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Mark Vararrif, an alien from a the planet Trothal 200 light years away, has been living on the Earth for fifteen years. He lives with his wife Peggy, also an alien, and their son Nathan who has super strength. When Mark was seventeen Zarkoff, a killer and renegade alien, abducted him and together they crashed in the ocean near the south coast of England. Zarkoff resurfaces fifteen years later with a new face and identity now controlling the world's largest company, Multiplixo Robots. Most aliens think Zarkoff is dead but Mark knows different and finds it difficult to warn them about the disaster heading their way. Finally, other aliens become aware of the danger but it's too late to stop World War Three and the invasion of an alien spacecraft that threatens to destroy the major cities on Earth.
"No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..." So begins H. G. Wells' classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines - armed with heatrays - that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps. Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age. Includes the original Warwick Goble illustrations.
Roz the robot discovers that she is alone on a remote, wild island with no memory of where she is from or why she is there, and her only hope of survival is to try to learn about her new environment from the island's hostile inhabitants.
Jewish Fantasy Worldwide: Trends in Speculative Stories from Australia to Chile reaches beyond American fiction to reveal a spectrum of Jewish imagination. The chapters in this collection cover speculative works by Jewish artists and about Jewish characters from a broad range of national contexts, including post-Holocaust Europe, the Soviet Union, Israel, South America, French Canada, and the Middle East. The contributors consider various media including novels, short stories, film, YouTube videos, and fanfiction. Essays explore topics ranging from the ancient Jewish kingdom of Khazaria to modern university classes and the revival of Yiddish to the breadth of LGBTQ+ representation. For scholars and fans alike, this collection of essays will provide new perspectives on Jewish presences in speculative fiction around the world.
Goodreads Choice Finalist for Science Fiction A pizza-loving slacker becomes the host of an ancient alien—and a pawn in an ongoing alien war—in this “science fiction romp” full of wit and humor (Huffington Post) When out-of-shape IT technician Roen woke up and started hearing voices in his head, he naturally assumed he was losing it. He wasn’t. He now has a passenger in his brain—an ancient alien life-form called Tao, whose race crash-landed on Earth before the first fish crawled out of the oceans. Now split into two opposing factions—the peace-loving, but under-represented Prophus, and the savage, powerful Genjix—the aliens have been in a state of civil war for centuries. Both sides are searching for a way off-planet, and the Genjix will sacrifice the entire human race, if that’s what it takes. Meanwhile, Roen is having to train to be the ultimate secret agent. Like that’s going to end up well.
In the gripping sequel to Sleeping Giants, Sylvain Neuvel’s innovative series about human-alien contact takes another giant step forward. “Sleeping Giants may have debuted his thrilling saga, but Waking Gods proves that Neuvel’s scope is more daring than readers could have imagined.”—Paste As a child, Rose Franklin made an astonishing discovery: a giant metallic hand, buried deep within the earth. As an adult, she’s dedicated her brilliant scientific career to solving the mystery that began that fateful day: Why was a titanic robot of unknown origin buried in pieces around the world? Years of investigation have produced intriguing answers—and even more perplexing questions. But the truth is closer than ever before when a second robot, more massive than the first, materializes and lashes out with deadly force. Now humankind faces a nightmare invasion scenario made real, as more colossal machines touch down across the globe. But Rose and her team at the Earth Defense Corps refuse to surrender. They can turn the tide if they can unlock the last secrets of an advanced alien technology. The greatest weapon humanity wields is knowledge in a do-or-die battle to inherit the Earth . . . and maybe even the stars. Praise for Waking Gods “Kick-ass, one-on-one robot action combines with mind-bending scientific and philosophical speculation. Series science-fiction fans will enjoy this follow-up filled with unexpected revelations and a surprise finale.”—Booklist “Pure, unadulterated literary escapism featuring giant killer robots and the looming end of mankind. In a word: unputdownable.”—Kirkus Reviews (starred review) “Sheer escapist fun.”—Shelf Awareness Don’t miss any of The Themis Files by Sylvain Neuvel: SLEEPING GIANTS | WAKING GODS | ONLY HUMAN
A funny, weird and hugely entertaining memoir of travelling around the world in search of UFO landing sights, UFO believers and abductees.
This is especially true of the science fiction film--a genre as old as cinema itself--which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called "woman's film." Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this book--some newly written, others gathered from scattered sources--look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority and their relation to technology. This material is ordered and contextualized by the editor with a view to exploring how science fiction cinema has been approached critically and theoretically by commentators on the genre: as a mirror of society, as bearing or producing ideology; as caught up in an intertext of media productions, or as expressing unconscious desires. Contributors include Giuliana Bruno, Scott Bukatman, Thomas B. Byers, Barbara Creed, Anne Cranny-Francis, Daniel Dervin, H. Bruce Franklin, James H. Kavanagh, Douglas Kelner, Steve Neale, Judith Newton, Constance Penley, Hugh Ruppersberg, Michael Ryan, Vivian Sobchack, Michael Stern, J. P. Telotte, and Paul Virilio.
Earth is ruled by master-machines but the Three Laws of Robotics have been designed to ensure humans maintain the upper hand: 1) A robot may not injure a human being or allow a human being to come to harm 2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law. 3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. But what happens when a rogue robot's idea of what is good for society contravenes the Three Laws?