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This book aims at bringing together and providing all the information which was available to early Irish writers from Columbanus (6th century) onwards as far as the greater commentators (Sedulius Scottus, Scottus Eriugena) about 850.
A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.
Over 9,000 entries outline the lives and careers of prominent Irish men and women, including writers, scientists, politicians and musicians.
Examines why Young Ireland attached such importance to the writing of history, how it went about writing that history, and what impact their historical writings had.
Although the independent Irish republic emerged only relatively recently, its rich history and cultural bounties date back centuries. The Irish have long endured strife, struggling against external control—notably English rule—as well as against infighting, often between Roman Catholics and Protestants. Yet even amidst such conflict, Ireland has continued to be known as the “land of saints and scholars,” with writers such as James Joyce and W.B. Yeats, as well as musicians U2 and Sinead O’Connor, representing some of its most memorable cultural output. This compelling profile of Ireland surveys the land, people, culture, and history of this storied country, from the beginning of Celtic society to the development of the Celtic Tiger economy of the early 21st century.
From tragic generals to nuns on the run – the extraordinary stories of the Irish on the frontlines of the First World War that you've never heard before Based on first-hand accounts of the First World War, The Glorious Madness is a collection of character portraits and stirring anecdotes that brings to life the hopes, fears and ambitions that defined the generation of Irish men and women lost to the catastrophe of the first great modern war. From the generals and field commanders through to the troopers and nurses on the front lines, from the trenches of the Somme to the beaches of Gallipoli, the Irish served at every turn in the Great War. Popular historian Turtle Bunbury is renowned for uncovering important forgotten stories from our past. Here he reveals many never-before-heard tales of the Irish heroes and heroines whose lives coincided with one of the most brutal conflicts our world has ever known – including nuns, artists, sportsmen, poets, aristocrats, nationalists, nurses, clergymen and film directors. From the dramatic story of the nuns of Ypres and their escape to Ireland to found Kylemore Abbey, to the multiple-escapist who became the one-legged nemesis of Michael Collins, and the five tragic, rugby-loving pals from the same Dublin team massacred at Gallipoli, the stories that Turtle Bunbury unearths about Irish men and women offer a new and timely perspective on Irish participation in the Great War. An important book, by turns poignant, enlightening, whimsical and darkly comic, this is history as it should – free-wheeling and finely tuned to the rhythms of the human heart. Reviews [In The Glorious Madness] Turtle continues the wonderful listening and yarn-spinning he has honed in the Vanishing Ireland series, applying it to veterans of the First World War. The stories he recreates are poignant, whimsical and bleakly funny, bringing back into the light the lives of people who found themselves on the wrong side of history after the struggle for Irish independence. This is my kind of micro-history. John Grenham, The Irish Times A wonderful book packed with great individual stories and pictures which bring the Irish participation in the Great War vividly alive. Sean Farrell, Irish Independent Based on first-hand accounts of the conflict, this collection of character portraits and stirring anecdotes brings to life the hopes, fears and ambitions that defined Ireland's 'lost generation'. Peter Costello, The Irish Catholic Turtle Bunbury's book about the Great War is a great read, a dramatic confection of remarkable stories about remarkable events and individuals slapped together with great dexterity and professionalism. ... This is military history as entertainment on a scale we have not seen since, well, the First World War ... This is one book that can be judged by its cover. Pádraig Yeates, Dublin Review of Books The impressively versatile Turtle Bunbury is known for his sensitively written, well-observed Vanishing Ireland series of books and his appearance on RTE's Genealogy Roadshow. He also toured this year as one of the lecturers in the Great War Roadshow, headed by Myles Dungan. Now, also marking the centenary of the outbreak of the First World War, Bunbury marches into what once would have been a no-man's land for historians. There is much to enjoy here. Bunbury has an eye for irony and pathos and a fluid attractive writing style. It's packed with personalities and stories of courage under fire amid truly unimaginable slaughter, of mind-boggling military incompetence and of individuals emotionally afflicted by reports of courage in another cause at home. Emmanuel Kehoe, Sunday Business Post
A new investigation into the 1641 Irish rebellion, contrasting its myth with the reality. After an evening spent drinking with Irish conspirators, an inebriated Owen Connelly confessed to the main colonial administrators in Ireland that a plot was afoot to root out and destroy Ireland's English and Protestant population. Within days English colonists in Ireland believed that a widespread massacre of Protestant settlers was taking place. Desperate for aid, they began to canvass their colleagues in England for help, claiming that they were surrounded by an evil popish menace bent on destroying their community. Soon sworn statements, later called the 1641 depositions, confirmed their fears (despite little by way of eye-witness testimony). In later years, Protestant commentators could point to the 1641 rebellion as proof of Catholic barbarity and perfidy. However, as the author demonstrates, despite some of the outrageous claims made in the depositions, the myth of 1641 became more important than the reality. The aim of this book is to investigate how the rebellion broke out and whether there was a meaning in the violence which ensued. It also seeks to understand how the English administration in Ireland portrayed these events to the wider world, and to examine whether and how far their claims were justified. Did they deliberately construct a narrative of death and destruction that belied what really happened? An obvious, if overlooked, contextis that of the Atlantic world; and particular questions asked are whether the English colonists drew upon similar cultural frameworks to describe atrocities in the Americas; how this shaped the portrayal of the 1641 rebellion incontemporary pamphlets; and the effect that this had on the wider Wars of the Three Kingdoms between England, Ireland and Scotland. EAMON DARCY is an Irish Research Council Postdoctoral Fellow working at Maynooth University, Republic of Ireland.
This book explores the life and work of Mary Elizabeth Barber, a British-born settler scientist who lived in the Cape during the nineteenth century. It provides a lens into a range of subjects within the history of knowledge and science, gender and social history, postcolonial, critical heritage and archival studies. The book examines the international importance of the life and works of a marginalized scientist, the instrumentalisation of science to settlers' political concerns and reveals the pivotal but largely silenced contribution of indigenous African experts. Including a variety of material, visual and textual sources, this study explores how these artefacts are archived and displayed in museums and critically analyses their content and silences. The book traces Barber’s legacy across three continents in collections and archives, offering insights into the politics of memory and history-making. At the same time, it forges a nuanced argument, incorporating study of the North and South, the history of science and social history, and the past and the present.
Hearing Voices: The History of Psychiatry in Ireland is a monumental work by one of Ireland’s leading psychiatrists, encompassing every psychiatric development from the Middle Ages to the present day, and examining the far-reaching social and political effects of Ireland’s troubled relationship with mental illness. From the “Glen of Lunatics”, said to cure the mentally ill, to the overcrowded asylums of later centuries – with more beds for the mentally ill than any other country in the world – Ireland has a complex, unsettled history in the practice of psychiatry. Kelly’s definitive work examines Ireland’s unique relationship with conceptions of mental ill health throughout the centuries, delving into each medical breakthrough and every misuse of authority – both political and domestic – for those deemed to be mentally ill. Through fascinating archival records, Kelly writes a crisp and accessible history, evaluating everything from individual case histories to the seismic effects of the First World War, and exploring the attitudes that guided treatments, spanning Brehon Law to the emerging emphasis on human rights. Hearing Voices is a marvel that affords incredible insight into Ireland’s social and medical history while providing powerful observations on our current treatment of mental ill health in Ireland.