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How do you develop both the craft of directing as well as a professional career in freelance directing in today's theatre industry? Drawing on his own extensive experience and that of other theatre professionals from the US and UK, Kent Thompson illuminates a pathway from training, apprenticeship and assistant directing to an established career as a director. Directing Professionally first lays out paths for aspirant directors to train, grow and succeed as directors, then advises freelance directors on how to establish and accelerate their professional careers. It also reveals the most significant ways those directors become artistic directors today. With a frank, thoughtful and often humorous examination of the job of professional direction and artistic direction, Thompson writes about the passion, commitment, artistic vision, directorial experience, leadership skills, and powerful persuasive gifts needed to succeed in this extraordinary field. Featuring case studies and brief interviews with professional theatre directors, artistic directors, producers, critics, managing/executive directors, and theatre leaders currently working in the field in the UK and the US, this volume will equip you to develop your career as a professional director in today's theatre.
How do you develop both the craft of directing as well as a professional career in freelance directing in today's theatre industry? Drawing on his own extensive experience and that of other theatre professionals from the US and UK, Kent Thompson illuminates a pathway from training, apprenticeship and assistant directing to an established career as a director. Directing Professionally first lays out paths for aspirant directors to train, grow and succeed as directors, then advises freelance directors on how to establish and accelerate their professional careers. It also reveals the most significant ways those directors become artistic directors today. With a frank, thoughtful and often humorous examination of the job of professional direction and artistic direction, Thompson writes about the passion, commitment, artistic vision, directorial experience, leadership skills, and powerful persuasive gifts needed to succeed in this extraordinary field. Featuring case studies and brief interviews with professional theatre directors, artistic directors, producers, critics, managing/executive directors, and theatre leaders currently working in the field in the UK and the US, this volume will equip you to develop your career as a professional director in today's theatre.
How do you develop both the craft of directing as well as a professional career in freelance directing in today's theatre industry? Drawing on his own extensive experience and that of other theatre professionals from the US and UK, Kent Thompson illuminates a pathway from training, apprenticeship and assistant directing to an established career as a director. Directing Professionally first lays out paths for aspirant directors to train, grow and succeed as directors, then advises freelance directors on how to establish and accelerate their professional careers. It also reveals the most significant ways those directors become artistic directors today. With a frank, thoughtful and often humorous examination of the job of professional direction and artistic direction, Thompson writes about the passion, commitment, artistic vision, directorial experience, leadership skills, and powerful persuasive gifts needed to succeed in this extraordinary field. Featuring case studies and brief interviews with professional theatre directors, artistic directors, producers, critics, managing/executive directors, and theatre leaders currently working in the field in the UK and the US, this volume will equip you to develop your career as a professional director in today's theatre.
Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.
Directing Your Directing Career is the only book in the marketplace written by a working professional that addresses the problems inherent in pursuing a career in directing. Callan's research and experience in the business give her access to top agents in New York and Los Angeles who represent directors, and the background to know what questions to ask. The first part of the book outlines the director's professional journey toward paying work; the second half presents listings for agents in New York and Los Angeles. The listings detail the agent's background, resume and size of client list. In most cases, a few names from the list are included. The book includes an analysis of directing as a realistic career choice, the need to focus one's energies on a particular part of the marketplace, how to know when you are ready to move to New York or Los Angeles, how you can be a working director in your own marketplace, relationships with agents and managers, what agents are looking for, and how to go about approaching agents. An all-important chapter is "Ways into the System", which includes information on support groups, theater groups, Internet connections and much, much more -- while Chapter 6, "Your Film & What to Do with It", addresses the difficulties of marketing a film before and after it's made.
An instant classic since its debut in 1991, Film Directing: Shot By Shot and its famous blue cover is one of the most well-known books on directing in the business, and is a favorite of professional directors as an on-set quick reference guide.
Terry McCabe, himself an accomplished stage director and teacher of theatre arts, here attacks what he calls the growing decadence that plagues contemporary stage directing. He argues for a radical reorganization of the director’s view of his role. It has become an article of faith in the theatre, Mr. McCabe observes, that a play is about what the director chooses to have it be about. But what right does a director have to treat a play as a found object, to be reshaped to express the director’s concerns? None whatsoever, Mr. McCabe replies. He examines anecdotally a range of work by different directors by way of offering a substantial critique of today’s leading theory of stage directing, and he offers an alternate approach. He challenges the notion that a play is the director’s vehicle for self-expression, arguing that the idea of the director as centerpiece of the theatre tends to distort plays and oppress actors. He explores what it means to direct a play when directing is properly understood as a process of self-effacement. Mis-directing the Play examines the role of the director as collaborator with actors, designers, dramaturges, and playwrights. Throughout, the book’s focus is on shedding the counterproductive myth of the director as creative auteur and urging in its place a return to first principles: the idea of the director as the interpretive artist in charge of putting the playwright’s play onstage.
The theatre director is one of the most critical roles in a successful drama company, yet there are no formal qualifications required for entry into this profession. This practical guide for emerging theatre directors answers all the key questions from the very beginning of your career to key stages as you establish your credentials and get professionally recognized. It analyzes the director's role through relationships with the actors, author, designer, production manager and creative teams and provides vital advice for "on-the-job" situations where professional experience is invaluable. The book also provides an overview of the many approaches to acting methodology without focusing on any in particular to allow the director to develop their own unique methods of working with any actor's style. Each chapter includes these key features: * Introduces important theories, identifies practitioners and provides key reading to provide an overview of historic and current practice. * Interviews with leading practitioners and emerging directors. * Suggested exercises to develop the director's own approach and practical skills.