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Digital Stock Photography equips photographers with everything they need to know to create digital stock photos that sell in today’s marketplace. From organizing a shoot to raking in the profits as the pictures sell and sell and sell again, all the steps are here: Capturing digital images, working with scans, digital delivery of images, evaluating equipment, organizing digital files, building an archive, and more. Thirty assignments, designed to reflect the latest trends in photography, provide readers with a blueprint for building a stock collection. Special sections explain how to market, negotiate and quote prices, and manage a business, plus obtaining model releases and protecting copyright. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
One-stop guide to making money from microstocks, the world's fastest growing imaging phenomenon.
In the past decade, the way image based media is created, disseminated, and shared has changed exponentially, as digital imaging technology has replaced traditional film based media. Digital images have become the pervasive photographic medium of choice for the general public. Most libraries, archives, museums, and galleries have undertaken some type of digitisation program: converting their holdings into two dimensional digital images which are available for the general user via the Internet. This raises issues for those aiming to facilitate the creation and preservation of digital images whilst supplying and improving user access to image based material. Digital Images for the Information Professional provides an overview of the place of images in the changing information environment, and the use, function, and appropriation of digital images in both institutional and personal settings. Covering the history, technical underpinnings, sustainability, application, and management of digital images, the text is an accessible guide to both established and developing imaging technologies, providing those within the information sector with essential background knowledge of this increasingly ubiquitous medium.
Engh shows part-time and professional photographers how to compete with the big agencies by using the Internet--the new frontier of stock photography sales.
Wіth thе іnvеntіоn of thе dіgіtаl саmеrа, mоѕt оf us have lаrgе соllесtіоnѕ оf рhоtоѕ іn оur реrѕоnаl libraries. Sоmе hаvе рhоtоѕ in ѕеvеrаl lіbrаrіеѕ like iPhoto, Picasa, аnd Flісkr. Amоngѕt the hundrеdѕ of photos wе hаvе, thеrе are mаnу that wоuld ԛuаlіfу as ѕtосk рhоtоѕ. Thе photos thаt wе identified as stock, саn bе uploaded tо a numbеr of dіffеrеnt рhоtоѕ ѕtосk sites. Onсе thеrе, thеу are made аvаіlаblе for purchase and download tо іntеrеѕtеd buyers.
These fifteen contributions by distinguished vision and imaging scientists explore the role of human vision in the design of modem image communication systems. A dominant theme in the book is image compression—how compression algorithms can be designed to make best use of what we know about human vision. Electronic image communications, which encompass television, high-definition television, teleconferencing, multimedia, digital photography, desktop publishing, and digital movies, is a rapidly growing segment of technology and business. Because these products and technologies are designed for human viewing, knowledge of human perception is essential to optimal design. This book provides a timely compendium of important ideas and perspectives on such subjects as the key aspects of human visual sensitivity that are relevant to image communications and, conversely, the major problems in image communications that vision science can address; the mathematical models of human vision that are useful in the design of image comunications systems; reliable and efficient methods of evaluating visual quality; and aspects of human vision that can be exploited to provide substantial improvements in coding efficiency. Andrew B. Watson is Senior Scientist for Vision Research at NASA. Contributors: Albert J. Ahumada, Jr. E. Barth. V. Michael Bove, Jr. Gershon Buchsbaum. Phillipe Cassereau. Pamela C. Cosman. Scott J. Daly. Michael Eckert. Bernd Girod. William E. Glenn. Robert M. Gray. Paul J. Hearty. Bradley Horowitz. Stanley Klein. Jeffrey Lubin, Cynthia Null. Karen L. Oehler. Alex Pentland. Todd Reed. Andrew B. Watson. B. Wegmann. Christof Zetsche.
Nancy takes readers on location and reveals how she makes the most of her subjects and their surroundings. Learn the insider secrets of a top lifestyle photographer.
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Be a part of one of the world's fastest growing imaging phenomenons: microstock photography. Microstock photography provides both professional and amateur photographers an opportunity to diversify their income and expand their artistic visibility by turning day trip photos or photography portfolios into viable business investments. Douglas Freer has written a comprehensive book that details the technical and commercial processes of the microstock industry. A must read for entrants into the microstock photography field, Microstock Photography shows you how to: .Choose the right microstock agency .Shoot work that will sell .Navigate the strict technical requirements .Understand the likely financial returns .Review licensing models .Understand copyright issues Over 60 illustrations and photographs help you improve your skills, learn new techniques specific to shooting stock photography and better understand what the microstock market demands. Anyone can shoot digital stock photography, but in order to make money and be successful, you need the practical advice that can only be found in this book.