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How did those enormous dinosaur skeletons get inside the museum? Long ago, dinosaurs ruled the Earth. Then, suddenly, they died out. For thousands of years, no one knew these giant creatures had ever existed. Then people began finding fossils -- bones and teeth and footprints that had turned to stone. Today, teams of experts work together to dig dinosaur fossils out of the ground, bone by fragile bone. Then they put the skeletons together again inside museums, to look just like the dinosaurs of millions of years ago.
With a lively rhyming text and vibrant paper collage illustrations, author-artist Bob Barner shakes the dust off the dinosaur bones found in museums and reminds us that they once belonged to living, breathing creatures. Filled with fun dinosaur facts (a T. Rex skull can weigh up to 750 pounds!) and an informational "Dinometer," Dinosaur Bones is sure to make young dinosaur enthusiasts roar with delight.
The day is beautiful. Colby and his dog, Buddy, are on a mission to dig up dinosaur bones. The grownups in his neighborhood insist he does not have the right equipment to find bones. Should he give up or keep digging?
Let's-Read-and-Find-Out Science Stage 2.
Bones. Bones. We look for bones. We look for the bones of dinosaurs. Six small paleontologists search for bones. When they find them, they dig them up, wrap them, and load them on a truck, bound for the museum. There, they carefully put together the bones of a giant dinosaur. In bright, bold, exuberant pictures, with a text that is just right for reading or chanting aloud, Byron Barton looks at just what happens to the bones left behind by dinosaurs of long, long ago.
This is the story of Earl Douglass and his discovery of the first almost complete skeleton of an Apatosaurus, one of the largest dinosaurs ever to roam Earth.
A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.
Wanting to learn more after visiting a dinosaur museum, Brother and Sister journey to the site of a real dinosaur dig and wonder if they will find fossil remnants of a stegosaurus, a tyrannosaurus rex or another exciting species. Original. 75,000 first printing.
In this 2018 New York Times Notable Book,Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man's attempt to sell a dinosaur skeleton from Mongolia--a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot). In 2012, a New York auction catalogue boasted an unusual offering: "a superb Tyrannosaurus skeleton." In fact, Lot 49135 consisted of a nearly complete T. bataar, a close cousin to the most famous animal that ever lived. The fossils now on display in a Manhattan event space had been unearthed in Mongolia, more than 6,000 miles away. At eight-feet high and 24 feet long, the specimen was spectacular, and when the gavel sounded the winning bid was over $1 million. Eric Prokopi, a thirty-eight-year-old Floridian, was the man who had brought this extraordinary skeleton to market. A onetime swimmer who spent his teenage years diving for shark teeth, Prokopi's singular obsession with fossils fueled a thriving business hunting, preparing, and selling specimens, to clients ranging from natural history museums to avid private collectors like actor Leonardo DiCaprio. But there was a problem. This time, facing financial strain, had Prokopi gone too far? As the T. bataar went to auction, a network of paleontologists alerted the government of Mongolia to the eye-catching lot. As an international custody battle ensued, Prokopi watched as his own world unraveled. In the tradition of The Orchid Thief, The Dinosaur Artist is a stunning work of narrative journalism about humans' relationship with natural history and a seemingly intractable conflict between science and commerce. A story that stretches from Florida's Land O' Lakes to the Gobi Desert, The Dinosaur Artist illuminates the history of fossil collecting--a murky, sometimes risky business, populated by eccentrics and obsessives, where the lines between poacher and hunter, collector and smuggler, enthusiast and opportunist, can easily blur. In her first book, Paige Williams has given readers an irresistible story that spans continents, cultures, and millennia as she examines the question of who, ultimately, owns the past.
Uncle Ted gets Scooby-Doo and his friends to help find dinosaur bones for the museum, but the bones turn up missing. Can Scooby and his friends find the bones?