s greatest obstacle is Caleb’s wicked new girlfriend, Leah, who's equally determined to possess the man who no longer remembers her. But soon Olivia must face the consequences of her lies, and in the process discover that sometimes love falls short of redemption.
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
"Cartwright tells the story of the Chagra brothers, Lee and Joe, as they get mixed up with the drug-running community along the border and in short order find themselves hopelessly entangled in a net cast by the DEA. Even readers unfamiliar with the well-publicized events of the book or of the dark, lawless aspect that often rules El Paso will find themselves pulled along by the plot: brigands and intrigue leap from almost every page, and the story just gets wilder the further into it you venture."—from an Amazon.com review Four pages into this rollicking good story, the central figure, Lee Chagra, comes alive: "[Lee] washed his morning cocaine down with strong coffee and remembered the time he had met Sinatra, how genuine he appeared." Everything you'll need to know and remember about Chagra—the son of Syrian immigrants to Mexico and an attorney who spun the world of dope-running, border-crossing, high-living outlaws along the El Paso–Juarez border around his finger like the gaudy rings he favored—can be neatly summarized in that one sentence. Chagra dies two pages later, yet he haunts the rest of this cautionary tale like a high-rolling specter. Gary Cartwright is a long-respected, award-winning journalist and contributing editor to Texas Monthly magazine. The author of numerous books, he has contributed stories to such national publications as Harper's, Life, and Esquire. He lives in Austin, Texas.
Emmy-award winning gadfly Rowe presents a ridiculously entertaining, seriously fascinating collection of his favorite episodes from America's #1 short-form podcast, The Way I Heard It, along with a host of memories, ruminations, illustrations, and insights.