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The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.
• Insider author gives no-nonsense advice • Required reading for film students, educators, anyone interested in film From script analysis to post production, here is the all-inclusive guide to directing for film and television. Written by noted director-producer Myrl Schreibman, The Film Director Prepares offers practical insights on filmmaking, using real-life examples directors won’t learn in school. With topics including working with actors, using the camera to tell a story, setting mood, staging, maintaining performance levels, covering shots, and directing for different mediums, The Film Director Prepares will leave new directors truly prepared for their careers.
ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.
Presents the Directors Guild of America (DGA), based in Los Angeles, California. Posts contact information via mailing address, telephone and fax numbers, and e-mail. Provides access to the "DGA Magazine Online." Includes a FAQ section and information on membership benefits, a history of the DGA, DGA awards, and special projects. Contains press releases and highlights DGA books and publications. Links to sites of related interest.
Oscar Micheaux was the Jackie Robinson of film, the black D. W. Griffith: a bigger-than-life American folk hero whose important life story is nearly forgotten today. Now, in a feat of historical investigation and vivid storytelling, one of our greatest film biographers takes on one of the most talented and complex figures in the history of American entertainment. The son of freed slaves, Micheaux grew up in Metropolis, Illinois, then roamed America as a Pullman porter before making his first mark as a homesteader in South Dakota. Disaster and defeat there led him to forge a career publishing a successful series of autobiographical novels. Ever the entrepreneur, when Hollywood failed to bid high enough for film rights to his stories, he answered by forming his own film production company. Going on to produce or direct twenty-two silent and fifteen sound films in his lifetime, Micheaux became the king of the "race cinema" industry at a time when black-produced films had to scrounge for venues in a segregated society. In this groundbreaking new biography, award-winning film historian Patrick McGilligan offers a vivid and fascinating portrait of this little-known pioneer. Part visionary, part raffish Barnum-like showman, Micheaux was both a maverick filmmaker and an inveterate hustler who used every weapon at his disposal to break the color barrier and thrive in a profession he helped to invent. He made a fortune and lost it again, and launched repeated con games that were followed by public arrests and bankruptcies. He eagerly took credit for the work of others—including his unsung-heroine wife. In his desperate later years, he even sunk to plagiarizing his final novel—a discovery McGilligan reveals here for the first time. In this searching exploration, McGilligan tracks down long-lost financial records, unpublished letters, and unmarked pauper's graves, pinpointing Micheaux's birthplace, his tangled personal life, and the circumstances of his tragic death. The result is an epic that bridges a fascinating period in American history, and offers lessons for anyone who would understand the role of black America in forming the culture of our time.
Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
“Being directed by the Jimmy Burrows, while on Friends, was like hitting the jackpot. I’m delighted that everyone can now share in his incredible insight with this book.”—JENNIFER ANISTON From the director of The Mary Tyler Moore Show, Taxi, Cheers, Frasier, and Will & Grace comes an insightful and nostalgic behind-the-scenes memoir that’s “as difficult to put down as a Friends marathon is to turn off” (The Washington Post). Legendary sitcom director James Burrows has spent five decades making America laugh. Here readers will find never-revealed stories behind the casting of the dozens of great sitcoms he directed, as well as details as to how these memorable shows were created, how they got on the air, and how the cast and crew continued to develop and grow. Burrows also examines his own challenges, career victories, and defeats, and provides advice for aspiring directors, writers, and actors. All this from the man who helped launch the careers of Ted Danson, Kelsey Grammer, Woody Harrelson, Jennifer Aniston, Debra Messing, and Melissa McCarthy, to name a few. Burrows talks fondly about the inspiration he found during his childhood and young adult years, including his father, legendary playwright and Broadway director Abe Burrows. From there he goes on to explain his rigorous work ethic, forged in his early years in theater, where he did everything from stage managing to building sets to, finally, directing. Transitioning to television, Burrows locked into a coveted job with The Mary Tyler Moore Show, where he first observed and then started to apply his craft. Directing most of the episodes of Taxi came next, where he worked closely with writers/producers Glen and Les Charles. The three formed a remarkable creative partnership that helped Burrows achieve his much sought-after goal of ownership and agency over a project, which came with the creating and directing of the seminal and beloved hit Cheers. Burrows has directed more than seventy-five pilots that have gone to series and over a thousand episodes, more than any other director in history. Directed by James Burrows is a heart-and-soul master class in sitcom, revealing what it truly takes to get a laugh.
Arthur Penn: American Director is the comprehensive biography of one of the twentieth century's most influential filmmakers. Thematic chapters lucidly convey the story of Penn's life and career, as well as pertinent events in the history of American film, theater, and television. In the process of tracing the full spectrum of his career, Arthur Penn reveals the enormous scope of Penn's talent and his profound impact on the entertainment industry in an accessible, engaging account of the well-known director's life. Born in 1922 to a family of Philadelphia immigrants, the young Penn was bright but aimless -- especially compared to his talented older brother Irving, who would later become a world-renowned photographer. Penn drifted into directing, but he soon mastered the craft in three mediums: television, Broadway, and motion pictures. By the time he made Bonnie and Clyde (1967), Penn was already a Tony-winning Broadway director and one of the prodigies of the golden age of television. His innovative handling of the story of two Depression-era outlaws not only challenged Hollywood's strict censorship code, it shook the foundation of studio system itself and ushered in the film revolution. His next films -- Alice's Restaurant (1969), Little Big Man (1970), and Night Moves (1975) -- became instant classics, summoning emotions from shock to sensuality and from confusion to horror, all of which reflected the complexity of the man behind the camera. The personal and creative odyssey captured in these pages includes memorable adventures in World War II; the chaotic days of live television; the emergence of Method acting in Hollywood; and experiences with Marlon Brando, Anne Bancroft, Warren Beatty, William Gibson, Lillian Hellman, and a host of other show business legends.