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Richard Knight and his family emigrated from England to Weymouth, Massachusetts during or before 1637, and later moved to Boston, Massachusetts. Descendants lived in New England, New York, Iowa, Colorado and elsewhere.
Bringing chivalry back into our modern-day world, this book shows us how to inspire today's generation of young boys to pursue honor, courage, and compassion. In an age when respect and honor seem like distant and antiquated relics, how can we equip boys to pursue valor and courageously put the needs of others before their own? This book helps parents to inspire their boys by captivating their imagination and honoring their love for adventure. Heather Haupt explores how knights historically lived out various aspects of the knights' Code of Chivalry, as depicted in the French epic Song of Roland, and how boys can embody these same ideals now. When we issue the challenge and give boys the reasons why it is worth pursuing, we step forward on an incredible journey towards raising the kind of boys who, just like the knights of old, make an impact in their world now and for the rest of their lives.
Essays and interviews discuss the art of John Knight, a pioneering figure in site-specific art and institutional critique. For more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy notions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and economic conditions of varied sites, his works systematically challenge notions of object, sign, context, authorship, and value, and they confront audiences not only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts, by such prominent figures as Benjamin H. D. Buchloh, Anne Rorimer, Alexander Alberro, and Birgit Pelzer, offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art and design as well as corporate culture at large. The book provides the first collection of these often hard-to-find texts on Knight and will serve as an essential guide for further consideration of his oeuvre.
After graduating from NYU, Victory Sinclair had her life all planned out. Well, at least the career part, that is. She has been accepted into one of New York’s leading advertising and media agency and will be joining the agency as a personal assistant to the CEO. Little did she know, a strange twist of fate is about to change the course of her future. An unfortunate accident with Arthur Knight resulted in serious consequences that would alter both their futures. What will Victory do? Would she succumb to pressure or would she follow what her heart tells her to?
All her life, Nirvana Thorne thought she was just human, at least not until a mysterious guy rejected her for no reason. When she finally uncovers her family secrets, Knight reclaims her as his fated mate and forces her to dig deep into the unimaginable danger of the underworld to undo the curse. Fighting her attraction towards him is hard enough. Every time they get close, their chemistry sizzles, and the heat between them becomes irresistible. When the pack is under siege, she must learn to gain control of the newfound power within her while the alpha intends to show her where she belongs. *** All Knight Blackwell ever wanted was to run his pack while getting rich. What he didn’t need was a woman demanding his attention, let alone a human mate like Nirvana. So he rejects her. What he never sees coming is his mate possesses an ancient secret— she’s a creature bound in magic intertwined with an ancient dark prophecy and the key to something bigger than anything they’ve ever imagined. With his primal urges getting harder to resist and the powerful being wreaking havoc in his wake, Knight has to sate his dark cravings for his mate before they go to war that Nirvana might have to sacrifice a piece of herself.
When Michael Muhammad Knight sets out to write the definitive biography of his “Anarcho-Sufi” hero and mentor, writer Peter Lamborn Wilson (aka Hakim Bey), he makes a startling discovery that changes everything. At the same time that he grows disillusioned with his idol, Knight finds that his own books have led to American Muslim youths making a countercultural idol of him, placing him on the same pedestal that he had given Wilson. In an attempt to forge his own path, Knight pledges himself to an Iranian Sufi order that Wilson had almost joined, attempts to write the Great American Queer Islamo-Futurist Novel, and even creates his own mosque in the wilderness of West Virginia. He also employs the “cut-up” writing method of Bey’s friend, the late William S. Burroughs, to the Qur’an, subjecting Islam’s holiest scripture to literary experimentation. William S. Burroughs vs. the Qur’an is the struggle of a hero-worshiper without heroes and the meeting of religious and artistic paths, the quest of a writer as spiritual seeker.