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This work explores Dickens’s perception of Italy as it appears in the travel book Pictures from Italy. Corpus methodologies, alongside the notion of intersectionality, display the writer’s multi-faceted interpretation of the Italians and his efforts to highlight their multidimensionality and heterogeneity. The book debates that Pictures from Italy departs from conventions – it investigates the function of travel in the construction of Italian identity and discusses Dickens’s relationship with Italy. Corpus linguistics methodologies analyse the language of the book and shed newlight on the relationship between body language and culture.
‘Dickens and America’ has been amply studied, his no less important relationship to Italy much less so, despite his friend Forster's assertion that his long stay in Genoa represented ‘the turning-point of his career.’ This book, arising from a major conference held in Genoa in 2007, attempts to redress the balance, focusing primarily on Dickens's two major writings about Italy—the travel book Pictures from Italy of 1845, and Part Two of his great novel Little Dorrit of 1855–7. It falls into six sections: the first concerns Dickens's enjoyment of leisure for the first time in his life in Italy; the second, his response to the visual attractions of Italy, both natural and artistic; the third, his political stance about Italy in the period of the Risorgimento; the fourth, his preoccupation with death and decay in what he saw and experienced in Italy; the fifth, his representation of ‘Italianness’ in Little Dorrit and elsewhere; and the sixth, his relation to modern and contemporary writers about Italy. It thus aims to fill a vital gap in Dickens studies.
Comprised of short stories, novel excerpts, essays, poetry journals and letters, this work will delight anyone who loves Italy or great travel writing. Pieces include Barbara Grizzuti Harrison marveling at baroque Sicilian confections, Mary McCarthy celebrating Venice's threadbare dignity, and Henry James's Isabel Archer succumbing to the treacherous antiquities of Florence. From the Trade Paperback edition.
Pizza, pasta, pesto and olive oil: today, it's hard to imagine any supermarket without these items. But how did these foods - and many more Italian ingredients - become so widespread and popular?This book maps the extraordinary progress of Italian food, from the legacy of the Roman invasion to its current, ever-increasing popularity. Using medieval manuscripts it traces Italian recipes in Britain back as early as the thirteenth century, and through travel diaries it explores encounters with Italian food and its influence back home. The book also shows how Italian immigrants - from ice-cream sellers and grocers to chefs and restaurateurs - had a transformative influence on our cuisine, and how Italian food was championed at pivotal moments by pioneering cooks such as Elizabeth David, Anna Del Conte, Rose Gray, Ruth Rogers and Jamie Oliver.With mouth-watering illustrations from the archives of the Bodleian Library and elsewhere, this book also includes Italian regional recipes that have come down to us through the centuries. It celebrates the enduring international appeal of Italian restaurants and the increasingly popular British take on Italian cooking and the Mediterranean diet.
The Oxford Dickens edition of Pictures from Italy puts the spotlight on Dickens's 'little book' describing his travels through Italy in 1844 and 1845. Throughout, Dickens offers his withering reviews of Italian masterpieces, his staunch criticism of Catholicism in Rome, tempered with a genuine love and admiration for the people of Italy and the country's rich cultural heritage. This is the first full critical edition of the work, with detailed research outlining its composition and form, and comparisons made between all editions produced during Dickens's lifetime. First written as personal letters, then printed as newspaper correspondence, then reshaped once more into a single book, the evolution of Pictures from Italy provides a fascinating insight into Dickens's creative and editorial process. Pete Orford's introduction puts the work under the microscope to track the changes made across these several iterations and uncover the story of its genesis and development. Analysis of the few remaining manuscript pages and Orford's own travels through Italy help to unpick several mysteries of the text. Previous editions of the work have been for general readership with critical essays that focus on the time Dickens spent in Italy (1844-5). This edition offers a different approach, supplementing this familiar story with the lesser discussed period of 1846 when Dickens, back in London, first turns his various letters into newspaper correspondence, then a monograph, whilst battling the pressures of launching a daily newspaper and planning a new novel. Dickens's time in Italy defines the content of the book, but it is his subsequent time in London which defines its shape and structure. This edition reproduces in situ the original illustrations provided by Samuel Palmer for the first edition of 1846, with further illustrations provided for subsequent editions contained in the appendices.
Pictures from Italy / Charles Dickens.
An accessible and reliable introduction to the life and works of Charles Dickens, offering a unique combination of academic biography and literary analysis The Life of the Author: Charles Dickens explores the relationship between Dickens’ lived experience and his works, discussing themes within and key influences on literary classics such as Oliver Twist, A Tale of Two Cities, David Copperfield, Bleak House, Nicholas Nickleby, and Great Expectations. An excellent introduction to the world of Dickens scholarship, this easily accessible volume provides the necessary background about the author’s life while encouraging readers to critically analyze Dickens’ works. Organized thematically by chapter, the book opens with a brief overview of Dickens’ life and a chronology of major works. Subsequent chapters focus on key aspects of Dickens’ life, concluding with case studies of selected texts that demonstrate the similarities between events in Dickens’ own life and the literature he was writing at the time. Throughout the book, readers are provided with an informative portrait of Dickens’ early family life, personal relationships, professional networks, social circles, travels abroad, charitable works, financial issues, dealings with publishers, and much more. Incorporates the latest discussions in Dickens research alongside documents and materials from Dickens’ time Discusses the afterlife of Dickens in film, theater, and television, including A Christmas Carol, Dickens’ most adapted story Features archival material from the Charles Dickens Museum and discussion of Dickens’ roles as a journalist, editor, and professional reader Includes short case studies at the end of each chapter to demonstrate the ways Dickens’ life informed his work The Life of the Author: Charles Dickens is an ideal introductory textbook for advanced undergraduate and graduate students in English Literature and Victorian Literature courses, as well as a valuable resource for Dickens scholars and enthusiasts.