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What are the practical and creative elements for becoming a director? How do you get started? What is the best way for actors, designers, and crew to work with directors? This guide provides regional theater companies and new directors with the knowledge and tools they need to produce successful shows. Drawing on years of experience directing and producing plays, Wilma Marcus Chandler covers such topics as: * How to read and analyze a script and really understand it * How to visualize your show * How to get started, researching and thinking about concept, music, lights, sound, costumes * How to hold auditions * How to talk to your case and crew--and how to listen * How to stage a play, using blocking, body movement, stage business, exits and entrances * How to prepare a production, including rehearsal techniques, time lines, budgets, royalties, publicity * How to prepare a career in directing
A solid introduction for anyone considering film directing as a field of study or career. 10 photos.
The pursuit of excellence in theatre is well served by the latest edition of this eminently readable text by two directors with wide-ranging experience. In an engaging, conversational manner, the authors deftly combine a focus on artistic vision with a practical, organized methodology that allows beginning and established directors to bring a creative script interpretation to life for an audience.
An accessible edition of a classic guide to film and theater directing offers insight into the craft's unique challenges from managing personalities and anticipating problems to working with a script and the key elements of staging, in a primer that also features life lessons gleaned by the co-authors throughout their careers. Reprint. 30,000 first printing.
Demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong and more.
A complete step-by-step guide to producing theater in any school or community setting, organized into six sections Play Selection, Pre-Production, Rehearsals & Performances, Audience Development, and Directory. Includes proven strategies for working with students, over 55 reproducible checklists, forms, samples, and more.
What are the practical and creative elements for becoming a director?How do you get started?What is the best way for actors, designers, and crew to work with directors?This guide provides regional theater companies and new directors with the knowledge and tools they need to produce successful shows. Drawing on years of experience directing and producing plays, Wilma Marcus Chandler covers such topics as:* How to read and analyze a script and really understand it* How to visualize your show* How to get started, researching and thinking about concept, music, lights, sound, costumes* How to hold auditions* How to talk to your case and crew--and how to listen* How to stage a play, using blocking, body movement, stage business, exits and entrances* How to prepare a production, including rehearsal techniques, time lines, budgets, royalties, publicity* How to prepare a career in directing.
The one and only book on successfully staging amateur productions. In this book, drama teachers and community directors are given everything they need to know about picking the right show; licensing, casting, and budgeting; organizing a schedule; costumes, makeup, staging, lighting, and music; tickets, fundraising, programs, cast parties, and more. Illustrated with help plans and photos from actual productions. • Perfect for nonprofit organizations’ fundraising theater events and community theater groups • Complete with an extensive resource section • Illustrated with help plans and great photos from actual productions
This guide provides regional theater companies and new directors with the knowledge and tools needed to produce successful shows. Drawing on years of experience directing and producing plays, Wilma Marcus Chandler covers such topics as how to read and analyze a script to really understand it. She guides new directors with how to visualize a show and explains how to get started, researching and thinking about concept, music, lights, sound, and costumes. Tips are provided for how to hold auditions as well as information on how to talk to the cast and crew - and how to listen. New directors will learn how to stage a play, using blocking, body movement, stage business, exits and entrances. She shares skills for preparing a production, including rehearsal techniques, time lines, budgets, royalties, and publicity. Also included is a valuable discussion on how to prepare for a career in directing.