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A killer targets Shakespeare-loving tourists in the New York Times–bestselling mystery series full of “vivacity, charm, and wit” (Kirkus Reviews). The Dirty Duck is a pub in Shakespeare’s beloved Stratford-on-Avon, and it’s here that Miss Gwendolyn Bracegirdle of Sarasota, Florida—fresh from a performance of As You Like It—takes her last drink. Mere minutes later she is slashed ear to ear. The only clue to this baffling and brutal murder is a pair of lines from an unknown poem printed across a theater program. It seems that a razor-happy killer is stalking a group of rich American tourists. And Scotland Yard Superintendent Richard Jury, just passing through Stratford for a glimpse of the intriguing Lady Kennington, finds himself taking a crash course in the bloodier side of Elizabethan verse.
Bobby London's legendary career as an underground cartoonist has spanned decades. London created his most enduring character, the outrageous and irrepressible Dirty Duck in 1971. He was a founding member of the infamous Air Pirates, and produced strips for National Lampoon during the heyday of that massively influential magazine. After departing the Lampoon, the cigar-chomping Dirty Duck and his creator found a home at Playboy magazine. He wrote and drew the syndicated Popeye newspaper strip for six years until a major controversy ended his tenure on Segar s sailor. This oversized volume will collect nearly all of London s influential Dirty Duck strips, from Air Pirates Funnies, National Lampoon, Playboy and other publications. Many of the strips have been scanned from the original art in the artist s vast personal archives, including rare and unpublished preliminary drawings. A contemporary of Gilbert Shelton, R. Crumb and the ZAP crew, London s legacy is a major piece of history in the great American art form. In 1978 London was awarded the prestigious Yellow Kid Award for best writer/artist at the Lucca Comics Festival for his work on Dirty Duck. Introduction by Drew Friedman."
From the award-winning author of Little Pea, Little Hoot, and Little Oink comes a clever take on the age-old optical illusion: is it a duck or a rabbit? Depends on how you look at it! Readers will find more than just Amy Krouse Rosenthal's signature humor herethere's also a subtle lesson for kids who don't know when to let go of an argument. A smart, simple story that will make readers of all ages eager to take a side, Duck! Rabbit! makes it easy to agree on one thing—reading it again!
College is a big adjustment—but not if you're Kenya Posey. Even at a Southern school far from her Jersey turf, she's the one the girls envy and the boys want. Kenya's the star of a hot singing/dancing troupe, her high-school BFF Lark is on campus—could things get any better? For Lark, the answer is yes. While she's flunking socially, life is one big episode of Everybody Loves Kenya—and Lark barely gets a walk-on role. Kenya's too self-absorbed to see beyond her fabulous new life. But with Kenya's brother Eric and his rapper friend Fiasco bringing drama right to her door, all that's about to change….
Now that Duck is big, he learns how to use the potty.
Karen Hsiao uses a simple object, the rubber duck, and a single location, the bathtub, to examine and expose various stages of the human life cycle. From birth to death, through good times and bad, in sickness and in health, the human condition is a series of thematic episodes that Karen Hsiao presents as simple yet shocking portraits of unusual bathing beauties who represent our inner selves. Children, monsters, lovers, fighters, victims, and caregivers are all represented by charismatic models (some famous fetish models) in the tub with their rubber ducks. Dirty, insightful fun.
It's summer! Five little ducks can't wait to splash into the sea. With their swimsuits on and a picnic for later, they're ready for a day of sand and sun. Children will want to dive right into this delightful companion to Duck Skates. Duck Dunks is a 2009 Bank Street - Best Children's Book of the Year.
Dimity Duck and Frumity Frog have a fun day together in the pond, then go home when it gets dark outside.
Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.
Here's a duck who's into everything: cooking,sports,painting,gardening, The more fun she has, the muckier she gets! Finally it's bath time. How long will it be before the duck and her boy are mucky all over again? Sure enough, not very long at all. This story featuring a boy and his very self- possessed duck is full of hilarious and delightful moments and details.