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Professor Sanders’ full-length study of Dionysius I, one of the most powerful figures of fourth-century BC Greece, is the first to appear in English, and marks an important reassessment of the ‘tyrant’ of Syracuse. Dionysius I regularly appears in the surviving historical accounts as a tyrant in the worst – modern – sense of the word: cruelty, intransigence, arrogance are all part of this stereotype. Yet here is a ruler who, according to the ancient testimony, was deeply concerned with the establishment of a just regime and to whom Plato turned to found the ideal Republic. The hostile picture of Dionysius that has come down to us is basically Athenian, Sanders argues, deriving from political circles engaged in propaganda aimed at tarnishing the tyrant’s reputation. Dionysius I of Syracuse and Greek Tyranny will be of interest to those engaged with the history, historiography and political practice of the ancient world.
This book examines the writings of an early sixth-century Christian mystical theologian who wrote under the name of a convert of the apostle Paul, Dionysius the Areopagite, and argues that the pseudonym and the corresponding influence of Paul are the crucial lens through which to read this influential corpus.
Interprets the works of Dionysius of Halicarnassus, an important critic and historian in Rome, in a range of contexts.
Professor Sanders’ full-length study of Dionysius I, one of the most powerful figures of fourth-century BC Greece, is the first to appear in English, and marks an important reassessment of the ‘tyrant’ of Syracuse. Dionysius I regularly appears in the surviving historical accounts as a tyrant in the worst – modern – sense of the word: cruelty, intransigence, arrogance are all part of this stereotype. Yet here is a ruler who, according to the ancient testimony, was deeply concerned with the establishment of a just regime and to whom Plato turned to found the ideal Republic. The hostile picture of Dionysius that has come down to us is basically Athenian, Sanders argues, deriving from political circles engaged in propaganda aimed at tarnishing the tyrant’s reputation. Dionysius I of Syracuse and Greek Tyranny will be of interest to those engaged with the history, historiography and political practice of the ancient world.
DIONYSIUS OF HALICARNASSUS migrated to Rome in 300 B.C., where he lived until his death some time after 8 B.C., writing his Roman Antiquities in twenty books and teaching the art of rhetoric and literary composition to a small group of upper-class Romans. His purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. The essays in the present volume display the full range of Dionysius' critical expertise. In the treatise On Literary Composition, his finest and most original work, discussion of the effects produced by the arrangement of words involves minute analysis of phonetics and metre in addition to more general aspects of literary aesthetics such as the difference between poetry and prose, and the tripartite classification of the types of arrangement. The other four essays are on a less ambitious scale. The Dinarchus is primarily a study of authenticity in which Dionysius attempts to identify the genuine speeches of the latest Attic orator from the list of those ascribed to him by the librarians. The three literary letters are all concerned with possible models. In the Letter to Pompeius, Dionysius gives his reasons for criticizing Plato on stylistic and also moral grounds, and appends critiques of Herodotus, whom he greatly admired, and three other historians -- Xenophon, Philistus and Theopompus. Of the two Letters to Ammaeus, the second may be read as an appendix to the Thucydides, but the first concerns literary history, and investigates the question of whether Demosthenes could have learnt his oratorical skills from Aristotle's Rhetoric. Volume I contains the essays On the Ancient Orators, Lysias, Isocrates, Isaeus, Demosthenes, and Thucydides.
The Age of Titans examines how heavy warships crewed by thousands of men developed from the agile triremes so popular during the Greek Classical Age. Following Alexander the Great, a new focus on naval siege warfare explains the rise in popularity of big ship navies and defines the model of naval power they made possible.
Dubbed 'the greatest Greek city and the most beautiful of them all' by Cicero, Syracuse also boasts the richest history of anywhere in Sicily. Syracuse, City of Legends - the first modern historical guide to the city - explores Syracuse's place within the island and the wider Mediterranean and reveals why it continues to captivate visitors today, more than two and a half millennia after its foundation. For more than 1600 years, from its settlement by Greeks in 733 BC, Syracuse was the leading city in Sicily and at times one of the most powerful in the world. As a Greek city-state it competed with Athens and Carthage and was for a while an important ally of Rome. When Sicily became Rome's first province, Syracuse was the island's capital and was an important centre for early Christianity. Under Byzantine rule, the Emperor Constans II even moved his court to Syracuse for five years. Capture by the Arabs in 878 AD marked the end of ancient Syracuse but the city continued to evolve and during the Spanish era Caravaggio created one of his masterpieces, The Burial of Santa Lucia, in the city. After a devastating earthquake in 1693, a major rebuilding programme gave the city the characteristic Baroque appearance it retains today. Over its long and colourful life, Syracuse has been home to many creative figures, including Archimedes, the greatest mathematician of the ancient world, as well as host to Plato, Scipio Africanus, conqueror of Hannibal, and Caravaggio, who have all contributed to the rich history and atmosphere of this beguiling and distinctive Sicilian city. Generously illustrated, Syracuse, City of Legends also offers detailed descriptions of the principal monuments from each period in the city's life, explaining their physical location as well as their historical context. This vivid and engaging history weaves together the history, architecture and archaeology of Syracuse and will be an invaluable companion for anyone visiting the city as well as a compelling introduction to its ancient and modern history.