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"The 2009 AASHTO Transportation Glossary is an update and revision of the 1983 Transportation Glossary and the 1998 Transportation Glossary, which was unpublished. The largest additions in terminology were in bridge and drainage subjects. The new Glossary also includes lists of organizational acronyms, abbreviations, and other glossary references. Terms and definitions in this glossary were taken from an unpublished 1998 AASHTO Glossary and supplemented with definitions listed in AASHTO publications issued after 1998. Several additional sources were also referenced, including the Highway Capacity Manual, Manual on Uniform Traffic Control Devices, Code of Federal Regulations-Title 23, an FHWA list of roundabout terminology, and the Transportation Research Thesaurus. Glossary terms are listed in alphabetical order regardless of transportation mode. However, the glossary also includes two indexes-subject area and keyword-which provide cross references for the user."--AASHTO Bookstore website (viewed June 24, 2.
What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later. This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.