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Through the centuries, Gypsies all over the world have been misunderstood, maligned, rejected. Outcasts of the countries in which they live, they have wandered for centuries over the face of the earth. They have no homeland, no political unity, no recognition among nations. They have been alone, sundered, shunned, persecuted and banished. Until about a century ago, their original home had been a matter of dispute. Their language had been a source of puzzlement. Yet their conduct and their traditions, their feeling for music, dance and song, have all been acclaimed. Still they were not accepted and were forced to remain apart from conventional society. Here is their epic history, with its folktales and beliefs, its rites and customs. Here is the vast treasury of the Gypsies.
A comprehensive A-to-Z reconstruction of the oral tradition of the Rom--gypsies--based on sources never before available in English • Presents the origin myths and magical traditions of the gypsies, including their legendary ties to Egypt, animal ancestors, and tree spirits • Examines the three major settings of gypsy folktales--the forest, the waters, and the mountain--and shows how their world is full of spirits • Shows how the religious concepts of the Rom testify to a profound syncretism of the pagan traditions and Christianity Although their own myths and their common name point to Egyptian origins for the gypsies, the Rom, as they call themselves, originated in India, as evidenced by studies of their language. They arrived in Europe in the ninth century and spread across the continent from East to West, reaching England in the 15th century and Scandinavia by the end of the 16th century. A nomadic people, these wanderers were reviled by local populaces wherever they went and regarded as misfits, intruders, foreigners, and thieves. Drawing on a number of sources never before available outside of Eastern Europe, Claude Lecouteux reconstructs the gypsy oral tradition to provide a comprehensive A-to-Z look at gypsy mythology, including their folktales, rites, songs, nursery rhymes, jokes, and magical traditions. His main source is material collected by Heinrich Adalbert von Wlislocki (1856-1907), an ethnologist who lived with gypsies in Romania, Transylvania, and Hungary in the latter half of the 19th century. He presents the origin myths of the gypsies, legends which form the ancestral memory of the gypsy tribes and often closely touch on their daily life. Lecouteux explores the full range of supernatural beings that inhabit the gypsy world, including fairies, undines, ogres, giants, dog-people, and demons, and he examines the three major settings of gypsy folktales--the forest, the waters, and the mountain, which they worshiped as a sacred being in its own right. He also reveals how coexisting with peoples of different religions led the gypsies to adapt or borrow stories and figures from these groups, and he shows how the religious concepts and sacred stories of the Rom testify to a profound syncretism of pagan traditions and Christianity. Complete with rare illustrations and information from obscure sources appearing for the first time in English, this detailed reference work represents an excellent resource for scholars and those seeking to reconnect to their forgotten gypsy heritage.
The Roma presence in the European part of the Ottoman Empire - the Balkans - is centuries old and it is not by accident that this regions has often been called the second motherland of the Gypsies. From this region Gypsies moved westwards taking with them inherited Balkan cultural models and traditions. This book explores the history, ethnography, social structure and culture of the Gypsies in the Ottoman Empire. It is based on archival sources, mainly detailed tax registers, special laws, guild registers and court documents. Notes on Gypsies in books by foreign travellers are also included.
Weaving together lore, legend, and belief Buckland’s Book of Gypsy Magic revives the beliefs, spell-craft, and healing wisdom of the Romany people. From hexes and healings to tea leaves and tarot, the circle of the family and the rituals of death, this enchanted volume will delight witches, folklorists, and history lovers alike. Learn the shuvani’s secrets for love, craft a talisman for vitality, and cast the Gypsy Start tarot spread. Join Buckland around the campfire, to hear stories of werewolves and vampires, mistaken identity, persecution, and perseverance. Learn how the gypsy people have for centuries used wisdom and enchantments to ensure good health, happy families, and heart’s desire. Includes a glossary of Romany words.
Birthing a Nation is about national identity and the American West. If it is a truism that facing west was the American male version of invoking the Muse, what happened if you were female? Most past interpretations of western American literature have echoed Frederick Jackson Turner's frontier hypothesis, emphasizing the conflict of wilderness and civilization, the hero of rugged individualism, the act of returning to origins and reemerging as the reborn American Adam. In this reading of western American women writers who responded to the challenge to give birth to a nation, Susan J. Rosowski proposes an alternative, more hopeful affirmation of our cultural history and perhaps our cultural destiny. Rosowski begins by tracing the birth metaphor through three and a half centuries of American letters. She reexamines the premises underlying the telling of the literary West and posits a female model of creativity at the genesis of American literature. She follows four authors on a multigenerational journey, beginning with Margaret Fuller in 1843, moving on a generation later to Willa Cather, advancing to Jean Stafford, and ending with Marilynne Robinson. In her reading of these writers who most directly and deeply believed in literature as a serious and noble form of art and who wrote to influence how the country perceived itself, Rosowski contributes to the ongoing process of remapping the literary landscape
Dragons are everywhere, seemingly hidden in plain sight. These mythological reptilian monsters date far into known human history in nearly every part of the world and are still prevalent in today's media and entertainment. The wide cultural, geographical, and linguistic diffusion of dragons or dragon-like creatures shows how modern humans have influenced each other through shared tales of monsters while simultaneously hinting at a shared genesis. This book introduces dragon myths and legends from around the world by following human culture's shared evolutionary past via language, folklore, the arts, and commerce. Dragons in folklore, literature, and pop culture are analyzed from Eastern and Western perspectives, leading to a dual analysis of dragons in today's popular culture and media. While other books on the topic have focused primarily on classical sources, or on cataloging various dragon tales in general, this work identifies the subtle yet profound ways in which the dragon figure or related motifs have slyly entered into our collective psyche as participants in the modern, interconnected world.
How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.
William Sharp (1855-1905) was a prolific writer; friend and confidant to the literati of the day; an active member of the occult world of the late Victorian period; and a man who spent his life cloaked in layers of secrets - the most important being that he was the pen behind the writings of the mysterious Fiona Macleod. He kept her true identity a closely guarded secret. Many famous people - W.B. Yeats, "AE", MacGregor Mathers, Dante Gabriel Rossetti - were involved in Sharp's short life; he was a member of the Hermetic Order of the Golden Dawn and Yeats' secret Celtic Mystical Order; and he and Fiona Macleod were involved with the mysterious Dr. Goodchild whose ancient bowl was proclaimed by many to be the Holy Grail. But the enduring legacy of these two fascinating writers is the wealth of Faery magical lore contained in the writings of Fiona Macleod. For the first time this book reveals previously unknown secrets from the life of William Sharp and shows clearly how to recover the Faery lore contained in Fiona Macleod's literary output. These writings are not only about the Realm of Faery, they are the first authentic first-hand accounts from the Realm of Faery, revealing previously unknown Faery gods and goddesses, Faery belief, lore and magic. The Little Book of the Great Enchantment adds significantly to the corpus of serious writings on this greatly misunderstood subject.