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Prehistoric Cypriot ceramics were widely traded, especially in the late Bronze Age, and constitute an important source of information about international trade and cultural relations in the Bronze and Iron Age eastern Mediterranean. These papers were presented at an international conference held at the University of Pennsylvania Museum in October 1989. Symposium Series II University Museum Monograph, 74
This is the first volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to pottery made in Egypt today, organised by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment and shape. Colour plates of representative ceramic types are included to give the clearest sense of the colour, composition and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. This second edition boasts a new, expanded introduction. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral-bound versions. The spiral bound versions, with hard laminated covers and tabs, are designed especially for the field and lab.
This is the fourth volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to pottery made in Egypt today, organized by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment, and shape. Color plates of representative ceramic types are included to give the clearest sense of the color, composition, and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis.
This is the third volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to pottery made in Egypt today, organized by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment, and shape. Color plates of representative ceramic types are included to give the clearest sense of the color, composition, and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral-bound versions. The spiral bound versions, with hard laminated covers and tabs, are designed especially for the field and lab.
The Proceedings of the 14th International Conference for Nubian Studies are published in the research journal Kush for its 20th issue. Sixty articles are presenting the advances of international research on Middle Nile Valley archaeology and highlighting the richness and importance of Sudanese sites along the different phases of its Prehistory and History i.e. kingdoms of Kush (Kerma, Napata, Meroe), Medieval, Post-Medieval and Modern Periods. The eighty authors are coming from different disciplines: archaeology, linguistic, bio-anthropology, museum studies, etc. Their contributions are showing the nowadays implication of research in site management, cultural heritage and museums, especially in the frame of the bilateral programme Qatar Sudan Archaeological Programme.
This is the second volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to modern pottery made in Egypt today, organized by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment, and shape. Colour plates of representative ceramic types are included to give the clearest sense of the colour, composition and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral bound versions. The spiral bound manuals, with hard laminated covers and tabs, are designed especially for the field and lab. This second edition includes a new expanded introduction.
This volume is the result of an "International Workshop on the Chronology of the Late Bronze Age (15th-13th Century BC) in Northern Syria (Upper Syrian Euphrates Area): Emar, Tall al-Qitar, Tall Munbaqa, Umm el-Marra and Tall Bazi". It took place on May 5-7, 2012 at the Johannes Gutenberg-Universitat Mainz. The need for the workshop was felt by the excavators of the mentioned sites, because a considerable number of LBA sites has been investigated in the Upper Euphrates area by now, but the relative and absolute chronology of most sites is still a matter of debate. The workshop in Mainz tried to tackle the problem of the dating of the Late Bronze Age of the Upper Syrian Euphrates region with the most simple and obvious method. The excavators and pottery specialists of the relevant sites were for the first time brought together. Each team was asked to present its stratified ceramic material and to explain their methods of dating: had the pottery sequence been dated by parallel with another settlement? If so, with which settlement? Or had the stratified material been dated by internal criteria, by written documents or by other well datable objects such as seals, tools and weapons, imported pottery or others? Or had it been dated by radiocarbon or other scientific analyses? The defined aim, which was circulated among the participants in advance, was "By putting together and by comparing the relevant stratified material, it should be possible to discern the consistencies and differences within the material and the reasons for them." It was hoped that the date of the relevant levels and of the various destructions would become evident, when the reliability of the dating of the 'Tablet Building' at Hadidi to the 15th century was questioned and when each mission laid open its own dating methods, thereby avoiding the circularity of assumptions that had hitherto prevailed. This was not only achieved, but it was also able to establish new chronological anchor points for the Upper Euphrates valley.
This interdisciplinary volume is a ‘one-stop location’ for the most up-to-date scholarship on Southern Levantine figurines in the Iron Age. The essays address terracotta figurines attested in the Southern Levant from the Iron Age through the Persian Period (1200–333 BCE). The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions. While giving priority to figurines originating from Phoenicia, Philistia, Jordan, and Israel/Palestine, the volume explores the influences of Egyptian, Anatolian, Mesopotamian, and Mediterranean (particularly Cypriot) iconography on Levantine pictorial material.