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Scarcely a parish in Ireland is without one or more dedications to saints, in the form of churches in ruins, holy wells or other ecclesiastical monuments. Professor Pádraig Ó Riain's Dictionary of Irish Saints is intended to serve as a guide to the (mainly documentary) sources of information on the saints named in these dedications, for those who have an interest in them, scholarly or otherwise. The need for a summary biographical dictionary of Irish saints, containing information on such matters as feastdays, localisations, chronology, and genealogies, although stressed over sixty years ago by the eminent Jesuit and Bollandist scholar, Paul Grosjean, has never before been satisfied. Professor Ó Riain has been working in the field of Irish hagiography for upwards of forty years, and the material for the over 1,000 entries in his Dictionary has come from a variety of sources, including Lives of the saints, martyrologies, genealogies of the saints, shorter tracts on the saints (some of them accessible only in manuscripts), annals, annates, collections of folklore, Ordnance Survey letters, and other documents. Running to almost 700 pages, the body of the Dictionary is preceded by a Preface, List of Sources and Introduction, and is followed by comprehensive Indices of Parishes, Other Places (mainly townlands), Alternate (mainly Anglicised) Names, Subjects, and Feastdays. Professor Ó Riain's Dictionary has been described as 'an astonishingly comprehensive, intelligent and well-organized work'; it is unlikely to be superseded for many decades to come.
Alice Curtayne has collected stories that reflect not only the holiness but also the gaiety of the saints -- appealing to readers of all ages -- and she tells them with the poetry and feeling that mark the work of every true Irish storyteller.
This Dictionary is part of the Oxford Reference Collection: using sustainable print-on-demand technology to make the acclaimed backlist of the Oxford Reference programme perennially available in hardback format.A Dictionary of Celtic Mythology is a comprehensive and accessible survey of one of the world's richest mythological traditions. It covers the people, themes, concepts, places, and creatures of Celtic mythology, saga, legend, and folklore from both ancient pagan origins, and moderntraditions.
Most books about Celtic saints are based on their legendary medieval lives. This book, however, is based upon our earliest surviving information: an examination of the sites where these early Christians lived and worked. Archaeology, combined with the study of place names, inscribed stones and early texts, offers us important clues which help us to piece together something of the fascinating world of early Irish Christianity.Elizabeth Rees, an acknowledged authority on Celtic Christianity, has produced this insightful history which is the first in an exciting new series. Illustrated throughout with her own evocative photographs of where these saints resided and worked, the reader is drawn into the beautiful world which these men and women inhabited.
In this book St. Patrick testifies to us of his conversion, trials, and tribulations in seeking, surrendering, and suffering for Christ. Even though most of us do not dare attempt to aspire to reach the heights of St. Patrick, it is important to realize that God made each and every person an individual - not to be like another - but rather to be like Christ. He made each person unique and endows each of us with different gifts and graces. This is why we study and admire other followers of Christ but we are not to try to be exactly like another. In growing in virtue - yes. But God has a very specific wills and assignments for each of us. Nevertheless it is helpful to study and reflect on the virtues of others like St. Patrick.
The rhetorical trope of irony is well-trod territory, with books and essays devoted to its use by a wide range of medieval and Renaissance writers, from the Beowulf-poet and Chaucer to Boccaccio and Shakespeare; however, the use of sarcasm, the "flesh tearing" form of irony, in the same literature has seldom been studied at length or in depth. Sarcasm is notoriously difficult to pick out in a written text, since it relies so much on tone of voice and context. This is the first book-length study of medieval and Renaissance sarcasm. Its fourteen essays treat instances in a range of genres, both sacred and secular, and of cultures from Anglo-Saxon to Arabic, where the combination of circumstance and word choice makes it absolutely clear that the speaker, whether a character or a narrator, is being sarcastic. Essays address, among other things, the clues writers give that sarcasm is at work, how it conforms to or deviates from contemporary rhetorical theories, what role it plays in building character or theme, and how sarcasm conforms to the Christian milieu of medieval Europe, and beyond to medieval Arabic literature. The collection thus illuminates a half-hidden but surprisingly common early literary technique for modern readers.