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This edited book includes chapters that explore the impact of war and its aftermath in language and official discourse. It covers a broad chronological range from the First World War to very recent experiences of war, with a focus on Australia and the Pacific region. It examines three main themes in relation to language: the impact of war and trauma on language, the language of war remembrance, and the language of official communications of war and the military. An innovative work that takes an interdisciplinary approach to the themes of war and language, the collection will be of interest to students and scholars across linguistics, literary studies, history and conflict studies.
"F***ed Up Beyond All Recognition takes a frank look at the slang used by men on the ground and shows how they managed to retain their sense of humor, black though it may have been."--Page 4 of cover
Whether in the form of warfare, dispossession, forced migration, or social prejudice, Australia’s sense of nationhood was born from—and continues to be defined by—experiences of violence. Legacies of Violence probes this brutal legacy through case studies that range from the colonial frontier to modern domestic spaces, exploring themes of empathy, isolation, and Australians’ imagined place in the world. Moving beyond the primacy that is typically accorded white accounts of violence, contributors place particular emphasis on the experiences of those perceived to be on the social periphery, repositioning them at the center of Australia’s relationship to global events and debates.
The Politics of Wounds explores military patients' experiences of frontline medical evacuation, war surgery, and the social world of military hospitals during the First World War. The proximity of the front and the colossal numbers of wounded created greater public awareness of the impact of the war than had been seen in previous conflicts, with serious political consequences. Frequently referred to as 'our wounded', the central place of the soldier in society, as a symbol of the war's shifting meaning, drew contradictory responses of compassion, heroism, and censure. Wounds also stirred romantic and sexual responses. This volume reveals the paradoxical situation of the increasing political demand levied on citizen soldiers concurrent with the rise in medical humanitarianism and war-related charitable voluntarism. The physical gestures and poignant sounds of the suffering men reached across the classes, giving rise to convictions about patient rights, which at times conflicted with the military's pragmatism. Why, then, did patients represent military medicine, doctors and nurses in a negative light? The Politics of Wounds listens to the voices of wounded soldiers, placing their personal experience of pain within the social, cultural, and political contexts of military medical institutions. The author reveals how the wounded and disabled found culturally creative ways to express their pain, negotiate power relations, manage systemic tensions, and enact forms of 'soft resistance' against the societal and military expectations of masculinity when confronted by men in pain. The volume concludes by considering the way the state ascribed social and economic values on the body parts of disabled soldiers though the pension system.
Media commentators have noted a rising public tolerance to the use of rude or offensive words in modern English. John Lydon’s obscene outburst on 'I’m a Celebrity...' only provoked a handful of complaints – a muted reaction compared to the furore following his use of the f-word on television twenty-eight years earlier. This timely and authoritative exploration of rudeness in modern English draws together experts from the academic world and the media – journalists, linguists, lexicographers and literary critics – and argues that rudeness is an important cultural phenomenon. Tightly edited with clear accessibly written pieces, the essays look at rudeness in: the media literature football chants street culture seaside postcards. With contributions from media figures including Tom Paulin and leading media-friendly linguists Deborah Cameron and Lynda Mugglestone, Rude Britannia raises concerns about linguistic and social codes, standards of decency, what is considered taboo in the public realm, constructions of bawdy, class, race, power and British identity.
Demonstrates that the Oxford English Dictionary is an international product in both its content and its making.
This book brings together papers presented at the Tenth International School on Lexicography, titled “Life Beyond Dictionaries” and held in Ivanovo, Russia, and Florence, Italy, in September 2013. It continues the series of edited volumes dealing with the theoretical and practical aspects of lexicography, published by Cambridge Scholars Publishing in 2007, 2009, 2010, and 2013. The book is divided into three sections, “Lexicography Worldwide: Historical and Modern Perspectives”, “Tourism and Heritage Dictionaries with Special Reference to Culture”, and “Projects of New Dictionaries”. The contributions to this volume investigate problems of world lexicography and its cultural contexts with special reference to projects of new dictionaries. As such, the book will be of interest to theoreticians, lexicographers, and students of linguistic faculties.
From Ammo to Zig-Zag, many of the words we use today were invented in World War 1. They provide a unique insight into the experience of the war, and the inventiveness and humour of ordinary soldiers.
This book explores the publishing and reading practices formed and changed by the First World War. From an exploration of British and Australian trench journals to the impact of war on the literary figures of the home front, the essays provide new information about the production, circulation and reception of reading matter during this time.