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First published in 1975, this new edition has been abridged and annotated. This collection of diary entries tells of the author's experiences working on farms in the Ballarat and Castlemaine area and later as a street worker for the Maldon Council. The author was a prize-winning poet who composed in both Welsh and English.
This book’s focus is the Welsh immigrant community in the Ballarat/Sebastopol gold mining district of Victoria, Australia during the second half of the nineteenth century. The book provides an analysis of a Welsh community as it existed in a particular area and the ways in which it changed during a specific period of time and considers all aspects of the Welsh immigrant experience.
A Forester's Log is a unique forest story, told from a forester's viewpoint-the view of John La Gerche, one of the first generation of foresters in Victoria, who managed the Ballarat-Creswick State Forest in the late nineteenth century. La Gerche's Letter Books and Pocket Books have survived to provide a rare insight into a bailiff-forester's burdens in the 1880s and 1890s. As a bailiff, he daily had to confront prop cutters and woodcarters, 'scamps and vagabonds' who constantly defied forest regulations. His pioneering work helped shape today's forested landscape around the Central Victorian goldfields town of Creswick, 'the home of forestry'. In the detailed correspondence between this amateur forester and his bureaucratic masters lies the human story of an ordinary yet remarkable man, endeavouring to strike a fair balance between the competing demands of local woodcutters and distant officials. Angela Taylor reads between the lines to create a beautifully perceptive portrait of a vanishing character type-the truly committed public servant. A Forester's Log is an illuminating and charming book which will appeal to a wide range of readers, both urban and rural, including those interested in conservation and landscape heritage.
"An unforgettable character, with a heart as big as her pocketbook, a fine disregard for convention and an insatiable appetite for life." —Denver Post The fabulous Phryne Fisher, her sister Beth and her faithful maid, Dot, decide that Luna Park is the perfect place for an afternoon of fun and excitement with Phryne's two daughters, Ruth and Jane. But in the dusty dark Ghost Train, amidst the squeals of horror and delight, a mummified bullet-studded corpse falls to the ground in front of them. Phryne Fisher's pleasure trip has definitely become business. Digging into this longstanding mystery takes her to the country town of Castlemaine where it's soon obvious that someone is trying to muzzle her investigations. With unknown threatening assailants on her path, Phryne seems headed for more trouble than usual....
Archaeologists from the US, the UK, and Australia examine households and household activity using a variety of theoretical and methodological frameworks in differing temporal and spatial archaeological contexts. Case studies are drawn from the Mediterranean region, Britain, the US, Central America, and Australia. Annotation copyrighted by Book News, Inc., Portland, OR
Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.
Soil Acidity and Plant Growth emerged from concerns over increasing acidification of soils under improved pastures over wide areas of southern Australia. While the book has its origin in the problems of acidification of Australian soils under pastures, the authors examine soil acidity within a much broader framework, making their views relevant to all agricultural and natural ecosystems on acid soils. The book's first two chapters discuss the chemistry of soil acidity and the ecological processes leading to it. This is followed by separate chapters on biological responses to soil acidity, covering mineralization of soil nitrogen, incidence of plant diseases, plant mycorrhizal associations, symbiotic nitrogen fixation in legumes, and genetic variability in plant response to toxicities. The remaining chapters focus on the correction of soil acidity problems by liming. These include studies on the rates of application and effectiveness of liming materials; and the development and use of computer modelling procedures to help researchers identify the effects and interactions of soil pH on component processes and to provide assistance to farmers in the management of long-term subterranean clover pastures.