Download Free Digital Philology And Medieval Texts Book in PDF and EPUB Free Download. You can read online Digital Philology And Medieval Texts and write the review.

Working with manuscripts has become a digital affair. But, are there downsides to digital photos? And how can you take advantage of the incredible computing power you have literally at your fingertips? Cornelis van Lit explains in detail what happens when manuscript studies meets digital humanities. In Among Digitized Manuscripts you will learn why it is important to include a note on the photo quality in your codicological description, how to draw, collect, and publish glyphs of paleographic interest, what standards (such as TEI and IIIF) to abide by when transcribing a text, how to write custom software for image recognition, and much more. The leading principle is that learning a little about computers will already be of great benefit.
Preaching Apocrypha in Anglo-Saxon England is the first examination of Christian apocrypha in Anglo-Saxon England, focusing on the use of biblical narratives in Old English sermons. This work demonstrates that apocryphal media are a substantial part of the apparatus of Christian tradition inherited by Anglo-Saxons.
This project-based publication aims to bridge the gap between digital and conventional scholarly activity and to communicate the advancements made in computer-based medieval studies initiatives.
Medieval Manuscripts in the Digital Age explores one major manuscript repository's digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment. Through contributions from a large group of distinguished international scholars, the volume assesses the impact of being able to access and interpret these early manuscripts in new ways. The focus on Parker on the Web, a world-class digital repository of diverse medieval manuscripts, comes as that site made its contents Open Access. Exploring the uses of digital representations of medieval texts and their contexts, contributors consider manuscripts from multiple perspectives including production, materiality, and reception. In addition, the volume explicates new interdisciplinary frameworks of analysis for the study of the relationship between texts and their physical contexts, while centring on an appreciation of the opportunities and challenges effected by the digital representation of a tangible object. Approaches extend from the codicological, palaeographical, linguistic, and cultural to considerations of reader reception, image production, and the implications of new technologies for future discoveries. Medieval Manuscripts in the Digital Age advances the debate in manuscript studies about the role of digital and computational sources and tools. As such, the book will appeal to scholars and students working in the disciplines of Digital Humanities, Medieval Studies, Literary Studies, Library and Information Science, and Book History.
By presenting a rigorous philosophical argument for the authenticity of such images this book illustrates how digitization offers scholars innovative methods for comparing manuscripts of vernacular literature.
This book presents samples of experimental methods for reading medieval Latin texts that have scarcely been adopted, if at all, by mainstream research in the field. It contributes to the discovery of some underestimated aspects of early medieval (especially Carolingian) Latin literature: intertextuality as intercultural relationship (in Biblical epic), intermediality (text-image-sound connections), interdisciplinarity (science, religion, and poetry), hermeneutics (Biblical exegesis as poetry-engine), post-colonial reading (medieval Latin as a second language), socio-literary approaches (monastic epigraphs as witnesses of everyday life, writing as a status symbol of an intellectual class and a whole civilization). It also discusses quantitative methods, which are explored in more detail in a second volume, 'Digital Philology and Quantitative Criticism of Medieval Literature: Unconventional Approaches to Medieval Latin Literature II').00The book thus seeks to encourage scholarly interest in obscure or less familiar elements of the Carolingian literary renewal, interpreted here as more a laboratory of innovations than a revival of traditional patterns.
If you work with digital photos of manuscripts or archival materials, Among Digitized Manuscripts provides the conceptual and practical toolbox for you to create a state-of-the-art methodology and workflow. No previous computer knowledge is required.
In January 2006, an international conference was organised in Arezzo, Italy, "to discuss the principles and purposes of the critical edition produced with the support of humanities computing tools and methods". With Digital philology and medieval texts, editors Arianna Ciula and Francesco Stella have published a multi-lingual selection of the conference proceedings, bringing together ten papers in Italian, four in English and one in French. The book comes with a CD-ROM, containing all papers as PDF files, presentation slides of a selection of published papers and, in addition, of unpublished papers by Kevin Kiernan ("Using the EPPT to build image-based editions of Old English texts"), Paul Spence and Harold Short ("Beyond the digital edition"), and Arianna Ciula ("Illustrazione di progetti di paleografia digitale: relazione tra testo e immagine"). Furthermore, the CD-ROM provides additional material from Ferrarini's and Hagel's contributions. Although quite helpful in illustrating their papers, these add-ons are not accessible via the index file of the CD-ROM and are therefore a bit tricky to locate. -- Digital Medievalist.com.
Cover -- Contents -- Introduction. The New Philology Comes of Age -- 1 New Challenges for the New Medievalism -- 2 Reflections on The New Philology -- 3 Virgil's "Perhaps": Mythopoiesis and Cosmogony in Dante's Commedia (Remarks on Inf. 34, 106-26) -- 4 Dialectic of the Medieval Course -- 5 Religious Horizon and Epic Effect: Considerations on the Iliad, the Chanson de Roland, and the Nibelungenlied -- 6 The Possibility of Historical Time in the Crónica Sarracina -- 7 Good Friday Magic: Petrarch's Canzoniere and the Transformation of Medieval Vernacular Poetry -- 8 The Identity of a Text