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Dickens's England was a time of unprecedented energy and change which laid the foundations of our own modern society. There was a new world coming into being: new towns, new machines, new and revolutionary ideas, new songs and dances, music-halls and popular novels, as well as new wealth for the smug middle classes. For others, however, there was poverty, struggle and hard labour. Dickens's characters with whom we are so familiar - orphan Oliver and cunning Fagin, snobbish Pip, spendthrift Mr Micawber, pompous Podsnap and humourless Gradgrind - grow out of his own observation. Here, Dickens and his great contemporaries - John Ruskin, Henry Mayhew, Charles Darwin, Thomas Hardy - take us into the heart of what Elizabeth Barrett Browning called 'this live, throbbing age, that brawls, cheats, maddens, calculates, aspires'. This is the perfect book for anyone wanting to understand more about the world of our great novelist Charles Dickens.
To commemorate the 200th anniversary of the birth of Charles Dickens, a generously illustrated guide to the city that was perhaps the greatest of his characters From Newgate Prison to Covent Garden and from his childhood home in Camden to his place of burial in Westminster Abbey, this guide traces the influence of the capital on the life and work of one of Britain's best-loved and well-known authors. Featuring more than 40 sites—places of worship and of business, streets and bridges—this comprehensive companion not only locates and illustrates locations from works such as Great Expectations and Little Dorrit but demonstrates how the architecture and landscape of the city influenced Dickens' work throughout his life. Each site is illustrated with substantial quotations from Dickens' own writing about the city he loved.
The motivations behind Dickens' novels and the poverty-stricken world of 19th century London.
"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--
Archival photographs illustrate this guide to Victorian London seen through the eyes of Charles Dickens. Setting Dickens against the city that was the backdrop and inspiration for his work, it takes the reader on a memorable and haunting journey, discovering the places and subjects which stimulated his imagination. It includes photographs of famous landmarks such as the Houses of Parliament, Trafalgar Square and Westminster Abbey, alongside coaching inns, the Thames before the Embankment was built, the construction of the Metropolitan Underground Line, the docklands that studded the river and the many villages that make up London today.
A “delightful reader’s companion” (The New York Times) to the great nineteenth-century British novels of Austen, Dickens, Trollope, the Brontës, and more, this lively guide clarifies the sometimes bizarre maze of rules and customs that governed life in Victorian England. For anyone who has ever wondered whether a duke outranked an earl, when to yell “Tally Ho!” at a fox hunt, or how one landed in “debtor’s prison,” this book serves as an indispensable historical and literary resource. Author Daniel Pool provides countless intriguing details (did you know that the “plums” in Christmas plum pudding were actually raisins?) on the Church of England, sex, Parliament, dinner parties, country house visiting, and a host of other aspects of nineteenth-century English life—both “upstairs” and “downstairs. An illuminating glossary gives at a glance the meaning and significance of terms ranging from “ague” to “wainscoting,” the specifics of the currency system, and a lively host of other details and curiosities of the day.
From October 2009, Sky Arts will be screening Charles Dickens' England, presented and narrated by Derek Jacobi - a journey through the places, buildings, towns, cities and villages where Dickens lived or found inspiration. To coincide with the series, this 256 page book featuring 300 photographs and illustrations will be published, bringing together for the very first time all the of the most important places, towns and cities that were the inspiration for some of the most famous settings in literature.
From the New York Times bestselling and critically acclaimed author of The Invention of Murder, an extraordinary, revelatory portrait of everyday life on the streets of Dickens' London. The nineteenth century was a time of unprecedented change, and nowhere was this more apparent than London. In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology—railways, street-lighting, and sewers—transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail.From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities and cruelties. Now, with him, Judith Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor. From the colorful cries of street-sellers to the uncomfortable reality of travel by omnibus, to the many uses for the body parts of dead horses and the unimaginably grueling working days of hawker children, no detail is too small, or too strange. No one who reads Judith Flanders's meticulously researched, captivatingly written The Victorian City will ever view London in the same light again.
Life, Society, Family, Economy, and Politics in early and mid-Victorian England mediated through the life and writings of arguably the nation's greatest novelist.
For fans new and old, an enjoyable tour through the world of Dickens in the hands of a master critic. Charles Dickens, the 'Great Inimitable', created a riotous fictional world that still lives and breathes for thousands of readers today. But how much do we really know about the dazzling imagination that brought all this into being? For the bicentenary of Dickens' birth, Victorian literature expert John Sutherland has created a gloriously wide-ranging alphabetical companion to Dickens' work, excavating the hidden links between his characters, themes, and preoccupations, and the minutiae of his endlessly inventive wordplay. Covering America, Bastards, Childhood, Christmas, Empire, Fog, Larks, London, Madness, Murder, Orphans, Pubs, Punishment, Smells, Spontaneous Combustion and Zoo to name but a few - John Sutherland gives us a uniquely personal guide to the great man's work. Excerpt: HANDS; Every Dickens novel has a master image. In Our Mutual Friend it is the river. In Bleak House it is the fog. In Little Dorrit, it is the prison. In Great Expectations it is the hand. We often know much more about the principals' hands in that novel than their faces. Who, when the name Magwitch is mentioned, does not think of those murderous 'large brown veinous hands'? Jaggers? One's nose twitches---scented soap (the lawyer, like Pontius Pilate, is forever washing his hands). Miss Havisham? Withered claws. So it goes on...