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The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Postavení prezidenta v jiných než prezidentských politických systémech patří k méně analyzovaným aspektům politiky. V zemích střední a východní Evropy může přitom existovat určitá diskrepance mezi formálním a reálným postavením hlav států. Předkládaná, anglicky psaná kniha mapuje, zda se zde po roce 1989 objevily tendence k většímu zapojení či osobnímu angažmá prezidentů v každodenní politice, co bylo jejich příčinou, jak se projevovaly a zda je můžeme vysvětlit spíše osobností prezidenta, nebo strukturou politických příležitostí, která nabídla prezidentovi větší prostor pro osobní politickou realizaci.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
This work is the first explicit examination of the key role that mathematics has played in the development of theoretical physics and will undoubtedly challenge the more conventional accounts of its historical development. Although mathematics has long been regarded as the "language" of physics, the connections between these independent disciplines have been far more complex and intimate than previous narratives have shown. The author convincingly demonstrates that practices, methods, and language shaped the development of the field, and are a key to understanding the mergence of the modern academic discipline. Mathematicians and physicists, as well as historians of both disciplines, will find this provocative work of great interest.
When Western explorers first encountered dolmens in the Levant, they thought they had discovered the origins of a megalithic phenomenon that spread as far as the Atlantic coast. Although European dolmens are now considered an unrelated tradition, many researchers continue to approach dolmens in the Levant as part of a trans-regional phenomenon that spanned the Taurus mountains to the Arabian peninsula. By tightly defining the term 'dolmen' itself, this book brings these mysterious monuments into sharper focus. Drawing on historical, archaeological and geological sources, it is shown that dolmens in the Levant mostly concentrate in the eastern escarpment of the Jordan Rift Valley, and in the Galilean hills. They cluster near proto-urban settlements of the Early Bronze I period (3700–3000 BCE) in particular geological zones suitable for the extraction of megalithic slabs. Rather than approaching dolmens as a regional phenomenon, this book considers dolmens as part of a local burial tradition whose tomb forms varied depending on geological constraints. Dolmens in the Levant is essential for anyone interested in the rise of civilisations in the ancient Middle East, and particularly those who have wondered at the origins of these enigmatic burial monuments that dominate the landscape.