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Dickens and the Artists has been written to accompany the exhibition of the same name at Watts Gallery, Compton, Surrey, from 19 June until 18 October 2012.
As the daughter of the most famous writer of the time, Katey Dickens enjoyed a high profile in Victorian society. She pursued her love of painting, acted in her father’s plays, socialized with the Thackerays, and modeled for painter John Everett Millais. This riveting biography finally sheds light on her extraordinary life both as a Dickens and an artist. The turbulent family life in the Dickens household drove Katey to marry young. Her first husband was the chronically ailing Charlie Collins, brother of the famous author Wilkie Collins. After Charlie’s untimely demise, the widowed Katey fell in love and married the handsome Italian artist Carlo Perugini. Charles Dickens lovingly nicknamed Katey “Lucifer Box” because of her fiery temper. In many ways, Katey was ahead of her time; she refused to be eclipsed by her father and fought to establish herself as an artist. She became renowned as a portrait painter and exhibited regularly at the Royal Academy. Katey lived to be almost ninety and her artistic prestige, which flourished during her lifetime, still persists to this day.
When he wrote Hard Times - which can be considered an epilogue to the much longer Bleak House - Dickens was able to conceive a plot neither centered around a hero nor fueled by the kind of wish fulfillment that structure had implied.
'I have a more or less irresistible passion for books' Vincent van GoghVincent van Gogh (1853-1890) was famously driven by his passion for God, for art - and for books. Vincent's life with books is examined here chapter by chapter, from his early adulthood, when he considered becoming a pastor, to his decision to be a painter, to the end of his life. He moved from Holland to Paris to Provence; at each moment, ideas he encountered in books defined and guided his thoughts and his life. Vincent's letters to his brother refer to at least 200 authors. Books and readers - whether dreaming or deeply absorbed - are frequent subjects of his paintings.Vincent not only read fiction, he also knew many works of art from detailed descriptions and illustrations in monographs, biographies and museum guides. Always keeping up to date, he never missed the latest literary and artistic magazines. This thought-provoking and original study takes the reader on an artistic-literary journey through Vincent's discoveries, his favourite authors and best-loved books, revealing a continuous dialogue between his own work, the artists and the authors who inspired him, and giving life to his comment: 'Books and reality and art are the same kind of thing for me.'
Katey Dickens was a nineteenth-century artist and socialite, and the beautiful daughter of Charles Dickens. In this illuminating biography, Lucinda Hawksley, herself Dickens's great-great-great-granddaughter, recreates the life of an extraordinarily determined girl who defied Victorian convention to live and love as an independent woman. Blessed with a privileged upbringing in an family that moved between London, France, Switzerland and Italy, Katey pursued her love of painting, acted in her father's plays, modelled for John Everett Millais and, as the daughter of the most famous writer of the time, enjoyed a high profile in Victorian society. Yet she refused to be eclipsed by her father and fought to establish herself as an artist in her own right. Family life in the Dickens household was turbulent and the unhappy atmosphere that followed the eventual breakdown of her parents' marriage drove Katey to marry young. Her first husband was the chronically ailing Charlie Collins, brother of the famous author Wilkie Collins, and theirs was a sexless but otherwise companionable union, while Katey threw herself into a passionate and very un-Victorian affair with celebrated artist Val Prinsep. After Charlie's untimely demise, the widowed Katey married the handsome Italian artist Carlo Perugini, with whom she had fallen deeply in love. Despite the happiness she finally found in her second marriage, Katey often suffered from deep depression, particularly following the death of her beloved father and of her baby. But she remained active, pursuing her career as a painter, championing Charles Dickens's works, and befriending such eminent figures as J. M. Barrie and George Bernard Shaw. Katey Perugini lived to be almost ninety and her artistic prestige, which flourished during her lifetime, still persists to this day. Author of the acclaimed LIZZIE SIDDAL: THE TRAGEDY OF A PRE-RAPHAELITE SUPERMODEL, Linda Hawksley has delved deep into her own family history to research this fascinating new biography, which intimately remembers the life of a supremely independent Victorian woman.
“An ardent fan letter from Hornby that makes you want to re-read Great Expectations while listening to Sign o’ the Times.” —Vogue "This pairing -- two magnificent creatives, centuries and genres apart -- makes stunning sense in the hands of their wisest, wittiest fan." -- People From the bestselling author of Just Like You, High Fidelity, and Fever Pitch, a short, warm, and entertaining book about art, creativity, and the unlikely similarities between Victorian novelist Charles Dickens and modern American rock star Prince Every so often, a pairing comes along that seems completely unlikely—until it’s not. Peanut butter and jelly, Dennis Rodman and Kim Jong Un, ducks and puppies, and now: Dickens and Prince. Equipped with a fan’s admiration and his trademark humor and wit, Nick Hornby invites us into his latest obsession: the cosmic link between two unlikely artists, geniuses in their own rights, spanning race, class, and centuries—each of whom electrified their different disciplines and whose legacy resounded far beyond their own time. When Prince’s 1987 record Sign o’ the Times was rereleased in 2020, the iconic album now came with dozens of songs that weren’t on the original— Prince was endlessly prolific, recording 102 songs in 1986 alone. In awe, Hornby began to wonder, Who else ever produced this much? Who else ever worked that way? He soon found his answer in Victorian novelist and social critic Charles Dickens, who died more than a hundred years before Prince began making music. Examining the two artists’ personal tragedies, social statuses, boundless productivity, and other parallels, both humorous and haunting, Hornby shows how these two unlikely men from different centuries “lit up the world.” In the process, he creates a lively, stimulating rumination on the creativity, flamboyance, discipline, and soul it takes to produce great art.
The color illustrated characters of Charles Dickens, from Oliver Twist, David Copperfield, and Pickwick Papers among others. Joseph Clayton Clarke(1857 — 8 August 1937), who worked under the pseudonym "Kyd", was a British artist best known for his illustrations of characters from the novels of Charles Dickens. The artwork was published in magazines or sold as watercolor paintings, rather than included in an edition of the novels. This reprint edition contains 24 character sketches of Mr. Weller, Mr. Stiggins, Sergt. Bufuz, Mr. Pickwick, and The Fat Boy, all from Pickwick Papers. Other characters are from David Copperfield, Oliver Twist, and Old Curiosity Shop.
The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.