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An American teenager moves to southern Africa in the 1970s during a time of great change, and comes back changed himself. After a 35 year absence, he returns to southern Africa to volunteer for a conservation and research program in the Tuli Wilderness of Botswana. Despite close encounters with lions, hyenas, and elephants, it's the people of southern Africa that once again left the biggest impression on him.
Unbelievable circumstances. Believable hope. If we follow media accounts, the continent of Africa may seem to be little more than AIDS patients, malnourished babies, child soldiers, and a failing attempt to imitate the West. Though Christians today are increasingly concerned about injustice and human suffering, their effectiveness in Africa is limited by only knowing this "bad news" and the trite, feel-good solutions sometimes bandied about in response. Into the Mud takes readers below the headlines, into real stories of real people living neck-deep in some of Africa's most difficult issues -- but with hands, minds, and hearts rooted in God's kingdom. Each of the interwoven stories and related discussion questions addresses a broader issue of missions and development, including evangelism, literacy and education, microfinance, health services, urbanization and refugee assistance, and more. Reflection questions at the end of each chapter help readers to apply lessons from the chapters to their own ministry contexts. Where the world sees despair, author Christine Jeske sees God writing stories of hope. Study groups, development students, mission teams, and everyday activists alike will be challenged by her stories to enter more deeply into the thick of life's mud.
Lonely Planet: The world's leading travel guide publisher Lonely Planet Southern Africa is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Clamber up the world's oldest sand dunes in Sossusvlei, step back in time on Mozambique Island, or enjoy world-class wildlife-watching in Etosha National Park; all with your trusted travel companion. Get to the heart of Southern Africa and begin your journey now! Inside Lonely Planet Southern Africa Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, art, cuisine, environment, wildlife, music, religion, literature, visual arts Over 115 maps Covers Malawi, Zambia, South Africa, Mozambique, Zimbabwe, Botswana, Namibia, Lesotho, Swaziland and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Southern Africa , our most comprehensive guide to Southern Africa, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travelers. You’ll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
In today's globalised world, it is increasingly important to understand the otherness of different societies and their beliefs, histories and practices. This book focuses on a burning cultural issue: how concepts and constructions of gender and sexuality impact upon health, medicine and healthcare. Starting from the premise that health is neither a universal nor a unitary concept, it offers a series of interdisciplinary analyses of what sickness and well-being have been, are and can be. The originality of this book is its cross-cultural and trans-historical approach. Bringing together specially commissioned work by both major critical voices and young scholars in fields ranging from anthropology and art history to philosophy, political science and sociology, this volume challenges many traditional assumptions about gender, medicine and health-care. Issues addressed include: the politics and realities of female genital mutilation; sex-work and migration; the portrayal of mothering in contemporary African writing; the representation of AIDS in literature, photography and the media; the place of gender in ancient Egyptian health papyri; the dramatisation of morality and sexual over-indulgence in Thai literature; the relationship between myths of menstruation and power in early modern England; the role of anger in traditional Chinese medicine; and the ways in which both disease and sexual identities were redefined by cholera in the nineteenth century. The wide-ranging Introduction provides a historical and theoretical framework for what is defined here as Cultural Medicine, whilst fifteen original essays demonstrate from different perspectives that health is not merely a physiological and medical issue, but also a cultural and ethical one. An invaluable research and study resource, this book is written in a clear and accessible style and will be of interest to the general reader as well as to students of all levels, to teachers of a wide range of disciplines, and to specialist researchers of cultural studies and of medicine.
The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. This dictionary of fictional detectives helps readers learn about the series in which their favorite detectives are featured. Included are alphabetically arranged entries on roughly 150 fictional detectives, which provide information about the works in which the detective appears, the locales in which the detective operates, the detective's investigative methods, and other important information. Helpful bibliographical citations direct the reader to other interesting works. The volume closes with a selected, general bibliography; various appendices; and an extensive index. The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. Many of the most popular mystery books appear in series, and these series feature carefully developed detectives.
This is a print on demand book and is therefore non- returnable. As a pastoral systematic, The Christian Story rises from, and strives to be a resource to, the life and witness of the church and its leadership. The first volume (revised edition, 1984) offered an introductory overview of the basic Christian doctrine. Now turning his attention to the individual doctrines, Gabriel Fackre here surveys a spectrum of views on authority -- from inerrantist to experientialist -- and sets forth an alternative perspective along ecumenical and narrative lines. The author's search for a full-orbed position affirms Scripture as the source, the church and its traditions as resource, the world of human experience as setting, the Gospel as substance, and Christ as the center of authority. A detailed analysis of hermeneutical issues is included in the book. The quest for evangelical catholicity leads to a restatement of the fourfold method of scriptural interpretation: common sense, critical scholarship, canonical perspective, and the contextualization process -- personal and social. An extensive exegesis of a key Christological text, John 14:6, illustrates how this method works.
The Dirty South examines the shifting significances of the South as a constructed, fantasized region in the American psyche, particularly its frequent association with tropes of dirt that emphasize soil, garbage, trash, grit, litter, mud, swamp water, slime, and pollution. Beginning with iconic works from the 1970s such as Deliverance and The Texas Chainsaw Massacre, James A. Crank traces the image of a “dirty” South into the twenty-first century to explore the social, political, and psychological effects of the region’s hold on the imaginations of southerners and nonsoutherners alike. With a focus on media forms through which southern identity gets articulated and questioned—including horror movies, Swamp Thing comics, and popular music by artists such as Waylon Jennings and OutKast—The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era. Highlighting the period from 1970 to 2020, during which the South began to represent several new possible identities for the nation as a whole and for the area itself, Crank considers the ways that southerners have used depictions of dirt to create and police boundaries and to contest those boundaries. Each chapter pairs prominent literary or cultural texts from the 1970s with more contemporary works, such as Jordan Peele’s film Get Out, which recycle similar investments or, critically, challenge the inherent whiteness of the earlier images. By historicizing fantasies of the region and connecting them to the first decades of the twenty-first century, The Dirty South reveals that notions about southern dirtiness proliferate not because they lend authenticity or relevancy to the U.S. South, but because they aid so conspicuously in the zombified work of tethering investors (real and imagined) to a graveyard of ideas.
This collection of essays analyzes the work of 29 authors and illustrators. South African children's and youth literature has a long history. The country is the most prolific publisher of children's books on the continent, producing perhaps the highest quality literature in Africa. Its traditions resonate within the larger world of children's literature but are solidly grounded in African myth and archetypes. The African diaspora in the U.S. and elsewhere have stories rooted in these oral traditions. Much has changed in South African literature for children since the 1994 transformation of the country. A field once dominated by all white and mostly female writers and illustrators has diversified, adding many new voices.
Across contiguous nation-states in Eastern Africa, the geographic proximity disguises an ideological complexity. Land has meant something fundamental in the sociocultural history of each country. Those concerns, however, have manifested into varied political events, and the range of struggles over land has spawned a multiplicity of literary interventions. While Kenya and Uganda were both British colonies, Kenya's experience of settler land alienation made for a much more violent response against efforts at political independence. Uganda's relatively calm unyoking from the colonial burden, however, led to a tumultuous post-independence. Tanzania, too, like Kenya and Uganda, resisted British colonial administration—after Germany's defeat in World War 1. In Writing on the Soil, author Ng’ang’a Wahu-Mũchiri argues that representations of land and landscape perform significant metaphorical labor in African literatures, and this argument evolves across several geographical spaces. Each chapter's analysis is grounded in a particular locale: western Kenya, colonial Tanganyika, post-independence Tanzania, Zimbabwe, Nairobi, Dar es Salaam, Anam Ka'alakol (Lake Turkana), Kampala, and Kitgum in Northern Uganda. Moreover, each section contributes to a deeper understanding of the aesthetic choices that authors make when deploying tropes revolving around land, landscape, and the environment. Mũchiri disentangles the numerous connections between geography and geopolitical space on the one hand, and ideology and cultural analysis on the other. This book embodies a multi-layered argument in the sphere of African critical scholarship, while adding to the growing field of African land rights scholarship—an approach that foregrounds the close reading of Africa’s literary canon.