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This might be my last yearnot because I let it beat me but because I have finally found the happiness that Ive been searching for all my life. Ironically, I found it in a place that has nothing to do with music. You see, happiness is the single life essential for which we all long for. We feel happiness when we perform. We feel happiness when we have successful lessons that indicate student learning. We feel happiness when our peers, our colleagues, and our communities love what we have provided. This happiness is what I now refer to as sound living. It has been a journey to finally live soundly. The reason why it is difficult for a music educator to find that true happiness is because we often end up having a conflicting relationship with our passion. We love music, but we hate that we have to validate our existence.
A comprehensive, chronological listing of the Top Ten albums in the U.S. and the U.K., from 1960 through the present day, includes monthly charts, accompanied by photographs, information on the albums, and artist trivia. Original. IP.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
Once I was a sane, levelheaded professional woman. Then I said “yes.” Now I am the lunatic bride I always made fun of! What is it about getting married that turns normal people into total freaks? A savvy, riotously funny novel, Diary of a Mad Bride is for anyone who has ever been a bride, is about to become a bride, yearned to be a bride, or suffered the sheer indignity of appearing in public in the world’s ugliest bridesmaid dress.... My wedding was starting in less than twenty minutes, and I was stuck in a 7-Eleven parking lot with popcorn kernels wedged in my gums and vanilla ice cream melting on my dress. It was a disaster too large to comprehend. After an agonizing year spent planning my wedding, could it really end like this? The voices chronicling a year of wedding hysteria swirled in my head.... — My grandmother upon viewing my engagement ring: “What do you mean he gave you an emerald! Diamonds are eternal, emeralds say, maybe five years.” — My future father-in-law on the night of my engagement party: “To a happy marriage and, if necessary, a painless divorce!” — My best friend, Anita: “Oh, screw congratulations. Of course I’m happy for you. Stephen’s a major piece of ass and he’s got a sense of humor. Just as long as you’re certain this is what you want.” Would I survive this day after all....?
In Feenin, Alexander Ghedi Weheliye traces R&B music’s continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre’s decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the postdisco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music’s relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye’s capacious thinking about R&B as the site through which to consider questions of Blackness, technology, history, humanity, community, diaspora, and nationhood.
This comprehensive guide is a must-have for the legions of fans of the beloved and perennially popular music known as soul and rhythm & blues. The latest in the definitive All Music Guide series, the All Music Guide to Soul offers nearly 8 500 entertaining and informative reviews that lead readers to the best recordings by more than 1 500 artists and help them find new music to explore. Informative biographies, essays and “music maps” trace R&B's growth from its roots in blues and gospel through its flowering in Memphis and Motown, to its many branches today. Complete discographies note bootlegs, important out-of-print albums, and import-only releases. “Extremely valuable and exhaustive.” – The Christian Science Monitor
Since the mid-1990s, Tim Mosley—better known as Timbaland—has been one of the most in-demand and critically respected producers in the music industry. His credits include numerous hits in hip-hop, as well as dance, R&B, pop, and rock. But that isn't the only contribution Timbaland has made to the music scene. In 2006, he became the CEO of his own record label, Mosley Music Group. Open to all kinds of acts, the label is part of, and distributed by, Interscope Records. Mosley Music Group has released several star-studded albums. The label has given new creative outlets to experienced artists like Nelly Furtado and Chris Cornell, and helped launch the careers of artists like OneRepublic, Keri Hilson, D.O.E., and MC Hayes. This book profiles all of Mosley Music Group's past and present artists and their releases, as well as the fascinating story of Timbaland's long and influential career.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Red Hot Chili Peppers, Goo Goo Dolls, Nirvana, Green Day, Mariah Carey, Notorious B.I.G., Billy Ray Cyrus, Backstreet Boys... the list goes on. Meet all the 1990s' essential musical artists in one insightful volume. During the 1990s, musical genres became more commercialized than ever—and that was just one of the many changes that characterized the decade. Music of the 1990s offers a detailed and wide-ranging view of the important music of the '90s, identifying the artists and the important compositions—popular, classical, and jazz—that helped shape the period. The book focuses on key artists in specific genres in popular music, including pop, hard rock/heavy metal, rock, and country. Specialized genres are examined as well, in a chapter that discusses prominent artists and composers in musical theater, jazz, popular Christian music, and classical music. Among other topics, the book looks at the growth of urban-based rap and other popular music in the context of the rise of music television. Hard rock and heavy metal are also examined within the music video idiom. New trends in mainstream rock and country music are explored as well.
Mad Music is the story of Charles Edward Ives (1874Ð1954), the innovative American composer who achieved international recognition, but only after he'd stopped making music. While many of his best works received little attention in his lifetime, Ives is now appreciated as perhaps the most important American composer of the twentieth century and father of the diverse lines of Aaron Copland and John Cage. Ives was also a famously wealthy crank who made millions in the insurance business and tried hard to establish a reputation as a crusty New Englander. To Stephen Budiansky, Ives's life story is a personification of America emerging as a world power: confident and successful, yet unsure of the role of art and culture in a modernizing nation. Though Ives steadfastly remained an outsider in many ways, his life and times inform us of subjects beyond music, including the mystic movement, progressive anticapitalism, and the initial hesitancy of turn-of-the-century-America modernist intellectuals. Deeply researched and elegantly written, this accessible biography tells a uniquely American story of a hidden genius, disparaged as a dilettante, who would shape the history of music in a profound way. Making use of newly published lettersÑand previously undiscovered archival sources bearing on the longstanding mystery of Ives's health and creative declineÑthis absorbing volume provides a definitive look at the life and times of a true American original.