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FINALLY AVAILABLE! The long-awaited novelization of the famous cult film DINOSAUR VALLEY GIRLS by master writer (and, in this case, director) Donald F. Glut. Learn just how the Beauties meet the Beasties with thrills, chills and stills! Loaded with stillustrations from the film and includes both A Dinosaur Valley Dictionary and Dino-saur Valley Bestiary.
Contains essays which cover a variety of topics about paleontology and dinosaurs.
"This literary survey examines how paleoliterature originated, developed and matured from its inception to the present day. It follows trends on the crafting of classic dinosaurs, investigating the figurative and metaphoric meaning of fictional dinosaursand related prehistoria. An appendix provides brief summaries of deserving dinosaur texts, organized alphabetically by author. "--Provided by publisher.
From classics like King Kong, to beloved B-movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it's easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author's critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a "prehistoric reptile." Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology--unless, of course, the movie also has a dinosaur.
In 1953, a nine-year-old boy watched a prehistoric film called Beast From 20,000 Fathoms featuring the special effect magic of Ray Harryhausen. Enthralled by the movie but unsatisfied with what was available for at-home movie consumption, he decided to make his own science fiction thriller from dinosaurs to superheroes. This volume takes a firsthand look at the movie-making career of Don Glut. Beginning with his first movie, Diplodocus At Large, at age nine, it explores Glut's various attempts and the increasingly creative processes he used to bring his vision to life. Through the course of the work, Glut discusses his filmmaking experiences at the University of Southern California; the inspiration he received (and gave) through fanzines such as Famous Monsters of Filmland and Castle of Frankenstein; and the interest which his movies still generate. Films discussed include The Earth Before Man, Spy Smasher vs. the Purple Monster, Dinosaur Valley Girls, and Frankenstein Meets Dracula. A chronological filmography lists each of Glut's 41 films with notes regarding cast and a brief synopsis.
Mary Wollstonecraft Shelley's classic novel Frankenstein: or, The Modern Prometheus, first published in 1818, started a phenomeon that has survived the years and permeated many aspects of popular culture. It has spawned numerous films, television programs, books, comics, stage presentations, and the like, and continues to do so today. Like the Frankenstein Monster, this work is made up of many individual parts, some of which are quite different in their specific themes, but all of which relate to Frankenstein in some way. They consider the untold true story of Frankenstein, Glenn Strange's portrayals of the Monster, the portrayals of lesser-known actors who played the character, Peter Cushing and his role as Baron (and Dr.) Frankenstein, the classic film Young Frankenstein co-written by Mel Brooks and Gene Wilder (who also starred in it), the battles between do-gooders and the Monster and other horror figures, Frankenstein in cartoons--and much more. Each of the 15 essays, all written by the author, is prefaced with explanatory notes that place the essay in its historical perspective, comment on its origin and content, and where appropriate, supplement the text with new, additional, or otherwise relevant information. Richly illustrated.
A decade after a cataclysmic time disruption brings elements from the Cretaceous period into the twentieth century, Nick Paulson discovers that the cause is an unknown force in the center of a dinosaur-infested jungle.
Dinosaur memories are hard to forget! Most who revel in the current renaissance in dinosaur science, art, fiction and movies, or who enjoy the other appealing prehistoric animals so well popularized by the media have fond recollections of what it was like growing up dinosaur. Together with wife Diane and his father Allen G. Debus, Allen A. Debus unveils treasured dinosaur memories and stories about prehistoric animals and paleo-people, spanning from the cold-blooded dinosaur era, to the modern wave dinosaur renaissance. Beginning with fondly recalled roadtrips to prehistoric places where T. rex still reigns, Dinosaur Memories ventures into the realm of thunder beasts and explores the rich pop-cultural appeal of prehistoric animals. If youve ever collected dinosaurs, enjoyed fossil hunting or visits to see the old bones in museums, Dinosaur Memories is a book youll still recall years from now! Thirty-five chapters are grouped into seven sections titled, Roads Into Prehistory, Thunder Beasts, Dinosaur Worlds, Fantasy Dinosaurs, Fossil Trickery, Paleo-people, and Rustlin up Dinos.
Over centuries, discoveries of fossil bones spawned legends of monsters such as giants and dragons. As the field of earth sciences matured during the 19th century, early fossilists gained understanding of prehistoric creatures such as Tyrannosaurus, Triceratops and Stegosaurus. This historical study examines how these genuine beasts morphed in the public imagination into mythical, powerful engines of destruction and harbingers of cataclysm, taking their place in popular culture, film, and literature as symbols of "lost worlds" where time stands still.
From the early days of the movies, "cavemen" have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works.