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Afterword by Steven Rimbauer Aligned with the TV miniseries, 'Stephen King's Rose Red', comes the publication of this rare document, offering a window into one woman's hidden emotional torment, and a record of the mysterious events at Rose Red that scandalized aristocratic society in the early 1900s - events that can only be fully understood now that the the diary has come to light, following the development of a girl into womanhood as well as the construction of the mansion that would become the site of horrific and inexplicable tragedies.
The new Risk Agent novel from the #1 New York Times bestselling author Private security firm Rutherford Risk’s new client is a philanthropist with a headline-making cause: to locate and shut down an Amsterdam-based sweatshop that uses enslaved girls as forced labor. Enter import/export entrepreneur John Knox, with his former combat experience—and forensic accountant Grace Chu, who can trap and trace even the most sensitive financial information. Working through the picturesque streets and canals of Amsterdam, Knox and Grace face Middle Eastern mobsters, the owner of a local brothel and police officers they don’t trust. Pursuing one young girl who holds the key to their investigation, but is either too afraid or in too deep to help them, they encounter the dark side of a secret world where would-be allies are enemies, and the victims themselves don’t want to be saved.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Offers entries on 24 of the significant archetypes of horror and the supernatural, from the classical epics of Homer to the novels of Stephen King.
The Films of Stephen King is the first collection of essays assembled on the cinematic adaptations of Stephen King. The individual chapters, written by cinema, television, and cultural studies scholars, examine the most important films from the King canon, from Carrie to The Shining to The Shawshank Redemption.
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Tony Magistrale explores many of the movie versions of Stephen King's works and provides important insights into both the films and the fiction on which they are based.
Six entrancing tales represent the essential Fitzgerald and the Jazz Age spirit: "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate."