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A reference work on furniture makers active in England between 1660 and 1840. It lists makers in alphabetical order, recording biographical details, commissions, and information about signed or documented pieces, together with full supporting references.
A record of marked items made by London furniture makers between 1700 and 1840. The survey contains illustrations supported by background notes on the makers, together with an introduction which examines the reasons why certain firms employed labels, name straps, or engraved brass tablets.
This book covers the evolution of English domestic furniture from the Middle Ages to the end of the Georgian period. It provides information on pieces of furniture, technical processes, furniture designers and cabinetmakers as well as giving an insight into the history of English domestic furniture and its place in changing social habits.
A must have companion for any fan of antiques or furniture design. Including chapters on descriptions and design of furniture, furniture designers from Britain and America with notes on the different periods of furniture design. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.