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A tribute to a man whose life's work has centered on the study of authorship and who is a scholar and book collector of the first magnitude, The Professions of Authorship examines the business of writing, publishing, and selling books - or what George V. Higgins describes in this volume as a "perplexing, disorganized, chameleonic enterprise". Twenty-three authors, publishing professionals, and scholars who share Matthew J. Bruccoli's love and knowledge of books offer candid observations and opinions about the past, present, and future of publishing. In doing so, they unravel many of the mysteries surrounding this tradition-bound endeavor.
At least since the dawn of the Romantic era, it has been assumed that the poet lives a lonely life, isolated in his garret. Nevertheless, writers are not always hermits and misanthropes. As human beings, they crave the company of other human beings; as artists they need the stimulation of other artists. This book brings to light Warren’s most important literary associations during his long and active life.
No one had ever tried a caper like this before. The goods were kept in a secure room under constant scrutiny, deep inside a crowded building with guards at the exits. The team picked for the job included two old hands known only as Paul and Swede, but all depended on a fresh face, a kid from Pinetown, North Carolina. In the Depression, some fellows were willing to try anything--even a heist in the rare book room of the New York Public Library. In Thieves of Book Row, Travis McDade tells the gripping tale of the worst book-theft ring in American history, and the intrepid detective who brought it down. Author of The Book Thief and a curator of rare books, McDade transforms painstaking research into a rich portrait of Manhattan's Book Row in the 1920s and '30s, where organized crime met America's cultural treasures in dark and crowded shops along gritty Fourth Avenue. Dealers such as Harry Gold, a tough native of the Lower East Side, became experts in recognizing the value of books and recruiting a pool of thieves to steal them--many of them unemployed men who drifted up the Bowery or huddled around fires in Central Park's shantytowns. When Paul and Swede brought a new recruit into his shop, Gold trained him for the biggest score yet: a first edition of Edgar Allan Poe's Al Aaraaf, Tamerlane and Minor Poems. Gold's recruit cased the rare-book room for weeks, searching for a weakness. When he found one, he struck, leading to a breathtaking game of wits between Gold and NYPL special investigator G. William Bergquist. Both a fast-paced, true-life thriller, Thieves of Book Row provides a fascinating look at the history of crime and literary culture.
With this latest installment, Nelly Sfeir v. de Gonzalez has completed her triology of bibliographies on Gabriel Garcia Marquez. Born in Colombia in 1927, Garcia Marquez has become one of the most outstanding and influential novelists of the 20th century. He has received numerous awards, including the 1982 Nobel Prize for Literature. His work has generated an enormous amount of scholarship and his writings are part of the curricula taught in most American colleges and universities. This third volume presents a comprehensive annotated bibliography of books, articles, and non-print materials by and about Garcia Marquez published between 1992 and 2002. The first part consists of primary sources by Garcia Marquez, while, the second part brings together entries for secondary sources, including reviews.
To situate ourselves in 'a matter-flow' means, first of all, to make our perspectives flexible and constantly make them new. In addition, the discovery of 'a matter-flow' forces us to see the pre-epistemological state of being, and it enables us to love all the living things in the real world. We experimented with such concepts as intuition, force, ch'i, the line of flight, wu-wei, and body. The art of the possible in 'a matter-flow' will have to continue.
Introduction -- The truth of narration and the powers of the false -- Accepting complicated legacies by being once removed from the world : Everything is illuminated (Foer 2002) -- "He looked for truth in facts and not in stories" : crimes of historiography and forces of fabulation in Richard Flanagan's Gould's book of fish (2003) -- Making time, undoing race: Richard Powers' The time of our singing (2003) -- Conclusion.
AN INSTANT NEW YORK TIMES BESTSELLER "A spirited defense of this important, odd and odds-defying American retail category." —The New York Times "It is a delight to wander through the bookstores of American history in this warm, generous book." —Emma Straub, New York Times bestselling author and owner of Books Are Magic An affectionate and engaging history of the American bookstore and its central place in American cultural life, from department stores to indies, from highbrow dealers trading in first editions to sidewalk vendors, and from chains to special-interest community destinations Bookstores have always been unlike any other kind of store, shaping readers and writers, and influencing our tastes, thoughts, and politics. They nurture local communities while creating new ones of their own. Bookshops are powerful spaces, but they are also endangered ones. In The Bookshop, we see the stakes: what has been, and what might be lost. Evan Friss’s history of the bookshop draws on oral histories, archival collections, municipal records, diaries, letters, and interviews with leading booksellers to offer a fascinating look at this institution beloved by so many. The story begins with Benjamin Franklin’s first bookstore in Philadelphia and takes us to a range of booksellers including the Strand, Chicago’s Marshall Field & Company, the Gotham Book Mart, specialty stores like Oscar Wilde and Drum and Spear, sidewalk sellers of used books, Barnes & Noble, Amazon Books, and Parnassus. The Bookshop is also a history of the leading figures in American bookselling, often impassioned eccentrics, and a history of how books have been marketed and sold over the course of more than two centuries—including, for example, a 3,000-pound elephant who signed books at Marshall Field’s in 1944. The Bookshop is a love letter to bookstores, a charming chronicle for anyone who cherishes these sanctuaries of literature, and essential reading to understand how these vital institutions have shaped American life—and why we still need them.
Considering George Garrett’s life and work in the continuum of American literary history, it is perhaps most profitable to place him in the tradition of the now exceedingly rare Southern “man of letters”—he (or she) who embraces and produces literature in all its complexity and in multiple forms (novels, short stories, poems, plays, criticism, translation, editing, and so on). This kind of Southern writer, stretching back to Edgar Allan Poe, perhaps finds its best modern examples in the Nashville-based writers of the 1920s and 1930s. Chronologically, Garrett, born in 1929, probably was the most variously gifted Southern writer to arrive on the scene following Robert Penn Warren. Indeed, it is in such company that his life and work belong.
Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.
Authors Shannon Hengen and Ashley Thomson have assembled a reference guide that covers all of the works written by the acclaimed Canadian author Margaret Atwood since 1988, including her novels Cat's Eye, The Robber Bride, Alias Grace, and the 2000 Booker Prize winner, The Blind Assassin. Rather than just including Atwood's books, this guide includes all of Atwood's works, including articles, short stories, letters, and individual poetry. Adaptations of Atwood's works are also included, as are some of her more public quotations. Secondary entries (i.e. interviews, scholarly resources, and reviews) are first sorted by type, and then arranged alphabetically by author, to allow greater ease of navigation. The individual chapters are organized chronologically, with each subdivided into seven categories: Atwood's Works, Adaptations, Quotations, Interviews, Scholarly Resources, Reviews of Atwood's Works, and Reviews of Adaptations of Atwood's Works. The book also includes a chapter entitled 'Atwood on the Web,' as well as extensive author and subject indexes. This new bibliography significantly enhances access to Atwood material, a feature that will be welcomed by university, public, and school librarians. Margaret Atwood: A Reference Guide 1988-2005 will appeal not only to Atwood scholars, but to students and fans of one of Canada's greatest writers.