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Today the Kumbh Mela in Allahabad, India, is a major Hindu religious pilgrimage and the largest religious gathering in the world. In 2001, according to the government of Uttar Pradesh, 30 million pilgrims were drawn to the confluence of the rivers Ganga and Yamuna on the most auspicious day for bathing. In an impressive feat of organization and administration, the first mela of the new millennium was managed to the overwhelming satisfaction of most, with an impressive health and safety record. The loudest complaint had to do with the intrusive presence of the media. Journalists, largely representing foreign media outlets, had swarmed to the mela, intent on broadcasting to a global audience sensational images of naked (or wet-sari-clad) Indians taking part in "ancient" religious rituals. Resistance to foreign interference with the mela has roots that go back 200 years. The British colonial state and the colonized had different ideas about what the Kumbh Mela represented: for the former, it was a potentially dangerous gathering that demanded tight regulation and control, but for the latter it was a sacred sphere in which foreign domination and interference were intolerable. In this book Kama Maclean examines this tension and the manner in which it was negotiated by each side. She asks why and how the colonial state tried to manipulate the mela and, more important, how the mela changed as Indians responded to the colonial power. In recent years many scholars have emphasized the extent to which the Kumbh Mela has been monopolized by the Hindu nationalist movement. Maclean seeks to situate the history of the Kumbh Mela in Allahabad within a much broader context. She explores the role of a pilgrimage fair like the Kumbh Mela in disseminating ideas, particularly political ones like nationalism and ideas about social reform. Kama Maclean tells the mesmerizing and important story of the Kumbh Mela with exciting detail as well as careful scholarly attention, illuminating for the reader the full scope of the event's historical and socio-political context.
The sacred city of Banāras on the River Ganges is one of the oldest living cities in the world—as old as Jerusalem, Athens, and Peking. It is the place where Shiva, the Lord of All, is said to have made his permanent home since the dawn of creation. There are few cities in India as traditionally Hindu and as symbolic of the whole of Hindu culture as Banāras. In this eloquent, finely observed study, Diana Eck shows how the city over the centuries has become a lens through which the Hindu vision of the world is precisely focused. She reveals the spiritual and historical resonance of this holy place where great sages such as the Buddha and Shankara were taught, where ashrams, palaces, and universities were built, where God has been imagined and imagined in a thousand ways. She describes the rites of its temples, the busy life of its riverfront, and the exuberance of its festivals. She tells how people travel from all over India to Banāras for the privilege of dying a good death here, for they believe that on the banks of the River Ganges where “the atmosphere of devotion is improbable in its strength,” it is possible to be released from the earthly round forever. In her account of the sacred history, geography, and art of the city, its elaborate and thriving rituals, its myths and literature, and its importance to pilgrims and seekers, Diana Eck uses her wealth of scholarship to make the Hindu tradition come powerfully alive so that we come to understand the meaning of this sacred city to the millions of believers who have been coming here for over 2,500 years.