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First Published in 1996. Those of us who aspire to know about the black church in the African-American experience are never satisfied. We know so much more about the Christian and church life of black Americans than we did even a dozen years ago, but all the recent discoveries whet our insatiable appetites to know it all. That goal will never be attained, of course, but there do remain many conquerable worlds. Sherry Sherrod DuPree set her mind to conquering one of those worlds. She has persisted, with the results detailed here. A huge number of items are available to inform us about Holiness, Pentecostal, and Charismatic congregations and organizations in the African-American Christian community.
Bishop Charles H. Mason in the Age of Jim Crow profiles the life and career of Charles Harrison Mason. Mason was the founder of the Church of God in Christ (COGIC), which from its Memphis roots, grew into the most significant black Pentecostal denomination in the United States, with profound theological and political ramifications for poor and working-class black Memphians. Bishop Charles H. Mason in the Age of Jim Crow is grounded in the history of the Jim Crow era. The book traces the origins of COGIC in Memphis; it reveals just how Mason’s new black Pentecostal denomination grew, gained social and political power, and earned a permanent place in Memphis’s black religious pantheon. This book tells how a son of slaves transformed a rural migrant movement into an urban phenomenon, how unusual religious demonstrations exemplified infrapolitical religious protests, and how these rituals of resistance changed black lives and helped strengthen and sustain blacks fighting for freedom in segregated Memphis. The author reveals why Charles H. Mason was an important pre-civil rights religious leader who laid the groundwork for integrated churches.
As one of the first African American vocalists to be recorded, Bessie Smith is a prominent figure in American popular culture and African American history. Michelle R. Scott uses Smith's life as a lens to investigate broad issues in history, including industrialization, Southern rural to urban migration, black community development in the post-emancipation era, and black working-class gender conventions. Arguing that the rise of blues culture and the success of female blues artists like Bessie Smith are connected to the rapid migration and industrialization in the late nineteenth and early twentieth centuries, Scott focuses her analysis on Chattanooga, Tennessee, the large industrial and transportation center where Smith was born. This study explores how the expansion of the Southern railroads and the development of iron foundries, steel mills, and sawmills created vast employment opportunities in the postbellum era. Chronicling the growth and development of the African American Chattanooga community, Scott examines the Smith family's migration to Chattanooga and the popular music of black Chattanooga during the first decade of the twentieth century, and culminates by delving into Smith's early years on the vaudeville circuit.