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Get your snark on, with this hilarious compendium from the author of The Official Dictionary of Sarcasm. It’s the perfect book for today’s world. The battle for sanity and intelligence rages on! Read any news story today and it’s clear that idiots are everywhere. For that reason, James Napoli, the esteemed director of the National Sarcasm Society, has created a smart-aleck new dictionary that defines pop-culture touchstones and throws shade on the hopelessly foolish. With copiously illustrated and snarky entries on everything from “Alternative Facts” and “Congress” to “Cable News” and “Uber” (A convenient way to entrust your transportation to a potential serial killer . . .”), The Official Dictionary of Idiocy brings some much-needed laughter to these crazy days.
This volume provides a light-hearted guide for the perplexed to all things trivial. Wittgenstein said that if people never did silly things, nothing intelligent would ever happen. As human progress depends on the continuing practice of stupidity, Stephen Bayley investigates in this book what is necessary for human progress. Some instances of stupidity are only clearly stupid after the fact such as the astonishing amount of money poured into Internet start-ups, others rely on ideas which are stupid on their own. The Ship of Follies of the World in 1509, even the perplexed will find their way through the maze of progress and common sense. An original miscellany for those who want their trivia served up with panache. The inspiration for this collection comes from Flaubert's Dictionnaire des Idees Recues, published for the first time in October 1904.
Tolerate ignorance? Really? So not necessary. This laugh-out-loud dictionary is the perfect lesson in snarkiness. Why suffer the tiny minds of the plebian rabble with whom you come in daily contact, reasons James Napoli, executive vice president of the National Sarcasm Society. So, with The Official Dictionary of Sarcasm, he provides an A–Z guide to turn to whenever you need to set someone straight. From advertisements to e-mail, materialism to remote controls, there’s a witty answer for every situation. “You have been waiting patiently for a dictionary like this to come along. And now it is here,” recognizes Napoli. “Not that you give a crap.”
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
This book traces the concept of idiocy as it has developed in fiction and film in the nineteenth and twentieth centuries. It focuses particularly on visual images of idiocy and argues that writers as diverse as Gustave Flaubert, Fyodor Dostoevsky, Joseph Conrad, John Steinbeck, Flannery O'Connor and Rohinton Mistry, and filmmakers such as Jean Renoir, Akira Kurosawa, Alfred Hitchcock, Werner Herzog and John Huston have all been attracted to idiot figures as a way of thinking through issues of language acquisition, intelligence, creativity, disability, religion and social identity. Martin Halliwell provides a lively and detailed discussion of the most significant literary and cinematic uses of idiocy, arguing that scientific conceptions of the term as a classifiable medical condition are much too narrow. With the explosion of interest in idiocy among American and European filmmakers in the 1990s and the growing interest in its often overlooked history, this book offers a timely reassessment of idiocy and its distinctive place at the intersection of science and culture.
Offers brief and sarcastic explanations of topics related to sex, relationships, and love.
Explains how the government works and the functions of its many parts, covering such topics as the system of checks and balances, the Constitution, and the division of state and federal powers.
Sensitive and sweeping, this is a history of the little-known lives of people with learning disabilities from the communities of eighteenth-century England, to the nineteenth-century asylum, to care in today’s society. Those They Called Idiots traces the little-known lives of people with learning disabilities from the communities of eighteenth-century England to the nineteenth-century asylum, to care in today’s society. Using evidence from civil and criminal courtrooms, joke books, slang dictionaries, novels, art, and caricature, it explores the explosive intermingling of ideas about intelligence and race, while bringing into sharp focus the lives of people often seen as the most marginalized in society.
A lighthearted look at dream interpretation.