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Katey Dickens was a nineteenth-century artist and socialite, and the beautiful daughter of Charles Dickens. In this illuminating biography, Lucinda Hawksley, herself Dickens's great-great-great-granddaughter, recreates the life of an extraordinarily determined girl who defied Victorian convention to live and love as an independent woman. Blessed with a privileged upbringing in an family that moved between London, France, Switzerland and Italy, Katey pursued her love of painting, acted in her father's plays, modelled for John Everett Millais and, as the daughter of the most famous writer of the time, enjoyed a high profile in Victorian society. Yet she refused to be eclipsed by her father and fought to establish herself as an artist in her own right. Family life in the Dickens household was turbulent and the unhappy atmosphere that followed the eventual breakdown of her parents' marriage drove Katey to marry young. Her first husband was the chronically ailing Charlie Collins, brother of the famous author Wilkie Collins, and theirs was a sexless but otherwise companionable union, while Katey threw herself into a passionate and very un-Victorian affair with celebrated artist Val Prinsep. After Charlie's untimely demise, the widowed Katey married the handsome Italian artist Carlo Perugini, with whom she had fallen deeply in love. Despite the happiness she finally found in her second marriage, Katey often suffered from deep depression, particularly following the death of her beloved father and of her baby. But she remained active, pursuing her career as a painter, championing Charles Dickens's works, and befriending such eminent figures as J. M. Barrie and George Bernard Shaw. Katey Perugini lived to be almost ninety and her artistic prestige, which flourished during her lifetime, still persists to this day. Author of the acclaimed LIZZIE SIDDAL: THE TRAGEDY OF A PRE-RAPHAELITE SUPERMODEL, Linda Hawksley has delved deep into her own family history to research this fascinating new biography, which intimately remembers the life of a supremely independent Victorian woman.
A biography of a Victorian-era woman who grew up as the daughter of novelist Charles Dickens—and found a creative career of her own. Katey Dickens was born into a house of turbulent celebrity and grew up surrounded by fascinating, famous, and infamous people. From a very young age, she knew her vocation was to be an artist. Lucinda Hawksley charts the life of a celebrated portrait painter who redefines our preconceptions about Victorian women. Living to be almost ninety, Katey survived an unconventional marriage, love affairs, heartbreak, depression, and the challenges of being a female artist in a male-dominated era. Compelling and illuminating, this biography of Katey Dickens tells the story of a spirited woman who found fame at the center of the first celebrity phenomenon; it also uncovers the reality of what it was like to be a child of Charles and Catherine Dickens.
As the daughter of the most famous writer of the time, Katey Dickens enjoyed a high profile in Victorian society. She pursued her love of painting, acted in her father’s plays, socialized with the Thackerays, and modeled for painter John Everett Millais. This riveting biography finally sheds light on her extraordinary life both as a Dickens and an artist. The turbulent family life in the Dickens household drove Katey to marry young. Her first husband was the chronically ailing Charlie Collins, brother of the famous author Wilkie Collins. After Charlie’s untimely demise, the widowed Katey fell in love and married the handsome Italian artist Carlo Perugini. Charles Dickens lovingly nicknamed Katey “Lucifer Box” because of her fiery temper. In many ways, Katey was ahead of her time; she refused to be eclipsed by her father and fought to establish herself as an artist. She became renowned as a portrait painter and exhibited regularly at the Royal Academy. Katey lived to be almost ninety and her artistic prestige, which flourished during her lifetime, still persists to this day.
The secrets of Queen Victoria's sixth child, Princess Louise, may be destined to remain hidden forever. What was so dangerous about this artistic, tempestuous royal that her life has been documented more by rumor and gossip than hard facts? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded for years from public view. Louise was a sculptor and painter, friend to the Pre-Raphaelites and a keen member of the Aesthetic movement. The most feisty of the Victorian princesses, she kicked against her mother's controlling nature and remained fiercely loyal to her brothers-especially the sickly Leopold and the much-maligned Bertie. She sought out other unconventional women, including Josephine Butler and George Eliot, and campaigned for education and health reform and for the rights of women. She battled with her indomitable mother for permission to practice the "masculine" art of sculpture and go to art college-and in doing so became the first British princess to attend a public school. The rumors of Louise's colorful love life persist even today, with hints of love affairs dating as far back as her teenage years, and notable scandals included entanglements with her sculpting tutor Joseph Edgar Boehm and possibly even her sister Princess Beatrice's handsome husband, Liko. True to rebellious form, she refused all royal suitors and became the first member of the royal family, since the sixteenth century, to marry a commoner. She moved with him to Canada when he was appointed Governor-General. Spirited and lively, Queen Victoria's Mysterious Daughter is richly packed with arguments, intrigues, scandals, and secrets, and is a vivid portrait of a princess desperate to escape her inheritance.
A direct descendant of Charles Dickens delves into the many merry ways in which the author of A Christmas Carol celebrated & influenced the holiday. Dickens and Christmas is an exploration of the 19th-century phenomenon that became the Christmas we know and love today—and of the writer who changed, forever, the ways in which it is celebrated. Charles Dickens was born in an age of great social change. He survived childhood poverty to become the most adored and influential man of his time. Throughout his life, he campaigned tirelessly for better social conditions, including by his most famous work, A Christmas Carol. He wrote this novella specifically “to strike a sledgehammer blow on behalf of the poor man’s child,” and it began the Victorian’s obsession with Christmas. This new book, written by one of his direct descendants, explores not only Dickens’s most famous work, but also his all-too-often overlooked other Christmas novellas. It takes the readers through the seasonal short stories he wrote, for both adults and children, includes much-loved festive excerpts from his novels, uses contemporary newspaper clippings, and looks at Christmas writings by Dickens’s contemporaries. To give an even more personal insight, readers can discover how the Dickens family itself celebrated Christmas, through the eyes of Dickens’s unfinished autobiography, family letters, and his children’s memoirs. Dickens and Christmas also explores the ways in which his works have gone on to influence how the festive season is celebrated around the globe. “Brilliant . . . a very readable book, a slice of social history involving a man who, more than anyone, encapsulates Christmas in literature.”—Books Monthly
This roll-call of British artists confirms the dominance and excellence of British art across five centuries, from Blake to Banksy , Turner to Tracey Emin. This highly readable and informative collection of the best of British art showcases magnificent portraits by Thomas Gainsborough and Stanley Spencer; landscapes by J. M. W. Turner and David Hockney; satire by William Hogarth and Gilbert & George; sculpture by Henry Moore and Rachel Whiteread; and the latest works by Grayson Perry and Damien Hirst. Each artist is presented in a double-page spread that features a major work, details from the work, a brief biography and fascinating insights into the artist's life and times. Lucinda Hawksley's engaging survey compares the skill of the Elizabethan miniaturists and the magnificence of the High Victorians with the grit of post-war British modernists and the best of the Young British Artists, whose fearless approach to controversial themes make them worthy inheritors of the great traditions of British art. AUTHOR: Lucinda Hawksley is the author of numerous books on art, literature and British history, including 'Lizzie Siddal: The Tragedy of a Pre-Raphaelite Supermodel', 'Katey: The Life and Loves of Dickens's Artist Daughter' and 'The Secret History of Art'. She lectures frequently at the National Portrait Gallery in London, is a patron of the Charles Dickens Museum in London, and is an award-winning travel writer. 140 illustrations
The definitive illustrated guide to the author and his work, revealing his private life and how he created some of the most famous novels in the world.
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered-unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.