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Dilmun features both in Mesopotamian myth, as a blessed land where death is unknown, and in the trade records of the Mesopotamian city of Ur as a real place, the source of Ur's copper supplies. The quest for the real Dilmun began in a relatively light-hearted way in 1953, when Geoffrey Bibby seized the opportunity to revisit Bahrain, in order to explore the thousands of undated burial mounds that decorate the Bahraini landscape. A brief season's digging was enough to establish the existence of a major civilization dating from around 2300 BC, contemporary with Ur and Babylon and showing evidence of trade with the Indus Valley civilization. Thus began a major undertaking, eventually encompassing more than 20 annual expeditions. These revealed the existence of cities and temples not only on Bahrain, but along 250 miles of coast and islands as far north as Kuwait and extending 60 miles into the interior of Saudi Arabia, as well as a second and earlier civilization some 300 miles east, in Oman, which Bibby identified with the legendary copper-rich land of Makan. And the final extraordinary revelation was the discovery in Saudi Arabia of pottery contemporary with the very earliest Stone Age settlements in Mesopotamia, c.5000 BC, extending the early history of the Gulf region back by over 1000 years and raising the possibility that Mesopotamia was first settled from Arabia.
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Indus Valley Civilization is one of the most important discoveries of the twentieth century. A lot has been discovered so far regarding the physical culture, including its planned stylethe cities, roads, dwellings, wells, baths, utensils, tools, mukta, metal, earthen statuesthat tell us a lot about this civilization, which is the background of this novel. The plot revolves around a young woman who allegedly killed a man. This allegation is true, but why all this happened, how the interpretation of what happened in a male-dominated society, and what kind of situation the woman had to face is what Dilmun is about. Was that woman innocent even after the murder?
The archaeological remains in the Gulf area are astounding, and still relatively unexplored. Michael Rice has produced the first up-to-date book, which encompasses all the recent work in the area. He shows that the Gulf has been a major channel of commerce for millenia, and that its ancient culture was rich and complex, to be counted with its great contempororaries in Sumer, Egypt and south-west Persia.
This comprehensive study explores the region's 'forgotten' narratives, myths and traditions. Drawing on stories from Ancient Mesopotamia, Egypt, Anatolia, Syria-Palestine and Persia, Wasilewska shows how these narratives of creation, destruction and rebirth reach to the very roots of the Biblical and Quranic Genesis.
This collection of essays discusses some of the important books, authors, and literary trends of a volatile era in American and world literature whose cultural repercussions are still being felt. Peter S. Prescott was one of the most penetrating, knowledgeable, and sensitive critics to write for a general audience in the tradition of Edmund Wilson. Readers will discover not only Prescott's acute and subtle comments on the enduring and/or representative books of the time, but also his humor and style, his way with an anecdote or aphorism, his talent for parody, and his ability to laugh at himself, as well as at the authors he sometimes skewers. Prescott's writing has an immediacy and vivacity that suggests what it was like to read new books during his time. Here is one critic's view--ironic and complex--of good books by famous writers like Norman Mailer, Jorge Luis Borges, Joyce Carol Oates, Aleksandr Solzhenitsyn, and Vladimir Nabokov, as well as of good books by little-known writers and others who would later achieve reknown. Here, too, is some astringent criticism of distinguished and popular authors who have fallen into self-indulgence. Prescott writes about the New Journalism in its early days and about fragmentary autobiography as a literary form--genres whose importance he was among the first to recognize. His essays also touch on theater, film, food, and politics. The criticism in this volume are examples of the literary essay in its truest sense--an attempt to explore, in however brief space allowed, what the author sees around him, and connections between books and other aspects of the way people live. Always personal and urbane, these essays are often hilarious, generally moving, and exemplify the essay as an art form.
Museums of the Arabian Peninsula offers new insights into the history and development of museums within the region. Recognising and engaging with varied approaches to museum development and practice, the book offers in-depth critical analyses from a range of viewpoints and disciplines. Drawing on regional and international scholarship, the book provides a critical and detailed analysis of museum and heritage institutions in Bahrain, Jordan, Kuwait, Oman, Qatar, Saudi Arabia, the UAE and Yemen. Questioning and engaging with issues related to the institutionalisation of cultural heritage, contributors provide original analyses of current practice and challenges within the region. Considering how these challenges connect to broader issues within the international context, the book offers the opportunity to examine how museums are actively produced and consumed from both the inside and the outside. This critical analysis also enables debates to emerge that question the appropriateness of existing models and methods and provide suggestions for future research and practice. Museums of the Arabian Peninsula offers fresh perspectives that reveal how Gulf museums operate from local, regional and transnational perspectives. The volume will be a key reference point for academics and students working in the fields of museum and heritage studies, anthropology, cultural studies, history, politics and Gulf and Middle East Studies.
This collection of essays presents a synthesis of current research on the Oxus Civilization, which rose and developed at the turn of the 3rd to 2nd millennia BC in Central Asia. First discovered in the 1970s, the Oxus Civilization, or the Bactria–Margiana Archaeological Complex (BMAC), has engendered many different interpretations, which are explored in this volume by an international group of archaeologists and researchers. Contributors cover all aspects of this fascinating Bronze Age culture: architecture; material culture; grave goods; religion; migrations; and trade and interactions with neighboring civilizations, from Mesopotamia to the Indus, and the Gulf to the northern steppes. Chapters also examine the Oxus Civilization’s roots in previous local cultures, explore its environmental and chronological context, or the possibly coveted metal sources, and look into the reasons for its decline. The World of the Oxus Civilization offers a broad and fascinating examination of this society, and provides an invaluable updated resource for anyone working on the culture, history, and archaeology of this region and on the multiple interactions at work at that time in the ancient Near East.