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Attention, guys of America: It's time to get off the couch, turn off the PlayStation, and set down your beer (just kidding—never set down your beer). Your days of freedom are numbered. Every guy owes it to himself to do something audacious, ostentatious, hilarious, or just plain fun before it's too late. The time is now for the kinds of things that will be decidedly against the rules after you "settle down." Die Happy is here to help you create the kind of stories you'll be telling for the rest of your life. Stories about things like: · How you spent your graduation cash: You start at Oktoberfest in Munich and wake up on a Thai beach (which is totally what your Aunt Edith had in mind). From Fantasy Fest to La Tomatina, here's a breakdown of the wildest parties and the craziest worldwide destinations. · The best places to, ahem, explore other cultures (or whatever): Corfu's Pink Palace. Ireland's pubs. Amsterdam's Red Light District. Ibiza. Plus plenty of other fascinating events and locales, many of which also happen to serve booze. · Getting a job (don't worry, not a real job): Jet Ski guy. Cruise ship bartender. Casino dealer. Lifeguard. Roadie. Where and how to earn the money to subsidize your fun, usually in some exotic location full of very friendly women. At once a "How To," a "To Do," and a "We Did," Die Happy contains all the ideas, checklists, and insanely funny true stories you'll need to help you have as much fun as possible—while you still can.
The new Lambert and Hook mystery - When the committee members of the Oldford Literary Festival all receive anonymous letters telling them to resign or die, it marks the start of an unusual case for Chief Superintendent Lambert and DS Hook. All of the members identify one man as being capable of such a thing: Peter Preston, a self-important snob who is in disagreement with the head of the festival over what he sees as the dumbing down of the events programme. But could such a disagreement lead to murder? It’s not long before Lambert and Hook have their answer . . .
The poems in Let’s All Die Happy explore apostasy, concerned with what happens after the beliefs and institutions which promised fulfillment leave us empty instead. Through a darkly humorous lens, it also examines a patriarchal culture in which women are defined through their relationship to others and how this inheritance weighs heavily not only on the lives we lead but shapes what life it is possible to even imagine having. Ultimately, the poems push against these containers, burning through the stages of a woman's life until there's nothing left but to invent what's next, finding both loneliness and liberation in this reclamation.
When we think of a manual, the idea of a book that concisely and clearly distills the essentials of a topic comes to mind. With an uncommon and provocative title, Manual to Die Happy speaks to us about life and invites us to celebrate it. French writer André Malraux pointed out that “death only has importance to the extent that it makes us reflect on the value of life.” In this vein, with a clear and didactic style, Mónica Tambini Ávila proposes that we take responsibility for our own existence in the face of the inevitable: death. So, how do we prepare to die happy? Is it possible to die happy? To answer these questions, Mónica dares to share everything about her experiences, lessons, and reflections on this topic. This book challenges us to think about the purpose of our existence, our life plan, happiness, love, gratitude, forgiveness, illness, and other aspects that encourage us not to delay what needs to be done and to keep our affairs and paperwork in order. Manual to Die Happy is a challenge to free ourselves from excuses, dare to be responsible for our decisions, and thus live in happiness.
What is the secret of people who die contented and fulfilled? What makes it possible for them to attain such spiritual heights as they approach their physical demise? What enables them to make death a completion of life, rather than a tragic end? And what can they teach us about life and death, love and loss, grief and spiritual growth? The way we die, like the way we live, makes a difference—in our lives and the lives of others. From time to time during his work as a pastor, John Fanestil has witnessed someone dying with remarkable and uplifting grace. Fanestil was moved yet puzzled by the spirit of happiness and holiness he observed. Contemporary literature on dying, filled with talk of anger, acceptance, and forgiveness, provided little to explain it. But the chance discovery of articles about the ritual of the “happy death” in religious magazines from the eighteenth and nineteenth centuries brought Fanestil the answers he sought. Mrs. Hunter’s Happy Death blends the captivating historical accounts Fanestil uncovered with his own pastoral experiences to reveal the secrets that enable people to transcend pain and suffering and embrace death as a completion of life, not as a tragic end. A fascinating introduction to a historic approach to death and its contemporary incarnations, Mrs. Hunter’s Happy Death also offers specific lessons on living and dying, from the “exercise of prayer” to the “labor of love” to “bearing testimony.” With the spread of in-home medical and hospice care, death is once again being embraced as a natural part of life, infused with profound emotional and spiritual dimensions. The inspiring stories in Mrs. Hunter’s Happy Death beautifully demonstrate that the way we die, like the way we live, makes a supreme difference—in our lives and in the lives of others.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
Singing is one of the most repeated commands in Holy Scripture. It’s right up there with “believe” and “do not fear.” But commands like these can feel vaguely spiritual, intangible, or esoteric. You might not know if you’re doing them right. Not so with singing. You just open your mouth and make it happen. And when we do, we often get the sense that God is up to something, that he has designed singing to change us. But how? How does singing do its transformative work? Why has God hard-wired singing with such power? What does Scripture teach us about the gift of song? What did the songs of Scripture feel like and sound like? Why does singing awaken something so visceral and emotional within us? And what are the results of being changed by the power of song? Behind all of these questions lies a creative, songful God. He delights in singing. He extends to us a melodic mission. He invites us into intimacy with himself and with his people, and singing is more essential to the journey than we have yet to believe.
The first novel from the Nobel Prize-winning author lays the foundation for The Stranger, telling the story of an Algerian clerk who kills a man in cold blood. In A Happy Death, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in 1960, revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard
Two flawed individuals form an unlikely bond in this story of love and forgiveness set in South Korea.