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In Digital Alchemy, acclaimed printmaker Bonny Pierce Lhotka shows how to turn your standard inkjet printer into a seemingly magical instrument capable of transforming your printed images into true works of art. Using plenty of visuals and straightforward terms, Lhotka walks you step-by-step through over a dozen projects. Forget printing on boring old paper, in Digital Alchemy, you’ll learn how to transfer and print images to a variety of surfaces including metal, wood, fabric, stone, and plastic using the techniques Lhotka’s spent years developing. If you’re a photographer looking for new ways to personalize your work or a digital artist who’s ready to take your work to the next level, you’ll find all of the tools, techniques, and inspiration you need in this book. Lhotka’s enthusiasm for experimenting with unusual printing materials and processes has led her to create new and amazing transfer techniques, including one that resembles a PolaroidTM transfer on steroids. She also shows you how to make prints using unexpected, everyday materials such as hand sanitizer and gelatin. You’ll even learn direct printing, the technique for sending your custom substrate through your printer almost as if it were paper. In Digital Alchemy, you’ll learn how to: Transfer images to metal, wood, plastic, and other materials that will not feed through an inkjet printer Print directly on metal for a fraction of the cost of using a print service Simulate a print from an expensive UV flatbed printer using an inexpensive desktop printer Use carrier sheets and paintable precoats to print on almost any surface Achieve near-lithographic quality digital prints with transfer processes to uncoated fine art paper In addition to the tutorials in the book, you can watch Lhotka in action on the included DVD-ROM, which has over 60 minutes of video footage where you’ll learn how to perform an alcohol gel transfer, transfer an image to a wooden surface, use your inkjet printer to achieve remarkable prints, and more. Simply insert the DVD-ROM into your computer's DVD drive. Note, this DVD-ROM will not work in TV DVD players.
Will the abyss between mind and matter ever be bridged? How can configurations of matter ever give rise to consciousness? This is the greatest enigma that puzzles the scientific world, also known as "the hard problem." How do the objective and subjective dimensions relate to each other? It is here that scientists and spiritual seekers appear irreconcilable. Yet the number of scientists calling into question the hegemony of reductive materialism is steadily on the rise. As Artificial Intelligence, Nanotechnology and Transhumanism make us rapidly approach the era of the Technological Singularity, the borders between the physical and the metaphysical appear to fade into oblivion, by virtue of the all-encompassing umbrella of Information Technology. Indeed, to wonder whether we might be living in a kind of computer simulation has become a legitimate question.It is exactly here, that the building blocks for the bridge between science and spirituality might be found. What if our reality experience is the product of a code? Could such a code provide a subjective experience? What are the characteristics of such a code? Embark on a mind-boggling quest into this deepest alchemical secret. Prepare yourself for a Tsunami of mind-altering concepts. Let yourself be drawn into the vortex of the Pansentience hypothesis. Learn how reality may digitally self-simulate by becoming the map and the territory simultaneously. And let yourself be seduced by Eris' apple of confusion to transcend your inner strife. As you bite in your own tail, you will discover, you are no one else than the mighty Ouroboros. Discover how Yoneda's Lemma shows us that material manifestations are mere fossils of sensing. Sail through the perilous uncharted seas of the unknown, such as AI hermeneutics, where intelligence has not found ways yet to map safe maritime routes and routines. And examine for yourself in the light of evidence from entropy, information, algorithms and pattern recognition, whether this voyage into the realm of Consciousness will guide you to be wrecked in woo or to be docked in the harbor of wisdom. This forbidden fruit is the gateway to the Eschaton, the luminous Omega Hypercomputer at the end of time. The guide to the non-dual essence of being. This is the recipe to perform the Magnum Opus. The recursive self-modifying Ouroboros code to experience the ecstasy of Kundalini's Techno-transcendentalism, where All is One and we are God. A must read for scientific spiritualists and spiritual scientists.
Don’t bother reading this book unless you’re ready to get your hands dirty. In Hacking the Digital Print, artist Bonny Lhotka redefines what it means to be a photographer. For one thing, you don't always need Photoshop to alter the reality you capture through your lens. In this book, you’ll learn how to create unique images using tools you make and modify yourself. Lhotka shows you how to use analog distortion filters, custom textures, and lens modifiers to create images that look like you made them, not an app. You’ll also learn how to re-create classic printmaking techniques using non-toxic digital alternatives, including a water-based transfer solution that’s safe to use anywhere, whether it’s the studio, classroom, or kitchen counter. Anyone can push a button and create a nice print–there is little challenge in getting a high-quality image out of a desktop printer these days. Lhotka shows you how to take your work to the next level by printing on materials such as wood, glass, plastics, and metal. For the truly adventurous, Lhotka shares her custom techniques for taking photographs and applying them to 3D-printed objects created with popular consumer 3D printers. Part artist/part mad scientist, Lhotka has spent many hours experimenting, hacking, and tearing things apart to discover new ways to take, make, and print images. She encourages you to take the techniques you’ll learn in this book, hack them, and make them your own. With some techniques you will fail. It will be messy. You will try and have to try again. But in the process, you will make your own exciting discoveries, find solutions to your own problems, and create a body of work that is uniquely yours.
In The Last Layer–the follow-up to Digital Alchemy, her successful book on alternative printmaking techniques–Bonny Lhotka teaches how to make prints that take their inspiration from early printmaking processes. In this book, Lhotka shows readers step-by-step how to create modern-day versions of anthotypes, cyanotypes, tintypes, and daguerreotypes as well as platinum and carbon prints. She also reinvents the photogravure and Polaroid transfer processes and explores and explains groundbreaking techniques for combining digital images with traditional monotype, collograph, and etching press prints. By applying these classic techniques to modern images, readers will be able to recreate the look of historical printmaking techniques and explore the limits of their creative voice. Best of all, the only equipment required is a desktop inkjet printer that uses pigment inks, and a handful of readily available materials and supplies–not the toxic chemicals once required to perform these very same processes. Leveraging her training as a traditional painter and printmaker, Bonny Lhotka brings new innovations and inventions that combine the best of centuries of printmaking technique with modern technology to create unique works of art and photography. After years of experimentation and development, these new processes allow alternative photographers, traditional printer makers, and 21st century digital artists to express their creative voice in ways never before possible.
Where racism and sexism meet—an understanding of anti-Black misogyny When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
"This book uses the Twitter, YouTube, and Tumblr productions of Black women as evidence that negative ideas about Black women can be transformed. Misogynoir describes the uniquely co-constitutive racialized and sexist violence that befalls Black women"--
What if divided neighborhoods were causing public health problems? What if a new approach to planning and design could tackle both the built environment and collective well-being at the same time? What if cities could help each other? Dr. Mindy Fullilove, the acclaimed author of Root Shock, uses her unique perspective as a public health psychiatrist to explore ways of healing social and spatial fractures simultaneously. Using the work of French urbanist Michel Cantal-Dupart as a guide, Fullilove takes readers on a tour of successful collaborative interventions that repair cities and make communities whole.
"Many researchers and software developers have put a lot of effort into finding solutions for automated code checking. This book is a good summary of these efforts and provides readers with a comprehensive understanding of the status of such technologies in the industry. It also guides readers on implementation of such techniques using the platforms and tools currently available in the industry." — Issa Ramaji, University of North Florida, USA Building Information Modeling: Automated Code Checking and Compliance Processes covers current and emerging trends in automating the processes of examining building design against codes and standards of practice. The role of Building Information Modeling (BIM) technologies in these processes is thoroughly analyzed and explains how this new technology is significantly transforming modern architecture, engineering, and construction (AEC) domains. The book also introduces the theoretical background of computerizing compliance verification, including domain knowledge representations, building model representations, and automated code checking systems. An underlying goal for the material covered is to present the use of BIM technology as an integral part of the automated auditing process that can lead to a more comprehensive, intelligent, and integrated building design– a design where an optimized solution can be achieved in harmony with the current codes and standards of practice. This new proposed BIM-based framework for automating code conformance checking is one of the most powerful methods presently available to reflect actual building code requirements, and the methods described in the book offer significant benefits to the AEC industry such as:​ Providing consistency in interpretation of regulatory provisions Reducing code compliance validation errors, and the cost and time associated with compliance checking Allows for the ability to self-check required aspects before bidding Reduces the amount of time and resources required during design review Allows for optimal design, along with faster turnaround on feedback, and potentially faster approvals for construction permits by building and infrastructure authorities
There are more than one billion documents on the Web, with the count continually rising at a pace of over one million new documents per day. As information increases, the motivation and interest in data warehousing and mining research and practice remains high in organizational interest. The Encyclopedia of Data Warehousing and Mining, Second Edition, offers thorough exposure to the issues of importance in the rapidly changing field of data warehousing and mining. This essential reference source informs decision makers, problem solvers, and data mining specialists in business, academia, government, and other settings with over 300 entries on theories, methodologies, functionalities, and applications.
South Asian Pornographies is the first consolidated volume that explores the relationships between pornography, obscenity, law and desire in South Asia. Focusing on case studies from India, Sri Lanka and Bangladesh while gesturing towards other countries in South Asia, the authors of this volume come from fields as varied as history, literature, media and communication, and the visual arts. The book proposes that as a geo-political location, South Asia has a unique relationship to pornography, given the multiplicity of cultural and legal-censorial regimes that define the obscene and the permissible. South Asian case studies can demonstrate how pornography in the region is often defined in oblique terms, finding reflection in various modes of popular (and sometimes underground) culture, bypassing legal and censorial constraints. Like questions of identity that can only be answered in the plural (identities rather than identity), this book demonstrates how a range of pornographies constitutes the force field of sexualized media in South Asia. It will be of interest to researchers and advanced students of Communication Studies, Cultural Studies, Film Studies, History, Sociology, and Social and Cultural Anthropology. The chapters in this book were originally published in the journal Porn Studies.