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"In today's market, range-rearing of swine can provide the family farm with a key venture for diversification and provide a good cash flow-- perhaps no other large animal enterprise offers as fast a turnaround on investment. With the informed consumer expressing concerns about the issues with factory farming and willing to pay a premium to get a healthy, quality alternative-- range-produced pork is more and more the right answer. This comprehensive book on raising hogs the natural way includes sections on housing, fencing, selection, breeding, herd maintenance, feeds, marketing and more."--
No part of America scars its children as does the south. In this incandescent memoir, Robert Coram tells how a rough-edged boy escaped from a nowhere little town in rural southwest Georgia and became an accomplished writer. With a flawless ear and an unblinking eye, Coram escorts us across a unique landscape, capturing the nuances of life in a small southern town during the 1950s, not by writing of the romantic south, but rather of a south that can be narrow and harsh and brutal. He takes on the big issues: race, religion, love, death, and family values. His coming-of-age story is troubling, sometimes embarrassing to read, but always hilarious. As a native son, Coram captures in pitch-perfect tone the voice of a teenage boy, a new voice from the old south--a voice as fresh and as blinding as a southern sunrise. Coram holds nothing back. No part of his early life is too embarrassing or too personal, including losing his virginity in a church and public beatings by his father. Though centered on Coram's long-suffering mother, his brutal father, and his dog that lived in hope, the main feature of his story may be the humor. Rarely does a writer draw so much humor from such a harsh childhood. His story will linger in your heart. Coram is the author of seven novels and seven works of non-fiction, including four acclaimed biographies. He lives in Atlanta.
The editors of The New Quarterly, when first reviewing my story submissions, concluded, rightly or wrongly, that my work fell into the category of 'Magic Realism'. 'Magic Realism', as one editor proceeded to define, was the "seamless blending of the ineffable and the concrete". The 'ineffable' or 'other reality' part of this definition is at the core of many of the stories in this collection. The stories in Liquid Geography could be categorized as 'backyard fiction', or even 'transformative realism'. They all, more or less, take place in and around a home environment and conclude by literally 'spilling outside'; differences between what is 'real' and is 'not real', what is present, past or future, disintegrate and blur away. The characters who inhabit or appear in these stories, are invariably destined, in one way or another, to experience glimpses and encounters with heightened or altered moments of cognition. They are not necessarily characters who are spiritually evolved or wise in any sense; they are not characters who have consciously embarked upon a path of higher understanding. They are generally very ordinary individuals leading seemingly ordinary lives. What they discover, however, is that reality as they believe they know it, is a slippery path where the 'unreal', 'super-real' or even 'magical' may (and can) present itself at any given moment. Whether the characters in question have initiated this shift through some psychic turmoil or trauma that alters his or her patterns of perception, or whether there is a hidden 'other reality' containing different truths, becomes merely a matter of definition, and therefore moot.