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What did the tuna family say when a submarine went by? 'Oh, look, a tin full of people!' What do you do if you're too hot at a football match? Sit next to a fan. Waiter Waiter! Will my pizza be long? Waiter: No, sir, it will be round. What happens if you get a gigabyte? It megahertz. The time has come to find the funniest joke ever! And Dick and Dom, esteemed TV geniuses and authors of the bestselling Dick and Dom's Big Fat and Very Silly Joke Book, are the right people for the job. In Dick v Dom - The Joke Battle they battle their way through 360 hilarious and silly jokes to find the very best joke ever through a series of hilarious themed rounds. Want to hear the best cheese joke ever? How about the best knock, knock joke? Dick thinks he knows it, but then again so does Dom, so it's up to you to decide. Let battle commence – and may the best joker win!
Meet Dick and Dom, TV legends, creators of Slightly Naughty but Very Silly Words and authors of the world's* best Big Fat and Very Silly Joke Book! But now it's time for . . . (drum roll, please) . . . Dick and Dom's Whoopee Book of Practical Jokes! Fool your friends, trick your teachers and prank your parents! Packed with rip-roaring practical puns, side-splitting jokes and nuggets of complete and utter madness, if this book doesn't tickle your funny bone, you're probably dead! *In our opinion. Other opinions are available.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.